“... when envoys went up to Edo, everything was done with great care, and we hear that it received praise in the Yamato court; this is the pinnacle of things coming together (happiness).”
I can't say that I actually addressed this all that well in the diss, but the question being: what was the role of tradition, precedent, protocol, in shaping diplomatic ritual interactions in early modern East Asia?
In diplomatic history, most work focuses on the politics of the situation. But, when politics wasn't discussed and the relationship was barely changing but instead only ritually reaffirmed time and again, what about the importance of performing ritual properly?
The initial quote from 江戸立之時仰渡并応答之条々之写, an 1849 letter from the Ryukyu royal court to Ryukyuan ambassadors traveling to Edo the following year to meet with the Tokugawa shogun.
The original document, now lost, survives in the notebooks of 20th c scholar Kamakura Yoshitaro 鎌倉芳太郎, who hand-copied numerous Ryukyuan royal court records. The notebooks are viewable digitally at the Okinawa Pref. Univ. of the Arts website: ken.okigei.ac.jp/kamakura/
The Ryukyu Kingdom royal court prided itself on being 守禮之邦, a land of propriety. Performing ritual *correctly*, in accordance with propriety and precedent was, ostensibly at least, the top priority, more than twisting or shaping ritual to serve political ends.
So. What is "correct" in this context? What is meant by 礼, which I translate as "ritual propriety"? What did correct ritual look, sound, and feel like, and how does that intersect with Art History, History of Music, Textile/Fashion Studies, Performance Studies, etc?
That's basically my (ever-evolving) elevator pitch 😅. Whether I actually address it in the dissertation in a way that provides any satisfactory conclusions, or any genuinely meaningful and novel insights / contributions, I'm not so sure.
Answers are harder to write than questions. But I hope the questions might be intriguing at least.
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A short thread on the importance of basic general details in your history research & writing. Reading 「徳川将軍家の演出力」by Andô Yûichirô 安藤優一郎 right now, and I'm loving it. Only on Chap 2, but so far lots of good basic details that I just hadn't ever come across before.
The title is kind of a pain to translate, but I guess literally it's something like "The Performance Ability of the Tokugawa Shogunal House." Talking about how processions, audience ceremonies, etc were used to construct and convey notions of the shogun's power. 2/x
I suppose it may sound super niche and too-fine-detailed to spell it out this way, but, in all the years of my diss research, there were so many basic questions I just never happened upon the answers for. 3/x
Alright. Well, @youtubemusic is still shit. But I discovered today that all of a sudden Google Music is allowing me to download more than 100 tracks at a time. This is *huge* for allowing me to download and backup my library relatively quickly / efficiently.
Prior to this, as far as I could figure out, one had to either download 100 tracks at a time, or use Music Manager to try to download the entire Library at once. It took hours and hours and hours, and if it got interrupted (e.g. wifi went out) had to start all over again 😠
Now I'm downloading a few hundred tracks at a time, and in just a few hours, I'm already halfway through my library... going much quicker than the full library download through Music Manager, and much more stable doing it in parts. 👍
Waiting tables at a fancy sushi restaurant. Look, I understand from the management's point of view that they wanted someone polished, someone to do the job and do it well, not someone who was endlessly "trying their best" and on training wheels...
But, boy did they expect too much. Memorize the menu before we'll let you take your own tables and get paid full wage, rather than letting me learn on the job? Make me memorize what each diff. saké is like, and what each piece of fish on each diff. sushi platter is?
And then at the end of the day, we didn't get any free food from the menu - like we did at the deli I'd worked at - no. We had to suffice on miso soup and fish heads and whatever sort of extra scraps... not to mention all kinds of add'l hard cleaning work I never did at the deli.
My bestie, @MotoHotei , the one time he came to Japan, along with several of our other bestest friends.
I can't wait to have them visit again sometime.
Kyoto. Easily one of my favorite cities in the world. Even in the rain.
Looking at this photo just brings up all sorts of feelings, about the beautiful energy of that city, where culture and nature and urban vibrancy all come together.
I don't know how unbelievable this is, but I do believe I've had multiple encounters with Yakuza.
Whatever we might imagine, in reality, they of course had no reason to give me any trouble, or to force/allow me to get involved in anything, so they just left me alone...
In 1872, the Empire of Japan declared that King Shô Tai of the Kingdom of Ryûkyû was to be no longer the king of a kingdom, but a lord of a domain within Japan. He was given a mansion here, at Mochizaka (today Chiyoda-ku Fujimi 1-chôme).
Nothing survives of the mansion today, so far as I know, or even marks the site. Banana leaves and palm trees give a tropical sense, evocative of Ryukyu, but today these are the grounds of the Filipino Embassy; I'm not sure exactly where the Shô family mansion had been.
Meanwhile, about half an hour's walk to the southwest, in Kioi-chô, we find the "Classic House at Akasaka Prince Hotel," identified as the former residence of Prince Kitashirakawa, and ever so quietly also identified as having been built for the former Korean royal family.