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You know what I haven't done for a while? Baen book covers! Let's remedy that now... #SundayFunday
The Chicks Ahoy Omnibus, edited by Esther Friesner (2010). Art by Clyde Caldwell.

Poor trigger discipline there: she'll have someone's eye out...
Soldiers, by John Dalmas. Baen Books, 2003.

You don't know man, you weren't there...
When The Bough Breaks, by Mercedes Lackey & Holly Lisle (1993). Art by Larry Elmore.

Not sure about his miniskirt...
"Readers should applaud this one."

Rogue Berserker, by Fred Saberhagen. Baen Books, 2005.
Operation Chaos, by Poul Anderson (1992). Art by Larry Elmore.

I doubt the cat is that much help.
Winning Colors, by Elizabeth Moon (1995). Art by David Mattingly.

That font! That kerning! Oh the humanity...
The Bourne idiocy...

The Chrome Borne, by Mercedes Lackey & Larry Dixon. Baen Books, 1999.
Dykstra's War, by Jeffery D. Kooistra. Baen Books, 2000. Art by Patrick Turner.

That is a lot of war on one book cover.
Virgin Planet & Star Ways, by Poul Anderson. Baen Books, 2000. Art by Clyde Caldwell.

Some chicken...
Habeas Corpses, by Wm. Mark Simmons. Baen Books, 2007. Art by Clyde Caldwell.
The Hub: Dangerous Territory, by James H. Schmitz. Baen Books, 2001. Cover by Bob Eggleton
The Eagle & The Nightingales, by Mercedes Lackey. Baen Books, 1995. Art by Darrell K Sweet.

Do eagles eat carrion? I hope not!
Forward The Mage, by Eric Flint & Richard Roach. Baen Books, 2002 art by Larry Elmore.

"Are you quite sure you're a hobbit?"
Born To Run, by Mercedes Lackey & Larry Dixon. Baen Books, 1992. Art by Larry Elmore.

Hot cars, fast elves and #RockAndRoll...
The Faery Convention, by Brett Davis. Baen Books, 1995. Cover art by Larry Elmore.

Cosplay can go too far you know...
That's it for my look back at Baen Books today. Always a guilty pleasure...
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Pulp Librarian
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Today in pulp I look back at the Evergreen Review, the countercultural literature magazine of New York's Grove Press... #ThursdayThoughts
Grove Press was founded in 1947 in Greenwich Village, #NewYork. In 1951 new owner Barney Rosset set about turning Grove into America's leading avant-garde publisher.
It was ferocious in fighting censorship battles, and Grove editions of Lady Chatterley's Lover, Tropic Of Cancer and Naked Lunch all ended up in court as the publisher faced off against censorious state authority.
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Pulp Librarian
@PulpLibrarian
"The gun is GOOD! The Penis is EVIL!" bellows a huge stone head floating over the Irish countryside. It's quite a strange start to any movie, but it's about to get even stranger.

This is the story of John Boorman's classic 1974 film Zardoz...
In 1970 director John Boorman began work on a Lord Of The Rings film for United Artists. It would be an unusual adaption; The Beatles would be the Hobbits and Kabuki theatre would open the movie. Alas the studio said 'No', but the idea of making a fantasy film stuck with Boorman.
So in 1972, following the commercial success of Deliverance, John Boorman started work on Zardoz - a fantasy film into which he would cram many unorthodox ideas. Initially Burt Reynolds was to play the lead role of Zed, but pulled out citing other filming commitments.
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Pulp Librarian
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And that's it for my look back at 1974. I know you don't want a thread on the making of Zardoz, so I'll just go and get tea started...
"What? What's that you say? The gun is what? The what is evil? Seriously?"
Well OK then, I'd better do a Zardoz thread.

Don't blame me if it gets weird...
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