100,000,000 Years Ago: on Earth, the Cretaceous (in conventional reality). In the afterlife portion of U7, the North Kaio’s planet already exists at this time. The Kaioshin (Supreme Kai) is assisted by four Kaio (non-Supreme Kai), who monitor the NSEW areas of U7. #HistoryofEver
(The planet anachronistically pictured here in its smaller, post-Beerus form, but whaddaya expect?)
North Kaio’s planet can be reached via the million kilometer Snake Way that stretches over Hell. Has anyone ever crossed it? The oni who drives Goku there thinks that King Yama (Yemma) is the only one to have made the trip, and that this was within the last 100 million years.
DBZ ep.14 filler says King Yama crossed the road and met Princess Snake a mere 500 years ago. Not quite a direct contradiction, but in that case it makes you wonder the significance of the “100 million years” figure. Is that just Snake Way’s age?
The Daizenshuu 7 timeline’s entry on 100,000,000 Years Ago says “Kaio’s planet is confirmed to exist”, apparently based on the oni’s line and the assumption that he wouldn’t say “in the last 100 million years” if Snake Way and Kaio’s planet haven’t been around at least that long.
Early fan translations of the daizenshuu timeline mistranslated this entry as “the earliest Kaioshin are thought to exist” (mistaking 界王星/Kaio’s planet for 界王神/Kaioshin/Supreme Kai), a mistake you still see around to this very day. dragonball.fandom.com/wiki/Dragon_Ba…
(Speaking of mistranslation, even the Funi subtitles messed up by having the oni say a billion years rather than 100 million, although this was corrected in later releases)
At 100 million years, this is far enough back to be the very first entry in Daizenshuu 7’s timeline, and therefore the earliest thing mentioned pre-DBS. But DBS ep.5 unseats it by having Beerus claim to have lived for “hundreds of millions of years”.
If Beerus is that old, then presumably the Kaioshin as a group are too (although Beerus’ career has extended through several different Kaioshin generations), and so too are the angels and Zeno. Presumably.
Tomorrow: a handsome young Kaioshin.
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Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41
Rewatching the DBS panel, there’s a few things I want to note about the subtitles. They’re fine overall but there’s a few things I think are oversimplified or left out. Going through roughly in order of importance…
When discussing the artwork for New Character 1 and 2, in Japanese Hayashida says how it’s Toriyama’s original artwork, unlike the Piccolo/Pan/etc images that have been developed into full-fledged anime designs. The subtitles instead say it was made before movie production began
Now, it might indeed be true that Toriyama would’ve made the initial artwork before movie production began, but that’s not really what Hayashida is talking about. He’s contrasting this image with the earlier ones shown of Piccolo and co, which weren’t Toriyama’s original artwork