Today on my podcast, part 19 of my serial reading of my 2006 novel SOMEONE COMES TO TOWN, SOMEONE LEAVES TOWN, a book Gene Wolfe called "a glorious book unlike any book you’ve ever read."
Next weekend, I'm Guest of Honor at #Milehicon, so I may not be able to record, but you can catch me (and other guests, like Connie Willis, @BarbaraHambly, @catvalente, @itregillis, Walter Jon Williams, and Wil McCarthy) at the con!
Antitrust enforcement is virtually a dead letter in America (it was killed 40 years ago by Reagan's court sorcerer Robert Bork, better known as the Nixonite criminal who couldn't get approved for a SCOTUS seat).
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But even when we WERE enforcing antitrust, we tended to pump the brakes during economic crises: no one wants to put additional constraints on business during a downturn.
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That's wrong. Antitrust enforcement isn't an economic drag, it's an economic STIMULUS.
Monopolies extract higher profits by crushing workers and small competitors, but workers and small businesses spend their earnings back into the economy.
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Tom Lehrer is one of our great nerdy, comedic songwriters, a Harvard-educated mathematician who produced a string of witty, unforgettable science- and math-themed comedic airs with nary a dud.
Now in his nineties, Lehrer remains both a political and scientific hero, sung the world round by geeks of every age. When my daughter was young, we taught her "Poisoning Pigeons in the Park."
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Undergrads at UC Santa Cruz would sign up for his math class just to learn freshman algebra from the "Wehrner Von Braun" guy.
Now, Lehrer has done something absolutely remarkable.
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The Imagineers who worked on the Haunted Mansion drew heavily on reference material, combining a surprising number of real Victorian ghostly and sepulchral traditions, flourishes and details, which is all part of what makes the Mansion such a rich, immersive experience.
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Some of my favorite gags are the rhyming tombstones in the small graveyard in the queue area, each of which pays tribute to one of the Imagineers who worked on the Mansion (e.g. "At peaceful rest lies Brother Claude, planted here beneath this sod" for Claude Coats).
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These turn out to be the McGuffin of a late Victorian novel, 1874' s "Out of the Hurly-Burly," by Charles Heber Clark (under the pen-name "Max Adeler"), about an obit writer who publishes doggerel about the deceased.