I am trying very hard not to do spoilers for anyone who is reading this, but the juxtaposition of certain panels in this episode with the episode title is some excellent foreshadowing.
"Oh God! They're attacking us with boulders!" is undeniably a nice tension-breaking joke, but the winner here is Karen and Bleu saying "They're right where we predicted they'd be," which immediately amps the tension back up.
"If you stop moving, you'll die." Karen is infinitely quotable.
The fact that using that Guides using their powers without working with another Guide just vaporize their targets is both terrifying and amazing.
Still not sure why Balen is wearing a shirt here.
It's a little detail, but I love that the geomancer squad here all have their own unique weapons. I feel like it's a detail that implies a lot of backstory that we never got to see
I like Karen quite a bit, and I like her powers quite a bit, and I feel like of the villains, she is the one who most consistently gets hurt or embarrassed (case in point, panel 3)
"As long as this land protects me, I'm timeless," combined with the dual image of Karen and AJ with their respective motifs behind them? *chef's kiss*
Heart quote: "I shall never think again, for the burden is too much to bear."
Also special shout-out to the utterly badass shot of Cole kicking a man in the face in the middle of a raging battle.
AJ's allusion to Karen maybe knowing some form of geomancy has stuck with me since the first time I read this page, and I'm kind of curious if it's going to come up in Lost Noise.
Love the phantom images of Karen still visible in the background of AJ's frustration panels.
"Now that's a shame. Discord is such a killer."
I have used Ghost-like abilities in multiple tabletop and videogames and it is ALWAYS satisfying.
"Know this: we are soldiers. We suffer for those we love, so they won't have to. It's a duty worth dying for.
So tell me: who are you? We could have learned from each other!
Who do you suffer for?"
"You are wasting my time and your flesh. I'm passing through, one way or another."
Karen continues to be the best, but the battle shoutout goes to Bleu tanking Valens attack and then CATCHING HIM WHEN HE TRIES TO JUMP AWAY
Every part of this war sequence is excellent, but the sudden dread that comes with Karen's allusions to what really's hidden in the Badlands is masterful.
"He's casting! RUN!"
You may not know what's about to happen, but you know for sure it's not good.
The distorted text around Ghost's one-word "Lucian" implies so much emotion so effectively.
"Isn't this lovely? I thought I'd never hear that voice again." I know I'm coming into this knowing exactly what their relationship is, but these few pages do such a great job expanding their characters and establishing their antagonism
"It's a waste of breath to admit that things did not go as planed, with me being dead and you being...not dead."
Every Ghost/Lucian interaction is so good.
Man, I definitely did not know the reveal at this point and I can't understand how I missed it. Panel layout and dialogue are basically screaming it at this point.
I appreciate that Karen, having lost the fight, decides to both impart some crucial information and screw with her opponent's head.
"You have no talents of your own, only some gifts you inherited. It's the only excuse for your ignorance." I don't know what it is about Karen and Ghost that speaks to me so deeply, but their dialogue is a big part of it.
I like that the soldier makes sure we know the mysterious blonde gentleman looking wistfully off into the horizon is Cole, because we definitely aren't recognizing him without his hat.
"A choice meant to be beneficial inveterately causes more woe. Then it is just a question of if the woe went to the right place.
For now, I'll settle for that."
In which Cyri shares some crucial lore information that welds Part One and Part Two together after that incredible war sequence.
Because of John's joke about Cole's beat panel here (THAT HE HASN'T MADE YET) I was unable to get through the end of this comic without laughing. So thanks for that
"You sacrificed your body to restore grandmom's bell....
I don't know if I can use it now. It'd be too creepy."
This is an excellent page for many reasons, but I'll start with the joke.
"It's easy to get lost in thought if you aren't used to it," is a deep burn, and it's too bad AJ was too zoned out to hear it.
"Power is merely the faculty to act. It's a kinetic quality few can grasp.
The deaths of these 12 men costs me nothing. I can replace them.
Because I never stop moving."
I wonder who this mysterious Nyle is who is familiar to both Karen and Frey and who nearly killed Lucian? So mysterious...
Seriously, I forgot how much I love the magic mechanics of this world (and, coincidentally, how much I've stolen for my own work 😅
"The trees told me you ran into a strange woman back in Fortuna." I know we've explained AJ's powers (and consequently made geomancy badass as hell) but it's still a great way to yada yada your way out of redundant exposition
For some reason, the animosity between Ghost and Bleu feels much more pronounced in this run. My guess is that Ghost sees a lot of his younger self in Bleu, and is both projecting and trying to act as a kind of cynical mentor?
I think this is the first time we learn the weapon is called the lens? But then, I apparently missed the first "Nyle", so I could definitely be wrong.
I like the aesthetic of these backstory-expanding episodes.
The word "sacerdotal" appears near the end of this page, and I do not believe I had encountered this word before Fortuan Saga and that I have not encountered it since.
Everyone, including Cole, immediately guessing that Nyle is one of the three people who survived the War of the Magi 1000 years ago, has cracked me up since I first read it.
It's a nice detail that Balen is still capable of moving when all the other characters are incapacitated
"Deep in this enchanted earth, flesh did not rot. Unfed bodies did not die. The body was preserved from time, while the mind was not. We were sealed inside - no light, no room, no way to pass the time."
The whole "sense prison" nightmare scenario (or the "I Have No Mouth And I Must Scream," if you were prefer) is an old fear of mine, and its use here as a backstory for three crucial characters is superb
This is a video interlude in a comic with a constant ticking clock that relies on visuals not at all, solely on dialogue color-coded so you know who's speaking at any given moment. It is transcendent.
This is my first time noticing the extremely tiny, hard to read "GAH MY EYES" in the wide-shot panel.
Who's this mysterious silhouette? Eh, she probably won't be important later.
Lucian is one of my all-time favorite villains, and his dialogue here is an excellent example as to why. In the face of threats and defiance from powerful people
"I like people who are direct."
"There are no shades of gray in this world."
Karen has some A+ quotes
"Time gnaws and wears away; it separates; it flies."
"Realize that now, in this moment of time, you are creating. You are creating your next moment. That is what is real."
"The foolish spend time: the wise use it."
"The blade flies beneath his defenses and the man is hit in the heart (the devious promptings of the demons start)."
I like Balen, but some parts of his core philosophy still feel hazy to me after several rereads
"Tell me what flowers you want at your funeral you stupid woman!" is one of those quotes like "It really was a Hatori Hanzo sword" that feels really amazing to use as a non sequitur, particularly while playing a video game
Nyle, I know you're mad, but I don't think you NEEDED to burn that forest.
I really like that there's a distinction between Nyle's dialogue and Ghost's. The two identities feel different in subtle but clear ways.
I can see why Nyle made the switch to the Western Legion armor. Besides the symbolism, it also looks badass
This reveal was telegraphed beautifully, and I'm a sucker for the metaphor. Nyle's cause survives his death, in the form of Ghost: Lucian's evil survives his death, infesting Nyle's body. I love the metaphysics used to explain it
This episode has such a long build-up and it is STILL FUNNY.
I think this was the most recent page when I first discovered Fortuna Saga, and I may have to take a brief break here while I feel my age.
If you've played #FinalFantasyVI, there is some marvelous dramatic irony throughout Fortuna Saga, but it really comes to a head here.
A lot of the drawbacks of geomancy break the old show-don't-tell rules (since our most prominent geomancer is a gifted prodigy who barely has to work for her mastery), but these episodes do a great job showing the costs that come with power.
Look who's back!
Also, this is the joke the cracked me up all the way back in Episode 118.
"What were you thinking!"
*flashback*
"If tomatoes are technically fruits, is ketchup technically a fruit paste on par with jams and jellies?"
Just caught the reference to Frey's soliloquy in the Episode title, but I do love how offended Cole is by Ghost stealing the sigil, and how earnest he is in trying to get it back.
Tension immediately broken by AJ using endgame spells on a poor passerby and Valens insisting that messenger birds have to die no matter what.
"I will not have blood on my hands this way," implies that Ghost would have let Cole die if he'd managed to find a more dignified way of getting stabbed, and honestly I respect that.
This is the most we ever get of Lucian's backstory, and every part of it is so good at telling you who he is, and how ruthlessly he pursues his goals. I love how his robe is highlighted while his stolen face is permanently framed in shadow.
There is so much happening in this chapter and all of it grounded in excellent character work (from AJ beating up soldiers to Bleu taunting AJ about serious information to AJ's genuine concern for Cole to the reveal of who the passerby was)
Bleu's utter terror at the Hunter is still funny.
And shirtless Cole with a bandaged wound staring off at the horizon still steals the scene.
It would be easy for Lucian to be your traditional evil overlord ingrate (which he kind of is!) But I like that he takes time to admit to Valens that he was right to rescue Lucian earlier. It says something about how Lucian views the world.
The Hunter's first line in over 100 Episodes is a greeting followed by a sardonic request. The Hunter is fascinating, terrifying, and hilarious (there is a pattern in Cutting's work)
"That's crazy!"
"It beats being dead."
Seriously, the Hunter is hilarious.
The panels of Lucian ripping through Fortuna's soldiers single-handedly are terrifying and awesome, but Ghost's soliloquy takes centerstage, with his ode to good intentions, bad outcomes, and atonement. "Our eyes got stuck on the horizon."
This is a great intro to a paradigm shift in how our story is going to proceed, but I don't think we're ever given adequate explanation as to why Cole and AJ are killing time playing chess in an occupied city (I know why they're there)
In which Cole Mariano demonstrates that, as hilarious a stooge as he can be, you do not want to mess with him.
The Guide Balls look really cool, but I'm not sure it's ever made clear to us what they do?
I feel a twinge of sympathy everytime I read the intro to this letter, alluding to the likely chance Lauren hasn't written Bleu since the war began. To quote our dear Ghost, "Hoorah for romance."
But seriously, crackling with crimson lightning as they see an incoming attack? Those Guide Balls DO look cool.
In which Ghost and the Hunter quickly establish that they are the most terrifying things in Fortuna's army.
"Everyone you face won't be as genial as Nyle or me," combined with Ghost's bloodstained shrug, has never once failed to make me laugh.
I love this discussion between AJ and Ghost about what it means to have to kill in defense of your ideals, and how to walk that fine line between prowess in battle and the need for empathy.
A master geomancer tracks an army when a single soldier absent-mindedly treads upon a single healthy plant. Geomancy continues to be badass.
"If you aren't going to help, then shut up!" is so hilariously petty
The Hunter is in command now. This can't possibly end badly.
"In other words, the Chief is a dick" could replace half the dialogue in this episode (though it wouldn't be quite as entertaining). Besides Cole giving AJ shit about how cool ritualists can be.
Chief Glass is an interesting character, especially in context of the full canticles. His staunch pacifism is theoretically admirable, and his desire for peace is shared by most major characters. His major flaw seems to be a sort of denial
It's a nice detail that the monsters make from people's souls can't host bacteria, as they are utterly unnatural.
That said, this notion of monsters crafted from souls does bring to mind something from Lost Noise...
Dante's pretty great.
"Think we could trade Cole for him?
There's no harm in asking."
For real story details: the conflict between Dante and Glass, and the cowardice it reveals, helps us understand some of Glass' flaws a little better
A lot to like here between AJ and Dante's sibling rivalry with and genuine affection for one another and Karen and Ashlyn being gloriously sarcastic, but Karen wins as always: "Kill the woman first. She wearies me."
I love that Cole always gets to do the big eyes surprise emote when something happens (and I love the random soldier shouting "NO SHIT CAPTAIN" in the wide panel), but Frey's the real highlight here.
Not to be even more of a god damn nerd, but this little snippet of a fight is SO GOOD. Ashlyn uses time magic to turn herself into an arrow-firing machine gun, and Ghost Matrix dodges his way through it! SO COOL.
Love the panel of Frey and Cole charging each other just before the teleport hits.
Dante, walking up to his sister, covered in blood: "I don't do it that often because it really hurts."
Cutting said he didn't like the Neon Delicious Tree joke, but I'll be honest, if we don't get the full history of the Neon Delicious Tree in Lost Noise, I'm considering all three Canticles a wash.
It took me a long time to notice the telltale shift of eye color that means Ghost diagnosed Dante by possessing him.
Sidenote: I love that all of Ghost's supernatural, phantasmic abilities are basically things he knew how to do while alive.
Ashlyn's backstory does rely to some extent on the events of Final Fantasy VI, and I find it pretty interesting. One of the main cast in FFVI is the product of successful experiments to bring magic back, as is one of the major villains.
There's a lot to love here, between the Clue reference in Panel 3 and Cole being haunted by his ghosts in Panel 11. But above all else, a heart quote:
"The boundary between capability and willingness is where most of us find salvation."
This is a lovely page, but special mention to AJ's ethereal ballet callback.
None of this is out of character for the Hunter. All of it is still terrifying.
"It seems that, more times than we would like, what we want and what we need to do are very different."
There's a move in RE: Chain of Memories where you can turn yourself into the center of twisters to devastate your enemies, and it always reminds me of this.
The philosophical, moral sparring between Lucian and Ghost? Good. The bodies raining down after AJ ends her tornado? Better.
"There is no one left but you and me. I have been looking forward to a fair fight."
In a single episode, we find out exactly what the Hunter has been doing in Ward, and why he's been doing it.
"What is freedom if not the unhampered transition from will to act?"
A very Lucian thought from Dante Lann here, even if displays his belief in a very un-Lucian-like way.
"I'm sure it bores us both to slay these insects. Stand guard, young geomancer!"
Lucian is a monster, but that doesn't stop him from being kind of magnificent.
(Also shoutout to Cole and Bleu being back-to-back badasses)
Dante Lann is in Fortuna Sage for 20 Episodes of 324. In that time, he's funny, talented, affectionate, and flawed. In a short time, he earns a great deal of sympathy and affection.
And when AJ says, "Little brother?" It hit HARD.
Gonna actually put on my critic hat for a second: AJ's geomancy-fueled rampage kicks ass, but the way she punches Lucian looks a little bit silly. That said, in both cases we feel her pain, rage, and grief.
"You're stuck between the land, sky, and all my rage!" is a quote I have definitely stolen when using magical characters in RPGs
I find something so incredibly badass about every scene where Ghost gets to hold a sword.
Everything about this section of the story, from the mustering of the soldiers in Fortuna to AJ and Dante's rampage to Ghost carrying AJ through the flames, hits hard.
The panel of Cole and Ghost sharing a silent look is gorgeous.
"I was told you were a mute, and that thought disappointed me. But you are an eloquent speaker, telling a most depressing story."
This fight is just. So. Cool.
Pretty sure that's not Cyri. I guess all sixteen-bit old women look the same to me.
Still trying to minimize references, to other Canticles, but: does Ezra have the same text color as the Hunter?
"I see you have also discovered the secret. When all you have is the mission, that's what you become.
Our lives burned away long ago."
I have never stolen this line, but I have been powerfully tempted to on many occasions.
I don't know if the instructor of geomancy here is Cyri or Dr. Allen. If it's Dr. Allen, I will admit it is a BIT convenient that someone else had a record of the Gallery besides the women who built it.
"Why are we here?"
"You're the holy one, Frey, you tell me."
"That's not what I meant."
This is some nice character growth on Bleu's part. He's clearly a much more seasoned, focused commander than he was during the first battle of the war.
"I married an aloof, selfish woman."
I've used this line to make fun of @Kaydbe more than once.
I love that Bleu--kind, decent Bleu--has the confidence and willpower to strike at a shapeshifter disguised as his wife.
Even without any lines, Karen still steals the scene with her facepalm
Bleu attacking Frey here looks a lot like Fighter attacking anyone in 8-bit Theater.
(I have almost tweeted Bleu's name as Blue so many times now)
Karen using time magic to deliver a group beatdown to AJ by herself is everything time magic should be.
This is a great page. Lucian steals the scene here:
"I would gladly have taken these men into my fold. Unfortunately, they are unable to share my vision. My eyes are focused forward. Sacrifices must always be made."
"The odds are against us now."
"Yeah, it looks that way."
"...I could be wrong. All we have to do is kill one man."
"Sounds easy enough."
"...I'll see you on the other side."
"With her, I was someone better, and there was no sweeter joy. I pity you, who cannot understand that."
The action sequence between Cole and Ashlyn, dueling with words and weapons across an active battlefield, is really cool, and really gives Cole's abilities a chance to shine.
"Only a time mage can hold a soul in stasis. Without that, human souls can't be twisted into monstrosities."
We knew Karen had the ability to make monsters from the Crew Dust, but only now do we see the full extent of her betrayal
"I taught you how to keep up with me. I expect you to do so."
Cole's "Five More Minutes" is a nice bit of levity, but in five words, Bleu goes through five stages of grief, and accepts the grim, heartbreaking cost of doing the right thing.
"We have lived cursed lives. Perhaps we were incorrect to seek death, for death would not take us. We should find a path that makes death a fulfillment.
Good luck, my friend."
A resolute pacifist meets Lucian. It goes about as well as you'd expect.
But oooh, the dread that comes with Ashlyn's simple question: "Ever hear of something called the Lens?"
"This is a spear wound."
I believe @FilmCritHULK recently said something about #InvisibleMan, and how one of the best scenes is just one character revealing new information to another, like the best reveals are. This is one of those scenes.
I do love that there are three distinct teams of badasses with countervailing motives and loyalties all racing for the MacGuffin.
"A blighted place designed to hold the follies of mankind in check: the Gallery."
I love #webcomics, and there are ones I rank more highly than Fortuna Saga, but the Gallery plotline probably ranks near the top of my list of stories.
I think @j_cutting once had a news post about this comic, where the entire joke is that the villains have to do all the grunt work that heroes normally have to in a dungeon, rather than just cut to the end.
The pre-battle prep in panel 4 looks incredible badass.
I just realized the Conduit might make an appearance in Hymns of the Apostate?
"What must we give up?"
"Mortal, you will answer that question for me soon enough."
"Humans are amazingly unobservant. They expect sacrifice to come from what they have instead of what they are. The true concept is common, yet very alien to them."
Everything about the Gallery appeals to me: from the first word we hear about it, ominous and foreboding, to the false affability of its guardian (shaped like AJ's mom), to games it plays with memory, regret, fear, space, and time.
Marcus' first on-screen appearance also adds a new dimension to AJ and Bleu's relationship: did Marcus and Lauren have an affair, or is that another lie conjured by the Gallery?
I think the Gallery needs to learn more about consent. It's getting awfully...handsy.
"That's my girl! It takes more than being murdered to keep you down." In his tendency to crack a joke regardless of his circumstances, I definitely have a pronounced Cole streak.
It defines the conflict between Ashlyn and Cole more clearly: Ashlyn is everything Cole fears he is.
"I do this with regret. You are a "Holy Man" who has strayed far beyond the hope of recovery. Yet you avow your innocence.
I would have remedied watching you fail."
If half of me is Cole cracking jokes in front of the illusion of his dead lost love, the other half is Ghost talking to an illusion made to torment him, nuking it when it bores him, and saying, "That's a stupid question."
Ashlyn is a monster, but her first threatening Valens and then saying, "I thought you would say that," is still pretty funny.
The Guardian has so much personality.
"I should warn you before I send you on your way. This is not a path for the uncommitted. Do not look back. Those without resolve have no place here.
Humans, I will ask once: do you wish to enter?"
AJ's anger when the Guardian shapes itself to look like Dante hits hard.
"You imply that she went easy on me."
"I never said that she did. I said it was a tough choice."
I'm gonna put on my critic hat for a second: I love the idea here, that AJ has coasted on her enormous gifts and never quite realized them...
I'm actually really glad I put on my critic thread for the last Episode, because I am about to take that hat off and go FULL FUCKING FANBOY. I want to quote almost every part of this page.
Centuries have passed, which speak volumes about humanity."
"The air here withers all...soon, I too will become a fiend of this gallery." Her pure purpose corrupted by the power she's supposed to protect.
"I will never forgive you for making me do this."
"I pray you never do."
"Humans are not punished for their sins. They are punished by them."
I know these Gallery guys are pretty much literal demons, but it's still a BIT of a dick move to poison the guy who won his symbolic battle against the sin you represent.
"The cause of atonement is the sense of its necessity. This "sin" is what sustains me. Why should I feel guilt? My actions are my salvation.
The only sin in this world is to lose yourself in the pitfalls of empathy and regret."
"You experimented on us. Then you built a nation upon your agony."
"Power misused or left unchecked...there is no difference."
Ghost is full of wisdom, but waking up his tormented, poisoned comrade with the words "You idiot," is delightfully on-brand.
In one page, Ashlyn showcases her monstrous nature (torturing one of the demons sent to torment her because it looks like someone she hates) and how she got there (the justified resentment against those who used and abandoned her)
Lucian is such a powerful monster he can destroy OTHER PEOPLE'S DEMONS
Look, I know AJ can ALSO kill other people's demons, but her way seems to require actual effort and anyways "Giant Toothy Rat" is a bit different than "Unkillable Sociopath Scientist Who Tortured Me."
I guess Lucian's plan makes a lot of sense in the world of #FinalFantasyVI. You're trying to usurp the guy who successfully killed the Emperor, you might as well recruit the runner-up.
Karen's a hypocrite, a murderer, and worse besides, but I do love that the first chance she gets, she goes hard for Lucian.
"Each breath you take dishonors him."
All the faded ghosts that Ghost dimly remembers from Remiel are haunting, and Ghost brings it home with his own words.
"Life is never so clear-cut. We take comfort in its beautiful shades of grey."
I'm going to be 100% honest: in an RP I'm currently in, one of my characters has time-manipulation abilities, and one of their attacks is a time-accelerated bullet called Velocity that is absolutely an homage to this page.
"Listen closely. I don't stop for any reason. I have persevered through pain, cataclysm, and death. What hope have you?"
Two big things here, first focusing on Blue and his decency. Of COURSE Bleu is indignant over Frey's abilites: of COURSE he hates that the man's fanatacism is also the source of his strength.
I do love that every faction in this comic has their cool combo attacks. These work best with Karen, but this whole "Super Flaming Arrow Explosion" move Ashlyn and Lucian put together is pretty neat.
It's interesting that Valens is AJ's most intimidating enemy. She can fight on equal footing with mages of greater experience, but the one warrior always makes her hesitate. Maybe it's got something to do with their respective philosophies?
I don't think the woman in this flashback is Ashlyn, and I've always been a bit curious as to what became of her.
This is one of those pages that hits harder and harder the more you look at it, as all the details of lighting, positioning, dialogue, and content add up to something that truly inspires dread.
I do have a profound weakness for any battle plan that relies on metaphorical and symbolic weaknesses (see: most of FMA: Brotherhood)
"Before I am through here, I will rip this monster down to the mortar."
"...to the marrow."
AJ's first instinct in the face of magical or mystical challenges is to yell in frustration, and it seems to work most of the time.
"I am uneasy. The Tower would rather rule all of nothing than most of everything. However, there is a trust invested in me. The guise of obedience will preserve this planet until I find a way to place it in more capable hands."
"Karen knows that the two of us will always come through for her."
I'm a sucker for the dramatic irony of strong relationship moments in flashbacks and prequels as foreshadowing of what's to come.
1) Valens is full on Matrix-fighting at this point.
2) Karen continues to be infinitely quotable: "This will be quite the challenge. But I didn't fight through the eons to die here."
"Please survive."
With two words, Ghost changes our understanding of the previous page. He was not an unwitting fool stumbling into a trap; he was moving purposefully into the most dangerous place in the Gallery, to save his old friend
"It is time to take accountability.
For whose sake is your pain? I've fought off demons and demigods. I set this world on fire, and only we can mend its wounds.
The gods leave no sin unpunished."
I found myself liking Frey quite a bit less than I had in previous readings of Fortuna Saga. Then I got to these episodes, and I remembered just how much goodwill these fight scenes earn him.
That silhouette shot of Frey standing over Lucian's kneeling body <3
"The belief in a supernatural source of evil is not necessary...men alone are quite capable of every wickedness."
We interrupt this high drama to bring you an homage to final dungeons in SNES JRPGs
(no one is complaining)
Love the little details in this episode, like the faint presence of Lucian's magic empowering Ashlyn. But that shot of Valens praying with Cyri is the most interesting to me, implying their last conversation went a bit longer than we thought
"I am disappointed that Valens would give up his life for something so trivial."
God damn Lucian is lethal with the sleeper burns.
Watching the protagonists work together in this section provides a real organic sense of how far they've come since the start of the story.
The look of annoyance on Valens' face as he hops off the stone spear that was impaling him.
"You feel no pain--only the absence of a humanity that was once there. That's not necessarily bad; I have seen what humanity can do. But the power in you is instatiably fed by a cold rage. You let your fury define you."
On the JRPG note: I do love that the story organically works so that we get a "final boss battle" with almost every major antagonist in Fortuna Saga during Part Four.
Gonna be a bit of a fanboy here. First, some in-the-moment reactions: I love the off-handed way the bell's remnants keep deflecting Valens' attacks, and his increasing annoyance with them.
The instant transition from "goofy AJ" to "powerful sage who speaks with the wisdom of the ages" speaks well to the gravity of the moment, but AJ's very polite "pardon my reach, Matthis," is so sweet and tells us her core kindness is intact
Pivoting away from fanboy to critic again: the second set of three panels, with Cole, Bleu, and Ghost? Unless I'm missing something, I think they were a bit of a mistake. I think they full focus from the narrative without giving anything back
Pages like this one make me extremely excited for Lost Noise, which I imagine will be a lot more focused on the magic and metaphysics of this universe, given the subject matter.
"The best intentions are lost when you become what you hate."
I mean, I approve of Ghost's morality here, but on a gaming level, I deplore his decision not to give himself an immortal kung fu body in addition to his myriad magical powers.
I've mentioned that I'm picking up on all these little moments where Cole's decency shines through, and this is one of them. He doesn't know exactly what's happened to AJ, but he can recognize the significance...and he's worried about her.
I've been noticing Cole's decency most, but Bleu's still hits the hardest.
"There will be time to mourn what was lost when this is over. We still have a job to do."
"What made you think that would work?"
No wonder so many people work for Lucian. He's funny! You know, when he's not enslaving your soul to his dark magic.
"Is this how we squandered our second chance?"
"All our sweetest hours fly the fastest."
Ashlyn here gets to an example of one of my favorite tropes in stories involving supernatural powers: that being the moment when a character with limited abilities finds a way to overcome that limitation, and becomes much more powerful.
1) This page is a dramatic rendition of using a character's limit break on a boss and watching it do NOTHING.
2) That said, I do love Karen's...what's the word? Ah, it's in the title.
This is gonna be a bit of a weird digression, but bear with me: this episode is achieving with Ashlyn vs. Cole what #GameOfThrones consistently failed to achieve in its finale
There's a reason I've loved Fortuna Saga for so long.
"You lost your chief. You lost your country. You lost your love. And still you come back for more."
"This is the only way I know how to move how to move on."
Kinda forgot how great this fight was.
"You played a hand in all of this. We should all pay for our sins."
Offering help to a former enemy along with admonitions is very on brand for Bleu.
Not...100% sure what's up with Ghost in the foreground of Panel 3
Pretty sure Lucian just used one of those bullshit HP-to-1 spells unbeatable bosses throw out when they have to win their fight without killing you so they can play their cutscene.
"Stay down."
"No."
But the real beauty is in those discrete final battles, the discreet collage of images of violence, until Cole stands alone.
"And now you have no face."
Also, that is a TERRIFIC episode title
"I had always wondered what people like her suffered for. I thought that knowing would help me master my own reasons. Now that I have seen this coldness firsthand, I think I finally understand it all."
"Spare me. Have you forgotten who I am?"
"That...is an interesting question."
I noticed something interesting in this read. Lucian is no longer wearing his mask...but I don't remember when he last had it on.
"As more time passes, I can no longer set us apart."
"Despite the similarities, I know. I could never be cut from such a flimsy cloth."
"There's a shred of sin in every one of us. This is why we all must suffer. And now...now is the time to make amends for what we've done.
The world is not dead yet. And salvation is always within our grasp."
"Get up, Nyle. It's not like you to wallow."
"Karen...the Lens took hold of him. I don't remember designing that."
There's so much to love her, especially the incredible atmosphere of this final boss battle...
"Get us close. Just like old times."
Makes me like their relationship even more.
"Very well, geomancer. I would have prefered to leave this Valley intact...but I am aware that nothing can be gain without loss."
Lucian at his most menacing
"The deluded hide behind what they think they are protecting, and they cannot do without."
I love that Karen's personality never changes: she sees her worst desires made manifest in Lucian, and so is able to confront her own lies and delusions so she can turn her selfish creed into a noble one:
"It's our time to even the score.
I've given a couple different characters in a couple different works some limited ability to manipulate time, and it is always to figure out what happens when you combine their abilities with others, like this Ghost/Karen combo blast.
Whoever's running this party isn't doing a great job. Why would you have your mage open her attack with a physical blow? Strength is obviously AJ's lowest stat.
"You steal the lives of others because you see no worth in them. You underestimate the potential between them all. The good people of this valley have woven their lives together."
You have taken many of us. But you are the one who stands alone."
Okay, on a pure nerd level: I told you that I am a sucker for plot devices coming together. Bleu throwing Ghost his demon-slaying sword as Ghost charges his superhuman body with soul-destroying magic to face the main villain is already badass
"Your life depends upon mine, spirit. You can no longer take it from me.
"What makes you think I want it back?"
"This is borrowed time, Lucian. I haven't wasted one moment on myself. I spent every sleepless night thinking of how I could stop the monster behind that face."
That leaves just the two of us.
We are going to hell together."
Karen has done monstrous things in pursuit of her impossible goals. But here, we see that determination also extends to those she loves
"I stayed as long as I could in that inferno. Hoping I found find a trace...a sliver to pull back."
"My hands are stained with the deaths of men, nations, and world. Despite that, and despite our split, Nyle never lost hope for me."
"It hurts. You can still look at me with compassion."
Karen's always been brilliant, ruthless, and funny, but part of that is a defense mechanism. She feels her guilt as keenly as the others, and the moment she lets her guard slip...
Those first three panels say about as much as the rest of the Episode, and that is not a dig.
"I have been given so much. I need to prove that I was worth it all."
I have a theory about privilege, and the responsibilities that come with it. I think AJ is an excellent example of my theory.
The best of us rise to our responsibilities, whatever the cost.
"I am not leaving you, my friend. I will never be far away. Altogether under the surface...then loose and adrift in the breeze...through the bluffs and leaves and into the sea...
There, something of me."
Listen, this is some lovely, bittersweet narration, especially when paired with the shadowed images of Bleu walking through the ruins of his homeland, but where has this narrator been for the last 320 episodes?
The last panel, of Lauren and Bleu rushing towards each other to embrace after all they've lost and all they've faced?
"They showed the lost how to keep faith."
"Most importantly, it is the story of how those who seek it can always find path towards their own redemption. Though it happened long ago, this is no legend.
This is Fortuna's Saga."
"I must believe there is silence because she found atonement for her sins...and, in this forgiveness, she at last captured an elusive happiness."
I have let the story speak for itself these last few pages. Part of that was because I wanted to wait to combine all my thoughts here, at the end. Part of that was because I felt any commentary would cheapen the ending.