What was once a center of learning with maata Saraswati as the presiding deity is a msqe today! We cannot blame the invaders. They did what they had to do. We failed to protect our heritage. The responsibility for the present state of affairs rests on our shoulders.
Raja Bhoja (1000-1055 A.D.) of Paramara dynasty, a patron of learning, constructed a temple dedicated to goddess Saraswati and a center of education at Dhar which came to be known as Bhojshala.(1)
Dhar is a small town near Indore in Madhya Pradesh and was the capital of Malwa, which comprised of west central Madhya Pradesh and south eastern Rajasthan today.(2)
The city was founded by Raja Bhoja who reigned over Malwa region in first half of 11th century.(3)
Remnants of Bhojshala or temple of Saraswati can be seen in the Kamal Maulana msqe, which was converted into a msqe by the later Mslm rulers of Dhar.(4)
The msqe consists of a large open court with a porch in front, colonnades at sides, and a large prayer hall at the back in the west.(5)
The carved pillars used in the msqe and carved ceilings of the prayer hall belonged to Bhojshala. Compositions in Prakrit have been recovered from engraved slabs of stones fixed to walls of the mosque. Akin to the one at qutub minar complex.(6)
These slabs contain 2 odes to Kurm avatara (tortoise incarnation) of lord Vishnu. 2 pillar inscriptions, one containing Sanskrit alphabets while other containing tenses of Sanskrit grammar, are also at the site.(7)
Additionally there are 2 Sanskrit stanzas engraved on these pillars praising the successors of king Bhoja. The reverse side of 2 of the big black stone slabs forming the lining of the mehraab have inscriptions too.(8)
These inscriptions are a drama composition in classical Sanskrit. They were inscribed during the reign of Arjunavarma Deva (1210-18).(9)
This drama was composed in poetry by royal tutor Madana. The drama is called Karpuramanjari and was meant for performing during spring festival. It is in honour of Arjunvarma Deva whom he taught and whose court he graced.(10)
The play refers to wars between Paramaras and Chalukyas which ended via matrimonial alliances. A glimpse is given of the high states of civilization prevailing in Dhar which is described as a city of palaces having beautiful gardens with hills surrounding the city.(11)
The excellence of musicians and scholars of Dhara is also mentioned. Bhojshala was converted into a msqe somewhere in the 14th century.(12)
Dhar fell to the Delhi Sultans, starting with Alauddin Khilji. In 1390 CE, Dilawar Khan was appointed governor of Dhar during final years of Tuglaq dynasty but with decline of Delhi Sultanate, he declared himself independent and founded the Malwa Sultanate in 1401.(13)
Presently Hindus have to share the praying space with Mlims, via an ASI order which has taken control of the structures. As the temple no longer exists in its original form, on Tuesdays Hindus are allowed prayers whereas Fridays are reserved for Mlims.(14)
Image credits: Dr. Brajesh Kumar Pandey
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Ancient Indians were pioneers in diverse fields of study and their genius was centuries ahead of their times. Feel the glory, basking in pride of their unparalleled achievements.
(Thread)
Sushruta (circa 7th or 6th century BC) was a surgeon who in present times is known as the “father of Indian medicine” and “father of plastic surgery” for inventing and developing surgical procedures. He lived in Kashi on the banks of river Ganga.(1)
His work documented in the Sushruta Samhita (compendium) is one of the oldest texts in the world on plastic surgery and regarded as one of the trilogies of Ayurveda. The other 2 being the Charaka Samhita and Astanga Hridaya.(2)
THE BATTLE OF TALIKOTA and the destruction of Vijaynagar (Hampi)
26 January 1565
A tale of valor, deception and decimation.
A grim reminder that if we fail to protect our heritage, it will eventually crumble under the onslaught of "forces of anarchy".
(Elaborate thread)
This decisive battle was fought between the Vijayanagara empire and the Deccan sultanates resulting in a rout of Vijayanagara and ending the last major medieval era Hindu kingdom in south India.(1)
The seeds of 1565 encounter were sown more than 250 years earlier when the forces of the Delhi Sultanate, during the time of Alauddin Khilji and later Md Bin Tughlaq swept through southern India in an expansion spree.(2)
This temple, not to be confused with the Belur Chennakeshava temple, was built during the Hoysala period by a Hoysala general named Dandanayaka Somanatha. The temple dedicated to lord Vishnu was consecrated in 1258.
Dandanayaka Somanatha established a village named Somanathapura on the banks of river Kaveri. He sought the permission of King Narasimha III, to begin construction of a grand temple dedicated to Lord Vishnu that would also showcase the might of Hoysalas.(1)
The temple rests on a high star shaped platform (jagati) with 3 sanctums (garbha griha) making it a trikuta, set in a square matrix oriented along the east west and north south axes.(2)
The story of Indian Legion or Legion Freies Indien
Netaji's lost army.
An army which was assembled to win India's freedom eventually fading somewhere in the pages of history. They were our bravehearts who dreamt of an independent India.
Jai Hind ki sena!
(Elaborate Thread)
Raised in Germany, this force never found its place in the hall of fame like the Indian National Army (INA). The Indian legion became tainted due to its association with the German army. Soon the legion was cornered by allies and French resistance.(1)
The survivors who made it to India never received the recognition which troopers of INA did. When netaji arrived in Berlin on April 3, 1941, the Germans wanted to weaken the British and welcomed him given his status as a pan India leader.(2)
Trikuteshwara temple was built between 1050 to 1200 AD, during the reign of the Kalyan Chalukyas. It was designed by renowned architect Jakanacharya.
(Thread)
The temple has a single sanctum with a large audience hall and entrances at eastern and southern fronts. It follows a standard plan, as sanctum (garbha griha), vestibule (sukanasi), hall (navaranga) and entrance mandapa (mukhamandapa).(1)
It also features a tower which follows the Dravidian style of architecture. The structure is built on a platform that forms an outer projection at the audience hall. It was once open but covered at a later period. Temple walls have projections with regular decorations.(2)
The Bhoramdeo temple complex is situated in the Kabirdham district of Chhattisgarh. The complex consists of Bhoramdeo temple, a dilapidated structure, site museum and some dislodged sculptures.
(Thread)
The main structure of Bhoramdeo temple is dated to the 11-12th ce during the reign of Naga king Gopaladev. The sculpture of a male with an inscription (a yogi) on its pedestal inside the mandapa, records the name of Gopaladev and dates back to 1098 AD.(1)
The Bhoramdeo temple structure manifests a saptaratha (seven offsets on its walls) plan. It is east facing, constituting a mandapa with entry porches on the south and north which form kakshasanas (seat backs), antarala (antechamber) and a garbhagriha (sanctum).(2)