#NowWatching “The Martian.”

It feels like a very 2020 film.
I’ve said it before, but I think that “The Martian” is probably the closest that we’ve had to a traditional “Star Trek: The Next Generation” feature film in a while.

I love “First Contact”, but “The Martian” is close to the spirit of the show than any of the films with the cast.
At its core, “The Martian” is fundamentally about problem-solving.

It’s also an undeniably optimistic film, particularly in the context of a science-fiction genre that has grown quite cynical and pessimistic (with good reason) over the last few decades.
“The Martian” is so optimistic that it’s the rare movie where Sean Bean survives until the end, even if his character’s career doesn’t.

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More from @Darren_Mooney

24 Dec
It has been a very long year, in terms of “Star Wars” content.

So #NowWatching “The Last Jedi.”

Here I joke, and suggest it’s a real shame they haven’t made any “Star Wars” since, as there’s a real gap in the market.
“You did it, Poe. Now get your squad back here so we can get out of this place.”
“No, General... We can do this.”

I can’t imagine how this story about a hotshot arrogant roguish pilot who needs to learn to listen to women - a recurring motif in the film - could ruffle feathers.
What’s interesting about the Poe storythread in “The Last Jedi” is that it becomes fundamentally self-proving.

In that it’s about the sort of arrogance of these sorts narratively-favoured roguish protagonists, and how fans and narratives fetishise that.

(Which was very timely.)
Read 51 tweets
23 Dec
I have thought about this a lot.

So much of the Marvel Cinematic Universe is largely just trivia sheets of “things that happen”, with plots designed to avoid agency.

(Think about how “Civil War” or “Infinity War” are designed to prevent characters making choices.)
To get a sense of why so many blockbuster movies are structured like that, look at how fans react to a blockbuster with actual characterisation.

Compare the reaction to the use of Luke Skywalker as a person in “The Last Jedi” to his use as a plot function in “The Mandalorian.”
Because having a character make choices - rather than just having a plot “happen” to them - risks alienating all those fans who have invested in their own head canon version of the character and treat any contradiction as heresy.

So avoiding characterisation avoids that.
Read 4 tweets
28 Jun
#NowWatching “Batman Forever.”
“Batman Forever” is ground zero for what happens when you let angry, shouty people set the direction of your multi-million dollar franchise.

It’s the ultimate work of creative compromise, which exists almost entirely in response to a bold and uncomfortable creative vision.
“Batman Returns” remains one of the most singular and uncompromised superhero movies ever produced. It is, to be frank, a masterpiece.

It was also... controversial and divisive.

“Batman Forever” is what happens when you define your entire movie in opposition to that.
Read 32 tweets
2 Nov 19
#NowWatching “The Phantom Menace.”

Because I figure I should watch all the “Star Wars” films again before “The Rise of Skywalker.”
Hey kids, it’s Branagh Gallagher.
Interesting production design touch: the Trade Federation ship bridge looks a lot more like the bridge of a Star Destroyer than anything designed by the Republic.

Which is actually a nice red herring, in terms of audience expectations of how the Galactic Empire would emerge.
Read 34 tweets
18 Oct 19
#NowWatching Zack Snyder’s “Watchmen: The Ultimate Cut.”

Which is about half the length of the television series starting this weekend.
Snyder’s “Watchmen” has some very serious flaws; some of which are baked into the idea of adapting the comic, and some are down to Snyder’s aesthetic.

But it is a staggering accomplishment of production. It looks beautiful, the result of a lot of care and attention.
At the time, the textured production design on “Watchmen” was a breath of fresh air.

150 sets were built for the film, including an old style New York exterior. It’s lit and shot beautifully.

It has aged well, in an era where so many superhero blockbusters look interchangeable.
Read 45 tweets
16 Oct 19
“Watchmen” is rightfully regarded as a classic of the medium and a meticulously structured masterpiece.

However, I’ve always loved Moore’s pitch black sense of humour and grim juxtapositions.

It’s a darkly funny comic book.

(Watchmen #1.)
Interesting throughline to Lindelof’s “Watchmen” remix that I hadn’t considered:

The vigilantes of the “Watchmen” universe also started as cops who decided to wear masks, lending the follow-up some symmetry.

(Watchmen #1.)
Read 71 tweets

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