Thank you to everyone at @ucsc_omi for an incredible program today on the Koza Uprising which took place on Dec 20, 1970. Deeply moving, thought-provoking, and educational. I learned a lot, and gave me a lot to think about.
In the early morning hours of Dec 20, 1970, an American GI in Koza (now Okinawa City) accidentally hit an Okinawan man in the street with his car. Okinawa had been under US military occupation at this point for 25 years, 18 years longer than mainland Japan.
In that time, Okinawa had seen countless such traffic incidents, not to mention instances of physical and sexual violence which in most cases ended with the Americans involved facing no legal repercussions. Extraterritoriality, or unequal treatment under the law, was standard.
In 1959, an American fighter plane crashed into an Okinawan elementary school killing 11 children and six other people, and injuring hundreds. In 1970, Okinawa was very actively being used as a base from which to fight the Vietnam War.
The US military was also still maintaining stockpiles of VX (venomous agent X) in Okinawa, after Pres Nixon the prev. year renounced the "first use" of lethal chemical weapons. VX was later used by Aum Shinrikyo in 1993, produced by Al-Qaeda, ...
... and used by the NK gov't in the assassination of Kim Jong-il's eldest son Kim Jong-nam in 2017. It is extremely serious stuff. The US military presence on Okinawa has also involved spills of Agent Orange and many other substances.
Tensions were at a boiling point in Dec 1970, and after that traffic incident, it boiled over. Before the night was over, Okinawans had burned numerous cars with US military license plates, stormed the gates of the nearby base, and clashed with military. No one was killed.
We are told the Okinawans made an explicit point to not attack Black servicemembers, out of a solidarity for the racism and oppression they lived within.
I learned today that in US military segregation at the time, Latino, Asian, and Native American servicemembers were all grouped with the Whites, excluding only the Blacks. A different dynamic from the Whites vs. People of Color categorization we see today.
It was a pleasure to hear today not only from @wright_dustin, Wesley Ueunten, and Alexyss McClellan-Ufugusuku, but also from Kuniyoshi Kazuo, a newspaper photographer whose photos of the uprising are incredible and whose experience has so much to offer, ...
and from Stan Rushworth, an indigenous and peace activist (Apache Nation) who served in the US military occupation of Okinawa in 1963-65. His perspectives and experiences, both as an American GI in the Occupation and as a Native person witnessing the segregation and ...
militarism / imperialism in Okinawa firsthand, were also eye-opening, moving, and thought-provoking. I have now purchased his book "Diaspora's Children" and look forward to getting an opportunity to read it.
I am embarrassed to admit I still have never visited Koza myself. On my next trip to Okinawa, I will have to be sure to visit the "Histreet" (History+Street) local history museum, and to see firsthand the base town and the space in which this took place.
I think one big takeaway from today's event is to be reminded of Okinawa's significance as a key example and microcosm of a broader context of US Empire and militarism, and the ways in which imperialism/militarism plays out against indigenous lands and peoples around the world.
And the place of Okinawa, and the Koza Uprising, in a broader history of the Cold War, the Vietnam War, racism & the civil rights movement ... Ueunten places Koza within the peace movement - not just an uprising for Okinawans, but also against racism and against militarism + war.
Understanding Okinawa is so important for informing better understandings of the US, Japan, and the world.
Sorry for the unexpectedly lengthy tweet thread. I'll end with Rushworth's assertion that keeping the imagination open to what is possible - beyond what colonizers tell us is possible - is an act of resistance, and a powerful and important one. Other ways of being are possible.
Thank you again to @ucsc_omi , @aschristy , and everyone else involved today. Thank you for making the recording of the webinar available as a resource for the future. I'll keep my eyes out for it.
Those who have been following me know I'm working on a translation of a chronology of events of the Bakumatsu period - the years leading up to the fall of the Tokugawa shogunate + the Meiji Restoration.
Today, I came across an exciting line:
Kagoshima domain retainers Arima Shinshichi and Tanaka Kensuke; Ronin Tanaka Kawachinosuke, Maki Izumi, Yoshimura Torataro; and others gather around dawn and depart Osaka for Kyoto. They go up the Yodo River, arrive at Fushimi around dusk, and rest at the Teradaya inn.
The Teradaya Incident which resulted on 1862/4/23 is easily one of the favorite, romanticized, bad-ass fights for samurai weeaboos.
I'll give the text I'm translating, my rough translation, and then just a little extra comments :)
“... when envoys went up to Edo, everything was done with great care, and we hear that it received praise in the Yamato court; this is the pinnacle of things coming together (happiness).”
I can't say that I actually addressed this all that well in the diss, but the question being: what was the role of tradition, precedent, protocol, in shaping diplomatic ritual interactions in early modern East Asia?
In diplomatic history, most work focuses on the politics of the situation. But, when politics wasn't discussed and the relationship was barely changing but instead only ritually reaffirmed time and again, what about the importance of performing ritual properly?
A short thread on the importance of basic general details in your history research & writing. Reading 「徳川将軍家の演出力」by Andô Yûichirô 安藤優一郎 right now, and I'm loving it. Only on Chap 2, but so far lots of good basic details that I just hadn't ever come across before.
The title is kind of a pain to translate, but I guess literally it's something like "The Performance Ability of the Tokugawa Shogunal House." Talking about how processions, audience ceremonies, etc were used to construct and convey notions of the shogun's power. 2/x
I suppose it may sound super niche and too-fine-detailed to spell it out this way, but, in all the years of my diss research, there were so many basic questions I just never happened upon the answers for. 3/x
Alright. Well, @youtubemusic is still shit. But I discovered today that all of a sudden Google Music is allowing me to download more than 100 tracks at a time. This is *huge* for allowing me to download and backup my library relatively quickly / efficiently.
Prior to this, as far as I could figure out, one had to either download 100 tracks at a time, or use Music Manager to try to download the entire Library at once. It took hours and hours and hours, and if it got interrupted (e.g. wifi went out) had to start all over again 😠
Now I'm downloading a few hundred tracks at a time, and in just a few hours, I'm already halfway through my library... going much quicker than the full library download through Music Manager, and much more stable doing it in parts. 👍
Waiting tables at a fancy sushi restaurant. Look, I understand from the management's point of view that they wanted someone polished, someone to do the job and do it well, not someone who was endlessly "trying their best" and on training wheels...
But, boy did they expect too much. Memorize the menu before we'll let you take your own tables and get paid full wage, rather than letting me learn on the job? Make me memorize what each diff. saké is like, and what each piece of fish on each diff. sushi platter is?
And then at the end of the day, we didn't get any free food from the menu - like we did at the deli I'd worked at - no. We had to suffice on miso soup and fish heads and whatever sort of extra scraps... not to mention all kinds of add'l hard cleaning work I never did at the deli.
My bestie, @MotoHotei , the one time he came to Japan, along with several of our other bestest friends.
I can't wait to have them visit again sometime.
Kyoto. Easily one of my favorite cities in the world. Even in the rain.
Looking at this photo just brings up all sorts of feelings, about the beautiful energy of that city, where culture and nature and urban vibrancy all come together.