Hong Kong's pro-democracy movement has been routed by China's brutal, authoritarian government. The #612strike movement went into high gear on Jun 12, 2019 and endless months, the protesters embodied indomitable spirit, technological shrewdness, and creative exuberance.
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For many of us supporting the protests from abroad, the most iconic images weren't the street-battles or the masks, but rather, the incredible visual art of the movement, which saw the city plastered with #BeWater posters:
Today, those poster-walls are erased, with only their ghosts lingering: painted over rectangles, scraps of glue and wheatpaste. They speak loudly. As @HongKongHermit says in their thread of images, "I can still hear you."
If you follow my work, you know that every day I do a retrospective of still-significant blog headlines from 1 year ago, five years ago, ten years ago, and fifteen years ago:
Reviewing these old posts every morning is an important part of how I understand world events. Revisiting the things that frightened, inspired, excited and puzzled your earlier selves is a very powerful way to putting the events of today into perspective.
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My Hong Kong uprising posts were in my retrospectives all summer long, as we rolled through the anniversaries of so many victories and defeats. Seeing these erased, haunted walls this morning on Twitter was like a punch in the chest.
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Inside: Attack Surface in Wired; The herd immunity conspiracy; How to cheat at Clock Simulator; Facebook vs The Big Lebowski; Papercraft Haunted Mansion Hallowe'en; and more!
If you, like me, are missing the Haunted Mansion especially keenly as we pass through this all-too-short, stolen Decorative Gourd season with its rare confluence of an Oct 31 full moon on a Saturday night, Disney Imagineering has some comfort for you.
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The @DisneyParks blog has published a pair of printable Haunted Mansion activity books (the first half of four weekly installments) that offer a wealth of decor elements to print, cut, color, fold.
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Part 1 features a papercraft set of Disneyland entry gates in their Hallowe'en finery, a papercraft bat-stanchion with WELCOME FOOLISH MORTALS signage, and Hitchhiking Ghosts, Hatbox Ghost an ghostly hand shadow puppets.
Hans de Zwart is a digital rights activist - he used to run the Dutch campaigning group Bits of Freedom - who also happens to be a massive Big Lebowski fan. He created thebiglebow.ski, a search-engine for Lebowski quotes.
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Things were fine until de Zwart started getting user complaints: they couldn't share content from his search engine on Facebook. They got this cryptic error: "Your message couldn’t be sent because it includes content that other people on Facebook have reported as abusive."
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In an article for @nrc, @reinierkist recounts the bizarre, kafkaesque journey de Zwart embarked upon to find out why Facebook had classed quotes from The Big Lebowski as "abusive."
The latest episode of my podcast is part 18 of my reading of my 2006 novel "Someone Comes to Town, Someone Leaves Town," a book that Gene Wolfe called "a glorious book unlike any book you’ve ever read."
This week's episode comes with content warnings for spousal abuse, sexual violence and self-harm - and it also came with a kind of shock for me about how much my attitudes to how this kind of material should be presented in art have changed over the past ~15 years.
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