This class came out of a conversation about something else, and it's another case of me wanting to hear someone talk at length about a particular aspect of writing, so I've got notebook open and ready for notetaking. #settingstakes
I find that one of the most common ways for stories to fail is that the author knows the stakes, but the reader is at a loss. #settingstakes
We're starting by thinking about the gardener vs architect metaphors of story planner. Most of the class tends to identify as gardeners, the organic/pantsing approach, rather than architects, who are planning -oriented. #settingstakes
We're talking about characters and how knowing how they will behave is more useful than physical appearance. What will they choose to do when faced with various pressures? #settingstakes
Readers move through your work on a scene by scene basis not because of the overall plot stakes, but the smaller stakes: for example, what a character does when their loyalty is tested. #settingstakes
Every scene has smaller stakes for the characters, ones that are not the overall plot stakes, but things idiosyncratic to them. #settingstakes
At the end of not just each chapter but each scene, you want the reader to think, "And then what?" What are the consequences of the choices that have been made in that scene? #settingstakes
Fights are usually boring unless there's something at stake. (Exception: anything with @EyeOfJackieChan.) It's just people swinging. There needs to be a choice made as a result of the battle. We should care about the outcome. #settingstakes
How do you convey this information? Have 2 chars talk about it. Or have the character think about it. Or it's kosher for the writer to tell them to the reader. #settingstakes
Things are obvious to you because you're living in the story. You want them to be there for the reader too; it's way easier to be too subtle conveying them than too obvious. #settingstakes
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@D_Libris I was thinking about this today and came up with 6 concrete steps that could be done, and which I hope the SFWA leadership will consider implementing.
@D_Libris 1) Put together a list of resources that people can consult when getting hit by this sort of thing, including the importance of self-care, making sure your social media is safe from hacking, etc.
@D_Libris That should get included as a resource on the website, which already has plenty of such good stuff.
Today I will be livetweeting highlights from @clundoff 's class on Writing Gothic Horror with the hashtag #writinghorror
@clundoff International class today! Includes someone from Belgium. Talking about what gothic is, and how its style/atmosphere -- blood and black lace, decaying houses, multitudes of tormented ghosts. #writinghorror
@clundoff One text she'll mention several times this class is @RealGDT 's Crimson Peak, she says, which encapsulates the intensity and intricatet nature of the genre. #writinghorror
I will be tweeting some highlights from the Making Monsters with @seananmcguire class today with the hashtag #makingmonsters.
Monsters are a benchmark of F&SF. You'll want to base your monster's abilities according to which genre you're working in. For example, not a lot of room for adorable in horror usually. #makingmonsters
Seranan's talking cryptozoology to begin with, and starting with a favorite animal, the naked mole rat.