Found this absolutely brilliant early 19th c. watercolour on the National Galleries site in the course of my daily rummaging (nationalgalleries.org/art-and-artist…) of the Water of Leith at Bonnington, looking towards Edinburgh. It is by John Harden and is date April 1809.
It's not a view you can get any more because of subsequent building, but it's full of details of industrial Leith at the beginning of the 19th c. The artist is sitting where the garages on Graham Street are, looking southeast
The main feature that dominates the foreground is Haig's distillery at Bonnington. Built in 1798 as one of the new fangled grain distilleries. You can see the cowls of malt houses, the vertical still tower etc.
Haigs were one of the dominant lowland whisky families, and were a founding member of the Distillers Company Limited (DCL) which went on to become an industrial giant and form the core of the spirits business of Diageo.
John Haig was one of 5 Scotch distillers to export to England in 1814 when the prohibition on the trade was lifted. From 1835 the site produced gin for the London market as well . Distilling ceased in 1853 and the site became a flour mill. These maps are from 1804 and 1849
In the foreground, women hang out their washing on the bleaching green. This allowed them to bleach their linen in the sunlight.
On the right, a man leans on a fence admiring the first Bonnington Bridge where the Newhaven Road crosses the Water of Leith. Interestingly the plaque on the bridge says it was first built in 1812, but it's clearly here in 1809 and is on the 1804 map too! It was rebuilt in 1902
Here is that bridge in 1900(ish) before replacement. You can see oil lamps on L and R which have been converted to burn gas (but not yet been fitted with mantles). The paper mill is on the right. The lads in the foreground are dragging a box (pic Edinburgh City Libraries)
In the middle distance are the big hooses along Bonnington/Broughton Road. From L-R I think Pilrig House, Bonnington Lodge, Rosebank and Redbraes. Stewartfield is probably that roof poking out infront of them.
Right distance we see the expanding New Town at Gayfield (1), the signal flagstaff on Calton Hill (2), the Nelson Monument, newly built, at 3 and the observatories (4). The Nelson Monument was partially complete in 1809, but not fully so until 1816.
And of course towering over everything, with a bit of artistic licence, is Arthur's Seat and the geological wedge of Salisbury Crags.
Those rotating cowls on the roof of the malt houses are interesting, and a close match to those pictured by Skene in 1818 at Stein's distillery upriver at Cannonmills
The artist was undoubtedly sitting in the gardens of Bonnington House, built in 1805 as a townhouse by the Haigs, for the Earl of Mar and Kellie (pic Cassell's Old & New Edinburgh)
Bonnington House, soon Bonnington Old House, was demolished in the 1880s so the land could be turned over to the industries of Bonnington and the need for workers' tenement housing.
The lands of Bonnington had been fued off by the Balfours in the later part of the 18th c. and houses built called Bonnington (or Old Bonnington), Bonnington Brae and Bonnington Grove. The historic centre of Bonnington was around the mills on the other side of the river.
This 1859 view by Samuel Bough is taken from the bridge, looking west up the river. We see Bonnington Mills on the left. A very pastoral looking scene, that is broken by the steam engine hurtling towards us and Leith down the railway on the right (pic = Royal Scottish Academy)
If Bough was standing at the tail of the red arrow looking towards its head then Harden was at the blue arrow looking along it too, but 50 years earlier.
One might assume that "Bonnington", a fairly common lowland Scots place name, might derive from Bonny (or pleasant), but it is from Bondingtoun, i.e. a piece of land let out to a bonder, a "yeoman farmer", with its root in the Norse word "bondi"
Bonyntoun is recorded as far back as 1460 and as Bonyngtoun in 1465. 100 years later it shows up on the Petworth House map of the Seige of Leith (take my word for it, that's a crap facsimile copy) as Bonneton. The mills have not been recorded.
(Point of order, it bugs me endlessly that there is not a good quality print or digital copy of this very important map publicly available in Scotland. It's the earliest accurate map of Leith. The print copies held by the council and the South Leith Kirk aren't great)
There are a number of sketches of Bonnyhaugh (haugh being the Scots word for a piece of flat floodplain by a river) or Bonnington Mills by William Channing. The small bridge is over the mill lade (all pics = Edinburgh City Libraries)
IF you turn down the rather unassuming Bonnyhaugh Lane you'll be rewarded with a little cloister of beautifully restored old mill buildings, and a big old iron mill wheel (2nd pic = Edinburgh City Libraries)
The Mill buildings were mainly houses, and were saved in 1971 when the decrepit mill buildings themselves were cleared away. The tale goes that the Mill was founded by French protestant refugees in the 17th c., but most tales of that sort in Edinburgh seem to be myths
A point of order, the blue arrow I thought was Pilrig House, it's more likely to be the back of "Bonnington (new) House", built on Bonnington Road by the Haigs in 1805. Pilrig would be obscured behind the distillery where the green arrow is.
So Bonnington (new) House is at blue, underneath what was later a bond on Bonnington Road (opposite Taobh na Pàirce school) the Old House is at red, probably poking into the back of the picture, underneath the industrial units on W. Bowling Green Street.
So here we have Bonnington Old House, where the artist would have sat to get the vista for the original painting. It's obviously more 17th c. in appearance, red pan tiled roofs were common at the time, the spire of North Leith Kirk in backgroun (pic = Edinburgh City Libraries)
h/t to @mangowhizz for the observation that I might have mixed up my Bonnington houses. It's confusing as there are at leeast 5 houses using that in their name in the immediate area, and the names of all of them change frequently over time.
The various houses and fueings on the lands of Bonnington at the start of the 19th century. Kirkwood's map of 1817, overly coloured in by me
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I'm assuming there are magazines that actually recommend painting, papering and draping everything in only grey and white.
I thought hard about whether to bother about this. But it's just incredible. That poor fruit bowl, fighting hard but thoroughly losing the battle to brighten the place up.
I think mutton has to always be top left, as it's probably the "most authentic" meat accompaniment if you think about the likely origins of the dish and what people ate. Barfit is a sound central square occupant as it's the starting point around which all other Stovies are built
I retweeted earlier about the "Great Michael", a warship launched on this day in 1509 for the Royal Navy of King James IV of Scotland. It's an intriguing tale of national extravagance and the very founding of Newhaven itself.
So how did a relatively small and unprosperous nation like 16th century Scotland come to build the largest warship in the western world at the time, and how did it come to be built in a sleepy little fishing village with no previous history in shipbuilding?
The answer lies with this man, King James IV of Scotland. James had a bit of an obsession with building up a navy for Scotland, you might say in modern terms it was a bit of a strategic policy.
Today's auction site artefact is this Basil Spence chair. Not your typical bit of Spencarania!
"for H. Morris & Co. Allegro armchair, laminated wood and leather upholstery. In 1947 Morris of Glasgow asked Spence to collaborate on a range of plywood furniture, which was to include his Bambi chair and celebrated Cloud table. The result was the Allegro dining suite"
"awarded a diploma by the Council of Industrial Design in January 1949. In March of the same year it was exhibited at the Glasgow Today and Tomorrow, where it was commended, and an example of the armchair was commissioned by the Museum of Modern Art, New York"
Today's auction house artefact is this Leith Banking Company £20 note from 1825, issued to the payee James Ker
James Ker of Blackshiels esq. was the general manager of the Leith Banking Co. and lived at a fine Georgian townhouse at no. 24 Royal Circus
So it's rather unusual that a note made out to Ker is also signed on behalf of the bank by... Ker! He was issuing his own pocket money (and that's what it literally was, paper money that a gentleman could carry on his person)