In 2014, I gave a keynote at Museums and the Web on the suicide-mission of cultural institutions that had decided to sacrifice access - making their collections as broadly available as possible - for revenues (selling licenses to rich people).
I argued that rich people didn't want museums, they wanted to own the things the museums had in their collections; so if museums eschewed universal access to get crumbs from plutes, they'd end up with rich people slavering to dismantle them and no public to help them resist.
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Now, a group of professionals and institutions from the galleries, libraries, archives and museums (#GLAM) sector have published the "Passenger Pigeon Manifesto," in which they eloquently make the same point.
I first encountered @jmcdaid through "Uncle Buddy's Funhouse," his 1993 ground-breaking, award-winning hypertext project - one of the first CD ROMs written up in the NY Times. It was such an exciting, original, weird and artistically satisfying piece, especially the music.
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Later, John and I became writing colleagues, attending workshops together, and then friends - for decades now. His work remains weird, erudite, accessible, madcap and brilliant.
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He's just released a new album of filk/folk music: "Trail Of Mars," recorded during the plague months with an all-star set of session musicians whom John was able to contract with thanks to the unprecedented drought in musical work.
Writing on tor.com, @NB_Chris proposes that dystopian narratives are a form of clickbait: as the "boundary between dystopian fiction and the evening news" blurs, dystopian narratives become political ads.
When the @NRA wants to scare old white people, they run ads that look movies adapted from the "second civil war" novels that emerged after 2016, amping up the underlying message of dystopia: to "excuse or encourage our failure to take agency over our own futures."
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Brown is a dystopian novelist himself; his recent novel FAILED STATE revisits a world in peril that he documented in two previous novels that blended authoritarian rule and ecological collapse, and finds tantalyzing glimmers of hope.
Inside: Pandemic shock doctrine vs internet freedom; What happened in Florida; Prop 22 is a scam; How to spreadsheet; The Ministry of the Future; and more!
This month marked the publication of Kim Stanley Robinson's latest novel, "The Ministry for the Future." I have a copy, but I haven't been able to bring myself to read it.
The last time I saw Stan, he told me he thought it might be his last novel. He's writing nonfiction about the Sierras now. The thought of a world with no unread KSR novels is thoroughly depressing, precisely because his books are so inspiring.
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But after reading his interview with @eliotpeper, I've reconsidered. No one writes optimistic novels about crises the way Robinson does, and reading about his approach to narrative is just as inspiring as the narratives themselves.
My statistician/data-science friends all tell me that if you're using a spreadsheet, you're not doing science, you're courting disaster. Real analysis requires Python, or, possibly, #julialang.
Despite these warnings, plenty of mission-critical work gets done in spreadsheets, and (in support of these warnings), it can go horribly, horribly wrong.
It's years of destructive, crushing austerity - costing real human lives; trashing cities, regions, whole countries - due to spreadsheet formula errors: