When authors grossly misbehave online and put marginalized people at risk, @erikhane and I always talk about what we would do if we were their agents. How do we help repair the harm done, and leave publishing better than how we found it?
In most cases, a very clear, correct move is to drop the author, but it's not for the reason you might think. It's not an agent's role to punish an author for bad behavior, and we're not their bosses. We drop someone to reject our complicity in racist power structures.
Agents are an author's conduit to traditional publishing. We provide, most crucially, access. Access to money, to media attention. Additionally, we work with the author to optimize that access.
An agent dropping a racist, violent author isn't punishment; it's deplatforming. It's a moral and necessary stand to fight against how the structures of publishing protect those who make money, regardless of the harm they cause.
It's acknowledging your role in providing that access, that platform that allowed the harm to occue, and then rejecting it.
It's easy to brush off problematic events or statements as an agent--they're not your words, after all. Except that you built the plinth for those words to stand on.
Which is why deplatforming and removing an author's access is also not enough--there's a need, a personal need, for agents to make reparations because *they also did harm*
Is the agent doing a thorough review of their list, and preventing harm? Is the agent committed to continuing education for themselves and their authors? Can they commit monetarily to changing the publishing landscape, to make it safer?
Can they materially or ideologically use their role to raise the platform of the people who were hurt?
And finally, will the agent listen to the people who were harmed and meet them where they need to be met, rather than deciding on their own how to make everything fine again (which usually just means waiting it out and doing nothing)
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Okay, I've become aware that a lot of American writers on here don't know about taxes for their business (writing is your business!) so I'm going to do a lil thread on the subject.
DISCLAIMER: Your financial situation is unique, and you're best served by taking this rough overview and talking to a certified accountant, particularly one who specializes in working with freelancers/artists.
DISCLAIMER, CONT: In MN, we have some nonprofit arts organizations that connect artists with arts lawyers, accountants, etc. It's a good idea to start there!
I thought I was getting just getting a chair. Now, my husband is on hour two of arranging furniture in two (2) rooms so the chair can be *optimally placed*, rearranging art, and shopping for rugs and shelving to make a "cozy nook"
Folks, I sacrificed my guest bookshelf for this (kinda--it just moved into the office and blended with another themed bookshelf)
Okay, we are done for the night, but before retiring, he *artfully arranged* a throw blanket he brought up from downstairs (it was his second try--the first one he picked was too dark???)
A lot of people have mentioned that their query lists are super small because they want to be sure they’re working with someone safe. So let’s do a quick thread on how to still query effectively with a smaller list!
First, you must always remember that querying is a numbers game—all you need is one yes, and you will never be able to guarantee you won’t get form rejections (and many might not have anything to do with something you did)!
So, make sure your query materials are exceptional. Don’t try and invent the wheel—make it short, center the MC in your plot paras, include metadata and bio. Don’t give anyone an excuse to reject out of hand.
It’s feels like a sauna outside and I’m thinking fondly about the time my husband got into a Facebook fight with a Southern woman who didn’t believe that anyone actually drove on the highway when snow was on the ground (it was a death trap, apparently)
I would pay to drive through a snowstorm right now
What does it feel like when it’s “just a bit nippy” outside? I simply cannot remember
As an agent who is closed to queries and desperately trying to get through her slush pile (s/o to QueryManager for the incredible self-own that is the stats homepage) I've been thinking about how tech like this is influencing querying, for better and worse. (thread)
First, an explanation for those not in the know: QueryManager is a free (!) online service that allows agents to manage all their queries outside of their inbox. It has flags and letter grades and tags, etc. When I'm in the mood to read romance I can filter my subs! How neat!
Writers submit by filling out a form (versus emailing an agent directly), and agents can customize the form to fit their needs. I hate reading synopses, so I don't ask for them, but I def want the first three chapters uploaded, and my form requires this.