Ancient Indians were pioneers in diverse fields of study and their genius was centuries ahead of their times. Feel the glory, basking in pride of their unparalleled achievements.
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Sushruta (circa 7th or 6th century BC) was a surgeon who in present times is known as the “father of Indian medicine” and “father of plastic surgery” for inventing and developing surgical procedures. He lived in Kashi on the banks of river Ganga.(1)
His work documented in the Sushruta Samhita (compendium) is one of the oldest texts in the world on plastic surgery and regarded as one of the trilogies of Ayurveda. The other 2 being the Charaka Samhita and Astanga Hridaya.(2)
Sushruta compiled the Sushruta Samhita as an instruction manual for physicians to treat patients.(3)
The Samhita caters to surgical techniques listing over 300 surgical procedures and 120 surgical instruments. Additionally to 1,120 diseases, injuries and their treatments with over 700 medicinal herbs and their application.(4)
The present form of the compendium is believed to be the work of several physicians which succeeded Sushruta. Chapters were added on over a period of time. The original had 5 books and 120 chapters, which over time grew into 6 books and 186 chapters.(5)
In a number of chapters throughout the book, medical conditions are described and treatments suggested which include details regarding how a surgeon should perform surgeries from start to finish.(6)
These techniques imply on a variety of conditions ranging from reconstruction of nose and cheek to treatment of wounds amongst many others.(7)
Sushruta developed advanced knowledge of the human body through dissection thereby understanding of human anatomy.(8)
Sushruta’s view on healing is "an emphasis on the patient" and not just on the symptoms. A familiar concept in modern day.(9)
Physicians in current times construct medical history of a patient in addition to establishing trust and developing a belief on the success of treatment.(10)
These practices and policies are considered innovations in patient care in present times but Sushruta had already implemented them over 2,000 years ago.(11)
Sushruta attracted a number of disciples from far and wide. He would instruct them on surgical procedures by making them practice cutting on vegetables or dead animals to perfect surgical techniques.(12)
Although the practice of surgery was established since long in India by the time of Sushruta but in a less advanced form than what he practiced.(13)
Sushruta developed novel surgical techniques and most importantly invented the practice of cosmetic surgery especially rhinoplasty (reconstruction of the nose).(14)
Rhinoplasty is performed to improve breathing through nose or the cosmetic look or both. Sushruta Samhita records a forehead flap rhinoplasty to reconstruct the nose using a flap of skin from the forehead.(15)
Besides trauma involving general surgery, Sushruta gave an in depth account of the treatment of 12 types of fractures and 6 types of dislocation, some via prosthetics.(16)
He also mentioned the principles of postoperative physiotherapy. Amongst others, prescribing measures to induce growth of lost hair with removal of unwanted hair.(17)
One can also note sections on cataract removal, paediatrics, and midwifery. Sushruta is known to have carried out surgeries like cataract extraction and removal of urinary stones.(18)
During the procedure, he advocated medicated wine for anaesthesia laying stress upon sterilising the operation theatre by fumigating it with fumes of mustard, butter and salt.(19)
He was one of the first people in medicine's history to suggest that a student of surgery should learn about the human body and its organs by dissecting a cadaver.(20)
Sushruta Samhita traveled from India to other parts of the world. During early 8th century, the text was translated into Arabic as ‘Kitab Shah Shun al-Hind’.(21)
There are historical references of Sushruta Samhita in the court of king Yasovarman I (889-900 AD) of Cambodia as well as in the monasteries of Tibet.(22)
The first European translation of Sushruta Samhita was published by Hessler in Latin in the early 19th century. The first complete English translation was done by Kaviraj Kunja Lal in 3 volumes in 1907.(23)
Sushruta mentioned in his work that theory without practice is a one winged bird which is incapable of flight.(24)
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Maharana Pratap's brilliant counter strike leading to M0ghul army's abject surrender.
A battle which was erased from public memory by left historians to keep Hindu pride in check.
(Thread)
When we talk about the bravado of Maharana Pratap, the only battle which comes to our mind is battle of Haldighati (18 June 1576), fought between Rana's and Akbar’s armies led by Maan Singh of Amber.(1)
The Battle of Dewair (1582) is sort of shadowbanned from our mainstream history books and public discourses because of certain vested agendas.(2)
What was once a center of learning with maata Saraswati as the presiding deity is a msqe today! We cannot blame the invaders. They did what they had to do. We failed to protect our heritage. The responsibility for the present state of affairs rests on our shoulders.
Raja Bhoja (1000-1055 A.D.) of Paramara dynasty, a patron of learning, constructed a temple dedicated to goddess Saraswati and a center of education at Dhar which came to be known as Bhojshala.(1)
Dhar is a small town near Indore in Madhya Pradesh and was the capital of Malwa, which comprised of west central Madhya Pradesh and south eastern Rajasthan today.(2)
THE BATTLE OF TALIKOTA and the destruction of Vijaynagar (Hampi)
26 January 1565
A tale of valor, deception and decimation.
A grim reminder that if we fail to protect our heritage, it will eventually crumble under the onslaught of "forces of anarchy".
(Elaborate thread)
This decisive battle was fought between the Vijayanagara empire and the Deccan sultanates resulting in a rout of Vijayanagara and ending the last major medieval era Hindu kingdom in south India.(1)
The seeds of 1565 encounter were sown more than 250 years earlier when the forces of the Delhi Sultanate, during the time of Alauddin Khilji and later Md Bin Tughlaq swept through southern India in an expansion spree.(2)
This temple, not to be confused with the Belur Chennakeshava temple, was built during the Hoysala period by a Hoysala general named Dandanayaka Somanatha. The temple dedicated to lord Vishnu was consecrated in 1258.
Dandanayaka Somanatha established a village named Somanathapura on the banks of river Kaveri. He sought the permission of King Narasimha III, to begin construction of a grand temple dedicated to Lord Vishnu that would also showcase the might of Hoysalas.(1)
The temple rests on a high star shaped platform (jagati) with 3 sanctums (garbha griha) making it a trikuta, set in a square matrix oriented along the east west and north south axes.(2)
The story of Indian Legion or Legion Freies Indien
Netaji's lost army.
An army which was assembled to win India's freedom eventually fading somewhere in the pages of history. They were our bravehearts who dreamt of an independent India.
Jai Hind ki sena!
(Elaborate Thread)
Raised in Germany, this force never found its place in the hall of fame like the Indian National Army (INA). The Indian legion became tainted due to its association with the German army. Soon the legion was cornered by allies and French resistance.(1)
The survivors who made it to India never received the recognition which troopers of INA did. When netaji arrived in Berlin on April 3, 1941, the Germans wanted to weaken the British and welcomed him given his status as a pan India leader.(2)
Trikuteshwara temple was built between 1050 to 1200 AD, during the reign of the Kalyan Chalukyas. It was designed by renowned architect Jakanacharya.
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The temple has a single sanctum with a large audience hall and entrances at eastern and southern fronts. It follows a standard plan, as sanctum (garbha griha), vestibule (sukanasi), hall (navaranga) and entrance mandapa (mukhamandapa).(1)
It also features a tower which follows the Dravidian style of architecture. The structure is built on a platform that forms an outer projection at the audience hall. It was once open but covered at a later period. Temple walls have projections with regular decorations.(2)