Genesis 1–12 consists of a number of independent panels,
each of which begins its narrative just before the previous panel finishes...
...and takes the story on from there (cp. the diag. above).
It narrates creation week—the world’s first seven days.
Panel Two then runs from 2.5–5.32.
It picks up the story in Day Six, which it fills out in further detail.
And it continues on until the 500th year of Noah’s life (5.32).
It picks up the story in the 480th year of Noah’s life (6.3 w. 7.6)—that is to say, it begins 20 years before Panel Two closes—,
and it continues on until 10.32,
While the text of 5.32 lists Noah’s sons as ‘Shem, Ham, and Japheth’, that is not the order in which these three sons were born.
Ham was the youngest of Noah’s sons (9.24).
since Noah fathered his first son in his 500th year, and Shem’s 100th year coincided with Noah’s 602nd (cp. 5.32, 7.6 w. 11.10).
As such, 5.32 lists Noah’s sons in their order of importance in the subsequent narrative rather than their order of birth.
Panel Four picks up the story when the world still speaks a single language (11.1), i.e., before the division of the nations (described at the end of Panel Three),
and reveals the *cause* of that division,
The Panel then continues on until the death of Terah (in 11.32).
To see why, consider how Panel Four closes.
b] to leave Ur, settle in Haran, and die there at the age of 205 (11.31–32).
First, Abraham is told to leave his country/land (12.1)—i.e., *Ur*—,
which suggests the events of 12.1 are set in Ur *before* Abraham has arrived in Haran (in 11.31).
(cp. 12.5, where Abraham ‘takes’ Sarah and Lot with him, with 11.31, where Terah ‘takes’ Abraham, Lot, and Sarah with him),
despite the fact Abraham is only 75 years old at the time (12.4) (which means Terah should still be alive).
especially those who think 12.1 shouldn’t be read as a pluperfect (for grammatical reasons).
nor do we need to accept the Samaritan Pentateuch’s emendation.
We simply need to be accustomed to our narrator’s modus operandi.
As such, the narrative begins exactly as the careful reader would expect it to begin.
but are deliberate and consistent features of the text.
THE END.