The surest recipe for despair is to fall prey to the fallacy of #CapitalistRealism: the idea that "it is easier to imagine an end to the world than an end to capitalism."
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When the world is on fire, sickened, flooding, and on the brink of out-of-control violence and you literally can't imagine any of that changing, it feels like you should just give up.
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This is the point of capitalist realism: to make us believe, as Margaret Thatcher liked to say, that "there is no alternative." It's not just a counsel of despair - it's also a statement in opposition to science fiction's core tenet, that alternatives can always be imagined.
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Back in 2019, @NaomiAKlein, @mollycrabapple and @AOC collaborated on a stellar short video set in the years AFTER a successful #GND transition: "A Message From the Future," narrating back to how we got to a place where we no longer feared the future.
Today, Klein has dropped part two in the series: The Years of Repair, once again featuring Crabapple's stop-motion watercolor animations, cocreated with #BLM cofounder @opalayo and @avilewis.
Years of Repair gets closer to our own timeline, describing the transition from our current capitalist crises of disease, incarceration and climate emergencies to a more just world, one devoted to healing and building rather than looting and extracting.
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It's hard to overstate what a tonic this is: breaking free of Capitalist Realism and letting your imagination visit a place where, as a species, we recover the best of our practices, the mutual aid and stewardship that built the world in spite of greed and oppression.
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Since Dec 4, I've been writing my own post-GND novel, "The Lost Cause," about truth and reconciliation with white nationalist militias funded by offshore plutes, and visiting that world every day has kept me sane through the plague months.
For years, Kim Stanley Robinson has written a series of audacious novels about a post-climate-emergency humanity, starting with 2012's "2312," set 300 years in the future. Since then, he's come closer and closer to the present day.
Robinson is landing an ever-closer series of volleys that start in the the unknowably distant future, then walk back to the present day, reverse-engineering a path from Capitalist Realism to a utopian leap.
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Klein's Messages from the Future are taking a similar path, and the closer they get to our dark moment, the realer (and hence, brighter) the future they paint becomes.
The telegraph and the telephone have a special place in the history and future of competition and Big Tech. After all, they were the original tech monopolists. Every discussion of tech and monopoly takes place in their shadow.
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Back in 2010, @SuperWuster published *The Master Switch*, his bestselling, wildly influential history of "The Bell System" and the struggle to de-monopolize America from its first telecoms barons:
Like you, I've heard a *lot* about Project 2025, Heritage Foundation's roadmap for Trump, should he win the presidency. Given the Heritage Foundation's centrality to the American authoritarian project, it's about as awful and frightening as you might expect.
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In 2017, Equifax suffered the worst breach in history, leaking the deep, nonconsensual dossiers it had compiled on 148m Americans, 15m Britons and 19k Canadians, to form an immortal, undeletable reservoir of kompromat and readymade identity-theft:
Equifax knew the breach was coming. It wasn't just their top execs liquidating their stock in Equifax before the announcement of the breach - it was also that they ignored *years* of increasingly urgent warnings from IT staff about the problems with their server security.
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We're living through one of those moments when millions of people become suddenly and overwhelmingly interested in fair use, one of the subtlest and worst-understood aspects of copyright law. It's not a subject you can master by skimming a Wikipedia article!
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I've been talking fair use with laypeople for decades. I've met so many people with the unshakable, serene confidence of the *truly* wrong, like those who think fair use means you can always take x words from a book, or y seconds from a song, and no more.
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EVs won't save the planet. Ultimately, the material bill for billions of individual vehicles and the unavoidable geometry of more cars-more traffic-more roads-greater distances-more cars dictate that the future of our cities and planet requires public transit - *lots* of it.
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on , my surveillance-free, ad-free, tracker-free blog:
But no matter how much public transit we install, there's always going to be *some* personal vehicles on the road, and not just bikes, ebikes and scooters.
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