The US and the UK have been locked in a fierce competition since March, to see who can bungle their coronavirus response worse. The US is the clear leader here, both in per-capita deaths and infections and in elevating lethal junk-science to a conservative loyalty test.
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But the UK has put in a remarkable showing.
Remember "cumgate" (Prime Ministerial advisor Dominic Cummings' breathtaking violation of his own lockdown rules)?
Then there's Boris Johnson, who beat Trump in the who-gets-infected-first race by months.
For all that the UK has lost most of the events in Infection Olympics to its American cousins, it continues to lead in that most quintessentially ENGLISH of events: the omnishambles.
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Maybe it's the lower population or the high degree of inbreeding in the British upper classes, but whatever the secret is, you just can't beat HMG when it comes to awarding lucrative and vital contracts to bumbling politically connected insiders.
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The Tories are SO good at this that it's nearly impossible to keep up. That's where @sophie_e_hill's "My Little Crony" comes in, being an interactive visualisation tool for tracking and tracing the UK's world-beating incompetence and corruption.
Drawing on public data sources from @openDemocracy, the @BylineTimes and elsewhere, Hills's visualiser lets you explore the connections between government contracts, political donations and the familial/corporate/social connections that link them.
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From shadowy offshore entities to dirty trickster PR agencies to those fun-loving lads and lasses at @SercoGroup, Hills gives us the red-yard-and-pushpin version of the mass-murdering, economy-destroying, NHS-worker-applauding Tory response to the virus.
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Have a rummage, you'll be furious you did!
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At long last, @EFF has a podcast! "How to Fix the Internet" has been in the works for a long time, and now it's finally a reality, with two spectacular episodes dropping more-or-less simultaneously this week.
The format's simple: EFF executive director Cindy Cohn and EFF director of strategy @mala sit down each week for an in-depth interview with an expert on a subject of great importance to technology users (e.g. everyone).
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They dive SUPER deep into the nerdy minutiae, but hold your hand while they do so that you can appreciate the nuance and technicalities.
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Obviously, there was a LOT of stuff on the ballot on Nov 3.
In Massachusetts, there was a chance to vote on #RightToRepair.
Again.
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Back in 2012, 75% of Bay Staters backed a ballot initiative to force auto manufacturers to allow independent mechanics to access diagnostic data carried on cars' wired networks (but not their wireless nets).
Naturally, car makers moved all the useful data to wireless.
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8 years later, the state's voters got another ballot initiative, Question 1, closing the wireless loophole. Big Car threw everything at scaring people out of voting for it, including telling them that enabling independent repair would MURDER THEM.
The strategy speaks volumes about the issues of most urgency in our current political economy, grounded as it is in competing bids to strengthen one's own autonomy while reducing other economic actors' capacity for self-determination.
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Think of California's #Prop22, which stripped employees of the right to organize, to earn minimum wage, or to receive benefits - and gave gig companies the assurance that their power to exploit and abuse workers will never face organized resistance.
In "Constantly Wrong," @remixeverything continues his brilliant mashup video work on conspiracy theories with a new, 47 minute documentary that contrasts real-world conspiracies (crimes) with conspiracy theories.
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Ferguson says you can tell the difference because conspiracies collapse as the complexity of maintaining secrecy among conspirators reaches unsustainable levels, while conspiracy theories posit that there are long-lived conspiracies that somehow solve this problem.
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It's an argument others have made, but he makes it very well, in part through of his dazzling video-editing and encyclopedic storehouse of snippets that go into his mashups. It's what made Ferguson's "Everything Is a Remix" videos so stunning.