On Nowruz 1350 (1971/72), the Shah declared the new year “Cyrus the Great Year.” He said: “The best gift which we can certainly offer to this immortal hero at the beginning of such a year is the existence of a proud, progressive and prosperous Iran who, ~rs 1/20 Image
drawing on her magnificent past heritage is looking up to a yet more magnificent future.” During this special year, the regime placed great emphasis on economic development: dams, industrial complexes and hotels were completed and airports and roads were expanded. ~rs 2/20 ImageImage
In addition, the Cyrus the Great Year and the 2500th Anniversary Celebrations were marked by cultural and scholarly events around the world. Shojaeddin Shafa had encouraged foreign participation through cultural activity, particularly through UNESCO. ~rs 3/20 Image
At its 1960 Gen. Conference, UNESCO had passed a resolution urging the world to join in the commemoration of Cyrus. According to official figures, foreign contributions to the Celebrations included 131 books published on Iranian civilisation and culture, 143 exhibitions,~rs 4/20 ImageImage
326 congresses, seminars and other academic proceedings and 37 artistic events, including poetry readings and ballet, theatre and classical music performances. Many of these events were organized by special “Cyrus the Great Committees,” set up in countries ~rs 5/20 Image
around the world, typically chaired by the head of state. By the time the Celebrations were underway in 1971, there were 70 such committees - Shafa is pictured here in front of a map marking them. ~rs 6/20 ImageImage
The committees typically consisted of business leaders, political figures and academics. Among the members of the British committee were Lord Hartley Shawcross, lead barrister at the Nuremburg trials, media tycoon Vere Harmsworth, chairman of BP David Steel, ~rs 7/20 Image
former ambassadors to Iran Sir Denis Wright & Sir Roger Stevens, alongside academics including Sir Max Mallowan, John Boyle & Bernard Lewis. The museum exhibitions & scholarly events organized by these committees often had a political impetus & from the diplomatic records,~rs8/20
it is clear that countries kept an eye on each other’s contributions to ensure their own measured up. For example, opening an exhibition titled 2500 Jahre Kaiserreich Iran at the Museum für Völkerkunde in Vienna, President Franz Jonas stressed the ~rs 9/20
unique ‘bond of friendship’ between Iran & Austria: “Austria and Iran have never been enemies. The Austrians may be proud of the fact that the treasures of Iranian culture, which our country looks after, never came into Austrian possession as trophies of armed conflict, ~rs 10/20 Image
but instead were often gifts from highly-placed guests, which were gladly given and gladly received. Despite the great geographical distance, Iran and Austria have always been connected by a bond of friendship.” ~rs 11/20
In Germany, Bundeskanzler Willy Brandt wrote in the introduction to a scholarly publication titled Festgabe Deutscher Iranisten zur 2500 Jahrfeier Irans. In the Netherlands, a ceremony was held at the Hall of Knights in The Hague on 14 October, ~rs 12/20 Image
coinciding with the Gala Dinner at Persepolis. Professor Arie Kampman gave a lecture on Cyrus the Great to the 600 guests, including Queen Juliana, Princess Beatrix and Prince Claus, plus the Iranian ambassador and the ambassadors to the Netherlands of 40 other countries.~rs13/20 Image
The Queen was presented with a special edition of the Society Holland-Iran journal Persica & a film was shown. Foreign governments also explored opportunities to contribute inside Iran. The Dutch Government considered having the Concertgebouw Orchestra perform there,~rs 14/20
and the Berliner Symphony Orchestra, the London Symphony Orchestra and Vienna Symphony Orchestra were also put forward by their respective governments. These proposals were rejected due to financial and logistical constraints. ~rs 15/20
The British Council organized two exhibitions to tour Iran during the Celebrations: one on the art of Henry Moore and one on British Contributions to Persian Studies. Scholarly organizations with an Iranian focus also contributed. ~rs 16/20
In Italy, IsMEO invited scholars to enter papers into a competition, with a $4,000 prize for the best submission, to be judged by its Board of Examiners; and Sir Max Mallowan gave a talk on Cyrus the Great to the Iran Society in London, ~rs 17/20 Image
subsequently published by the British Institute of Persian Studies in its journal “Iran.” The scale of the international attention for Iran, not just during the main festivities in Mehr 1350 (October 1971), but in the whole of 1350, was unprecedented. ~rs 18/20
The British ambassador to Iran at the time later became US ambassador and said the Celebrations “put Persia-Iran on the map… When I was in the United States afterwards, people knew about it – ‘Oh, gee, were you at Persepolis?’ They actually knew where Persia was. ~rs 19/20
They never knew before. It was a successful way of putting Persia on the international map.” This aspect of Celebrations, in line with Shafa’s broader and longer-term cultural policy goals at the Imperial Court, was extraordinarily successful. ~rs 20/20 Image

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More from @HistorianofIran

22 Oct 20
The Celebrations officially began on 12 October 1971 with a ceremony at the tomb of Cyrus the Great at Pasargadae, where the Shah said to the ancient king: “Cyrus, hero of Iran and the world, rest in peace, for we are awake and will always be awake.” ~rs 1/16 Image
The Shah was later mocked for these words. His opponents made jokes like “Sleep calm, we’re ruining the country. Sleep calm, we’re pissing away all the wealth.” You can watch the Shah's speech in the official propaganda film on the Celebrations, ~rs 2/16
Forugh-e Javidan, directed by Farrokh Golestan. The English version (linked) was narrated by Orson Welles.
The speech encapsulated the core message of the Celebrations, which stressed the glory and magnanimity of Cyrus and his Achaemenid Empire ~rs 3/16
Read 16 tweets
30 May 20
In order to get a better understanding of the manuscript trade in (and beyond) Cairo around 1900 and especially of how European libraries got to contain so many Arabic manuscripts, we have to look at the Yahuda family fo Jerusalem.~tw 1/23
In particular, the two brothers Isaac Ezekiel (1863-1941) and Abraham Shalom (1877-1951) are central in this regard. Both were scholars of Semitic languages as well as manuscript collectors. At different points both traveled to Germany but neither stayed there.~tw 2/23
I.E., the older brother, first dealt in MSS in Darmstadt, Germany, in 1904 and a member of the German Orientalist Society (DMG). In 1906, he set up his store close to al-Azhar and engaged in scholarship and MS collection until 1920.~tw 3/23
blog.nli.org.il/en/yahuda/
Read 23 tweets
24 Apr 20
Hi there, @fran__olmos one day more talking about Central Asia in Iranian history. Today we will discuss about the rivalry between the Safavids and the Shaybanids from the Khanate of Bukhara, who for a century fought over the possession of Khorasan fo/1 Image
The Shaybanids were an Uzbek dynasty that ruled Transoxiana and parts of Khorasan during the 16th century. Descendants of Genghis Khan’s eldest son, they became Turkified in the steppes of Central Asia and Siberia fo/2 Image
They first emerged in the mid-15th century under the leadership of Abul Khayr Khan, but it would be his grandson Muhammad Shaybani (1451-1510) who, after defeating the remaining Timurids princes, would establish the Khanate in Transoxiana fo/3 Image
Read 19 tweets
14 Mar 20
Look at these 10/10 extremely good bois

THREAD about birb in Iranian art 🦆🦚🐓🦅🐣

~ NA @eranudturan #HistoryofIran

patreon.com/eranudturan ImageImage
You’ll notice that #ducks are REALLY common in #Sogdian art, appearing primarily in #textile (there’s also a wooden painted panel from Kucha). They almost always hold a necklace in their beaks

~ NA @eranudturan #Historyofiran ImageImageImageImage
They sometimes appear in conjunction with pheasants, who often wear a necklace around their necks.

What’s this motif all about?

~ NA #HistoryofIran ImageImage
Read 13 tweets
13 Mar 20
You might think looking at these paintings that Panjakent society was a society of warriors.

While there were the odd few pieces of arms and armour found there, so far, no stables have been found.

These paintings usually adorned ordinary houses and often told stories.

THREAD
The most famous of these stories is the “Rostam cycle,” the earliest evidence of the famous hero from Ferdowsi’s #Shahnameh. Rostam wears his leopard skin coat and has an elongated skull, a hark back to the Hunnic / Hephthalite kings of Bactria. ~NA @eranudturan ImageImageImageImage
In this story, Rostam sets out to fight the divs (demons), encounters Avlad, has to fight a dragon, duels with the King of the divs, and fights the army of the divs. The whole composition bends around the corners of the room, and was probably copied from a scroll ~NA
Read 18 tweets
26 Feb 20
From the 10th-13th C Muslim geographers & chroniclers imagined a vast & beautiful world full of mythic beasts & legendary creatures. One part legendarium one part bestiary they compiled Pre-Islamic tales into an Islamic cosmos

A thread on mythic and legendary creatures @aaolomi
While the early Muslims were familiar with the Rukh/Roc, a mighty eagle who could clutch elephants in its talons, they soon were introduced to the Simurgh. -AAO
With gorgeous plumes, the Simurgh was a favorite of Sufi literature. In Attar’s Conference of the Birds, the birds set out on a journey to find the wise Simurgh only to be brought before a pool where they see their own reflection. The twist is a play on the word simugh & 30 birds Image
Read 15 tweets

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