Following Spotify's recommendations, in my experience, leads nowhere. Never found a new Neil Young/Joni Mitchell/David Bowie that way. Then, this morning, I clicked on Vic Chestnutt, thinking well, obviously not. I was wrong. Have not stopped listening to him all day.
Chesnutt. Not Chestnutt.
For example, this: a love song to death.
It's the notes. The lyrics are great too, unusual and dark and witty but I'm more taken with his melodies being beautiful but not predictable. Melodically, so many new singer-songwriters have a beautiful texture and production but you just know where the notes are going.
This one, a song about fame, actually about Michael Stipe, has Stipe on backing vocals, but also musically was clearly massively influential on Stipe for REM's later sound.

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More from @Baddiel

18 Nov
The reflex assumption by the left that Starmer is motivated by factional war and not, maybe, real sympathy with Jewish concern is unsurprising but still dispiriting. The anxieties of the actual people, the actual minority, at the heart of this, seem to be irrelevant.
It's fine to oppose the decision to withdraw the whip from Corbyn. But insodoing, it's still worth remembering that the victims in this ongoing hateful morass - and as yet, the failed attempts to sort it out - are not the Labour Left. It's Jews.
For anyone who might be confused about that, allow me to post this again from earlier today.
Read 4 tweets
29 Jun
I wore blackface in TV sketches 25 years ago. I have apologised. I will apologise now again: it was wrong. It was racist. I am sorry. Now. If Kerry would like to show me where I've said standing with Palestine is racist, and shown dedication to Apartheid, that would be great.
Here btw, was my most recent apology in The Daily Telegraph, at the start of May.
Unless this is what @TheMendozaWoman means. In which case her bar for full-throated unstinting far-right racist support for the Apartheid Zionist entity is kind of low.
Read 4 tweets

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