"On Wednesday morning, a sensational archaeological find was made during excavation work outside Ystad. One of the missing Hunnestadsstenarna was found after having been missing since the 18th century."
"A fantastic fun find, which you did not think would happen. This stone has been gone for so long that we thought it was destroyed", said Magnus Källström, runologist at the Swedish National Heritage Board.
Here's the double page spread showing the Hunnestad runestones from Ole Worm's "Danicorum Monumentorum libri sex", printed in Copenhagen in 1643.
This is the Hunnestad runestone as found in situ on Wednesday morning. At right, a cropped closeup of the engraving from Ole Worm's 1643 book, cropped and rotated to show the image similarly orientated.
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The only known copy of the world’s first electronic computer manual.
Operating & maintenance manual for the BINAC binary automatic computer built for Northrop Aircraft Corporation 1949. Eckert-Mauchly Computer Corp, Philadelphia 1949. Written by Joseph Chapline (1920-2011). 1/5
This is the only known copy of the world’s first electronic computer manual, and the only record of how the BINAC actually operated. It is also the model for the countless numbers of operating manuals for computers that were written in the following decades. 2/5
OCLC records no copies of this work in libraries, and there was no copy in the Origins of Cyberspace collection. As only one BINAC was ever built, it is likely that only a handful of copies of the manual were ever produced. 3/5
This extract barely scratches the surface of the misinformation, vested interests, political maneuvering, and even outright duplicity surrounding the claimed looting of the libraries of Timbuktu. The real story of what happened has not yet been written. dailymaverick.co.za/article/2020-0…
I have some first-hand knowledge about this. When reading about the Timbuktu libraries, bear in mind three things:
1. The news in 2013 was almost pure catnip to NGOs and cultural charities, instantly confirmed the world-view....1/2
of right-leaning ones (ISIS are culture-destroying Islamofascists) AND left leaning ones (Africa is the repository of ancient wisdom). You could hardly, even in theory, conjure up a set of circumstances more likely to engage the interests of NGOs & philanthropic foundations. 2/2
Churinga (or tjurunga) are the most important physical evidence of the intellectual heritage & artistic genius of the Aboriginal people.
I strongly believe that the effective prohibition on displaying them in Australian (& most other) museums is massively counterproductive. 1/9
There are no museum exhibitions of churinga. There are no books published in recent decades on them, and almost no scientific papers. They effectively cannot be sold on auction, even outside Australia. All of this is in deference to their status as Aboriginal sacred objects. 2/9
And yet sacred objects from most other religions are freely photographed, displayed, written about, and, where in private hands, bought and sold. By effectively 'disappearing' churingas from view, I believe we deprive the Aboriginal people of their due recognition... 3/9
"The question is whether these stories recall this time, for then they might date from as much as 13000 years ago. A more conservative interpretation, based on a sea level 30m lower than today, would place the age of this story at around 10000 years ago." theconversation.com/ancient-aborig…
The underlying paper in Australian Geographer on which this report is based - "Aboriginal Memories of Inundation of the Australian Coast Dating from More than 7000 Years Ago" - is well worth reading. If you have an institutional login, it can be read here: doi.org/10.1080/000491…
A powerful case can be made that the Dreaming - the Australian Aboriginal religio-cultural worldview - is the most effective way of transmitting stories across deep time yet devised anywhere by mankind.
See this thread for more on deep-time communication:
Codex Seraphinianus is not written in a constructed language (which implies a language with a consciously devised grammar & vocabulary). It's written in an imaginary language, or perhaps more accurately in an asemic script with no language, natural or constructed, underlying it.
In a talk at Oxford in 2009, Serafini said that there is no meaning behind the Codex's script; that his experience in writing it was similar to automatic writing; and that what he wanted his alphabet to convey was the sensation children feel with books they cannot yet understand.
The only exception (that we know of) to this is the page-numbering system used by Serafini in the Codex Seraphinianus. This was decoded by Allan C. Wechsler and the Bulgarian linguist Ivan Derzhanski, and is a variation of base 21.
This is the Graduale Arosiense (or Graduale Svecicum), printed (by Stephanus Arndes?) in Lübeck in 1493.
This is the earliest surviving music printing for Sweden. This leaf is enclosed in a passe-partout, with a bookplate revealing a curious and rather sinister provenance...1/7
The bookplate has no text at all, but underneath is written in pen "Rockelstad".
Rockelstad Castle, situated on Lake Båven in Sörmland, Sweden, was the home of the bibliophile Count Eric von Rosen and suddenly the reason for the lack of text on the bookplate becomes clear.. 2/7
A previous owner or more likely, a previous bookseller, has removed the original bookplate, cut away all the outer text, and then re-affixed the central part only to the pass-partout. Why? Because this is Eric von Rosen's actual, complete bookplate... 3/7