"If we don't fight this film, King will become America's new Uncle Tom. You see, the writers molded him into a nice, quiet guy who was told by a white man that if he had difficulties being a leader, he could help him.. What Uncle Tom character inspired a child to be a leader?"
"Dr. King's reliance on some phantom white strategist posturing as the brains of the Civil Rights Movement, and a misplaced arrogance in Dr. King, coupled with a whimpering, grimacing, confused and indecisive childishness."
"Only Network TV... would have the [gall] to do the story of a man who gave his life in pursuit of equal rights for blacks... with no black involvement in the writing, producing, and directing chores.. Thats Network TV. The last bastion of white supremacy in America."
While many black critics connected King's ratings failure to the distorted, white supremacist portrayal of MLK and the total lack of black involvement in the production, Paul Klein had other ideas:
"We got every literate human being in the United States."
You see what Paul's saying? "We got everybody who read about 'King' in advance"
He equates literacy with the white readership of the white press, entirely erasing the "decidedly negative" appraisals of 'King' in the black press. For Paul, rich whites are the heroes of the story
Perhaps youve noticed a pattern? For the benefit of folks slow on the uptake, a few relevant items.
Paul cynically pushing for NBC programming, portraying "'good Negroes' who betrayed no sign of hostility or resentment, posed no threat" to white audiences
Paul, as a Childrens' Television Workshop, Ford Foundation, and Corporation for Public Broadcasting consultant, assisting all of the above target "ghetto children"
Or, one of the first pornos Paul Klein commissioned at Playboy, "Black Venus", explicitly tapping into the tradition of Western colonizers pornographically depicting their "authority and property over the virgin soil of the imperial territory"
I wonder if Paul personally mailed a copy of "Black Venus" to his former investor, Petschek, the spooky banker who participated in the elimination of Patrice Lumumba?
"It's difficult to ignore the tone of condescension bordering on contempt for less desirable audience segments.. The unstated but implicit word in... 'young adult' or 'urban educated' was of course, 'white'"
To be fair, Paul Klein's post-WW2 draft registration card lists his place of residence as the Naval Ordnance Test Station at China Lake and his place of employment as Inyokern Explosives. So its conceivable he toiled away in a naval weapons factory!
While Klein was at the Naval Ordnance Test Station, the navy was testing missiles like "Tiny Tim" and "Big Dick". I do wonder if that was an inspiration at all for the title of his porno, "Tiny Tina"
Porn inspired by or on behalf of the US military also wouldn't be unusual for Klein, so maybe it's not that much a stretch
Interesting how the "Research" Departments at NBC, CBS, ABC doubled as gov psych. warfare research divisions (commercial counterparts to academic "mass communications" depts).
Of course, Paul Klein got his start in NBC's research dept, rising to research VP in a few years.
Probably why the network research departments gave their collaborative research projects acronyms like ARMS and RADAR (which Klein was a lead developer of)
Hugh Malcolm Beville, Jr., Klein's predecessor and head of research at NBC when Klein joined and rose up the ranks. Likelihood that Beville was in one of the 6 psywar centers during WW2 was high, the question is which?
In 1972 Paul Klein participated in a seminar on cable TV and "urban problems" alongside spook research outfits like RAND and MITRE.
A thread on TV, urban pacification and the military-intel pipeline from Vietnam to the US ghettos. 1/
When Barry Zorthian returned from Vietnam in '68 and became Pres. of Time-Life Broadcast overseeing Time's interests in cable TV, he was part of a larger trend starting in the mid-60s of counterinsurgency specialists moving into cable and public TV. 2/
Let's look at a few examples to help set the scene.
1. In '67 there was a major shakeup that saw leading military/intel figures take over key roles in public broadcasting, typified by Frank Pace Jr's appt as the first chair of the Corporation for Public Broadcasting. 3/
I'll confess that when I said this about Paul Klein's spooky Lumumba targeting investor, Stephen Petschek, even in my imagination I thought his ties to Dulles began w. the Congo assault.
How wrong I was! Lets tell a story about Family Ties that takes us back to pre-war Bohemia
The Petschek family was one of the wealthiest families in Czechoslovakia during the First Czechoslovak Rep., occupying the commanding heights of banking and mining.
No better symbol of their power and status than the famed Petschek Villa, US ambassador's residence since 1945.
In 1941, Walter Petschek (Julius's son), fleeing the Nazis, brought his family to the US with his 8 year old son, Stephen in tow.
Stephen would go on to attend Exeter, Harvard and Harvard Law, before as we've seen, embarking on a spook banking career.
What happened to Computer TV, Paul Klein's Schroder/Time backed company? Time bought out Paul's stake and quickly sold the company to Spectradyne.
Spectradyne's story is interesting too! It was founded in '71 by 4 former engineers from Collins Radio, a major CIA contractor.
By '74 Spectradyne found itself strapped for cash. Enter John Adel to save the day.
Adel had spent 11 years in the Air Force (including "semi-undercover" work in Turkey?) before entering venture capital, backing another ex-Collins company, a producer of military electronics
Within a year of being saved by Adel (Adel himself sold his stake to the Murchison family), Spectradyne was in "solid enough financial shape" to buy Computer Television's assets from Time. (The company itself was disbanded.)