With just the façade of this house excavated in 1913, we still only have a tantalising glimpse as to its owner: M. Fabius Ululitremulus. He owned a fullonica (tannery) and the playful and brightly coloured chess board decoration may hint at his sense of fun. #ThrowbackThursday
There is a graffito on the façade and it is a word play on the first line of Aeneid: ‘Fullones ululamque cano, non arma virumque’ (translation: I sing of fullers and an owl, not of arms and a man). The word for owl in Latin is ‘ulula’ so it is a pun on Ululitremulus’ name.
An owl appears in a fresco advertising Ululitremulus’ fullery where they would have treated garments with sulphur. The owl is associated with Goddess Minerva who was the patron of the fullers and in addition owls are apotropaic; warding against the evil eye so bringing good luck.
The doorway to Ululitremulus’ residence is flanked by depictions of Rome’s founders: Romulus in full armour carrying a tropaion and Aeneas carrying his father on his back and holding the hand of his son as they flee Troy. Is Ululitremulus hinting at his own ‘Romanitas’?
An electoral campaign notice on the façade sees Fabius Ululitremulus endorsing, together with someone called Sula (who may be from the guild of fullers or a family member), two candidates—Cuspium Pansam and Popidium Secundum—for the political office of aedile (magistrate).
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The Forum in Pompeii, the civic centre of the ancient city, is instantly recognisable with its large open space surrounded by temples, civic buildings and market places but here are some things you may not know about it…
The Forum of Pompeii was one of the great archaeological discoveries made during French rule in the early 19th century. Excavations began in the south by the Basilica in 1812 but only on May 22nd 1813 was the area officially identified as the Forum.
The buildings on the Forum were badly damaged in the AD63 earthquake and many had been rebuilt or were undergoing redesign at the time of the AD79 eruption. The effect of the earthquake in the Forum was depicted in a relief on a household shrine in the House of Caecilius Iucundus
Just as in Roman times, this time of year sees the harvest of grapes in the vineyards of #Pompeii for wine production. To celebrate we will take you from the ‘harvest to the hangover’ through the archaeological evidence.
A fresco from the House of Centenary shows how widespread grape growing was. The slopes of Vesuvius are covered in a lattice of wooden vine frames called ‘vitis compluviata’. Meanwhile, Bacchus (God of wine) in his grape suit pours a libation & his leopard laps up the stray drops
Once harvested, the grapes could be served to eat but most were pressed and the wine transported in amphorae. Pompeii storerooms are full of such amphorae. Some had a label – ‘titulus pictus’ – revealing their contents or recipient as in the case of Sextus Pompeius Amarantus.