If you’re not moved by Joseph and Jacob meeting again after all this time, and by them embracing and weeping, well, you’re more hard-hearted than I am.
The key element of this passage is the arrival of the brothers in Goshen - precisely where Joseph told them in 45:10 they would be living - and the creation of a plan to make sure that Pharaoh would allow them to stay right there.
Does Joseph’s plan involve a ruse? Are his brothers actually shepherds, as he claims and asks them to state? It’s actually not so clear. In E we know they are, from Gen 37. Less so in J, though in 34:5 they’re said to have been in the field with the cattle.
Jacob certainly has flocks and herds when he encounters Esau in Gen 33, so I’m willing to grant Joseph the basic truth of what he’s planning here. Though there’s still an underlying bit of trickery, having them go to Goshen in the first place then ask for it on these grounds.
Were shepherds really abhorrent to Egyptians? Was there some stigma against shepherding in Egypt that the Israelite author may have known about? This is the sort of thing that biblical scholars occasionally make pronouncements about, but I’m not about to. @indyfromspace?
(Just noting here the difficulty of biblical scholars pronouncing on comparative issues in which they are not trained experts, as if it’s just that easy; and similarly non-biblicists simply pronouncing on the Bible, as if it requires no expertise either. I find both equally bad.)
I like that this particular sentiment has been liked mostly by fellow biblicists.
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The first encounter between Moses/Aaron and Pharaoh in the plagues/wonders cycle, and, alas, the source of much interpretive and compositional confusion - but a reasonable example of how P does this sort of thing.
YHWH instructs Moses and Aaron. The instructions are for Moses to tell Aaron to do something, to bring about a wonder. They do so, and then we hear about whether Pharaoh’s magicians can do the same. If they can, Pharaoh doesn’t care. That’s the basic structure here.
The confusion here comes in the content of the wonder itself. It is often assumed that this casting down of a staff and it turning into a snake is the “real” version of the “practice” one that Moses did back in Exodus 4. But it’s not, on multiple levels.
One of the central distinctions between P and J in the section that we call the plagues narrative, upon which we are about to embark, is that in P they aren’t really plagues. Don’t @ me. Let me explain.
First, we’re still reading P here, continuing directly (originally) from Moses questioning his ability to speak to Pharaoh. YHWH’s response is to bring in Moses’s brother Aaron, who is explicitly identified as such here (in the uniquely P phrase “Aaron your brother”).
The key phrase in this section, of course, is “I will harden Pharaoh’s heart.” This is P’s major claim: that the purpose of all the shit that’s about to go down isn’t actually to convince Pharaoh to let Israel go, but to put on a big show of YHWH’s power.
Okay, we did it! #Genesis is done. If you missed anything, here’s a thread of it all, starting with the last major recap, up through Gen 36 (all previous recaps are embedded therein...I hope...)
Three chunks of text here (one of which is embedded in another, but is easily identified). The chapter is mostly about the death of Jacob - Joseph’s death only comes at the very end (and only in one story).
The biggest part of the chapter is the fulfillment of Jacob’s request to Joseph at the end of Gen 47, that he be brought back to Canaan to be buried. Sure enough, as soon as Jacob dies, Joseph makes plans to carry out his father’s wishes.
Everything about how this is described conforms to the J story we’ve seen. Joseph having power in Egypt, but still having to ask Pharaoh for things carefully (as with the Goshen request), and Pharaoh being generous in response.
The poem that is here attributed to Jacob’s final words is, as just about everyone recognizes, an originally independent piece. It’s a collection of tribal sayings, mostly with kind of confusing animal imagery and puns.
It might be pretty old - I think it probably is, at least in some original form - but that’s a separate issue. (I do think it’s been edited to account for the historical rise of Judah - the first few lines are quite different in form than what comes later.)
When we find an originally independent unit that appears in the text, we need to ask at what stage it was inserted. Into the canonical text? Into one of the sources? In this case, it’s pretty clear that the poem, whatever its origins, has been taken up by J.
This chapter is mostly a continuous narrative. Jacob is sick and about to die, Joseph brings his kids, and Jacob blesses them, but switches hands, evidently intentionally, and makes a final deathbed request of Joseph.
On grounds exclusively internal to this chapter, there are two parts that stand out. One is the speech in 48:3-7. The problem here is that Jacob refers directly to Ephraim and Manasseh in this speech, and then in the next breath of 48:8 sees them and is like “who are they?”
The second problem is that Jacob blesses the little rascals (they’re probably full-grown adults, at least canonically) twice: once in 48:15-16, and once in 48:20a. And they aren’t quite the same blessing.