Thread: This is a white-ground kylix (drinking-cup), made in Attica in the mid 5th c. BC by The Sotades Painter (Potter)...Currently in the British Museum. britishmuseum.org/collection/obj…
The scene depicts Glaucos, a young son of the king Minos of Crete, on the right, and Polyeidos, a famous seer from Corinth, on the left. They are inside what looks like a beehive shaped tumulus tomb. Or a wine-cellar???
As Glaucos watches, Polyeidos raises himself on his knees, uplifting in his right hand a spear, with which he thrusts downwards at one of two snakes which lie at the bottom of the scene below the centre of the tumulus (wine-cellar)...
The snake on the left appears to be moving towards its companion, which lies extended with its body in two loops as if dead...
The reason why I think this is a wine-cellar is this. This is a visual depiction of part of the legend which talks about the resurrection of Glaucos by Polyidus. Legend which goes like this:
One day, while playing with a ball Glaucus wondered into a wine-cellar, fell into a jar of honey and died. After a long search, Polyidus (whose name means the one who sees many things) finally discovered Glaucus's body...
Minos demanded that Polyidus brings Glaucus back to life, as the Delphic Oracle had promised. But when Polyidus objected to that, Minos shut Polyidus in the wine-cellar with the dead boy until he brings him back to life...
After a while a snake crawled into the cellar, and Polyidus killed it with the spear. Another snake came looking for the first, and after seeing it dead, it left and brought back a herb which brought the first snake back to life. Polyidus used the same herb to resurrect Glaucus..
King Minos then refused to let Polyidus leave Crete until he taught Glaucus the art of divination. Polyidus did so, but then, at the last second before leaving, he asked Glaucus to spit in his mouth. Glaucus did so and forgot everything he had been taught...
Interesting. Snakes which poses secret knowledge. Taking of the ability to see (know) things through taking someone's spit...Looks very familiar indeed. Just like this:
Thread: A magnificent animal (Siberian Ibex) killed for fun 😠 in Kazakstan...I am posting this picture so people can get the idea of how huge and imposing these animals are. And how difficult it is "not to notice" their behavior if they live near you...
Ibex mating, marked by mad male goat fights, happens every year at the same time, at the beginning of winter (Oct/Nov). Which is why Ibex became a calendar marker for Oct/Nov with the meaning: When Ibex goats mate...
Hence they are found as the symbol of winter in Europe, Eastern Mediterranean, Arabia, Central Asia, Mesopotamia, Indian Subcontinent, possibly even Northern China (looking into this at the moment)...
Thread: One of the side panels of the Standard of Ur (en.wikipedia.org/wiki/Standard_…) "depicting mythological scenes"...Of unknown meaning...Found at the Royal Cemetery of Ur, dated to the Early Dynastic (ED) Period (c. 2900–2350 BCE) cnx.org/contents/uLBVv…
Of course these are not mythological scenes. These are animal calendar markers for the major climate periods in Mesopotamia:
Thread: Scene from the trojan war: Cassandra clings to the Xoanon, the wooden cult image of Athene, while Ajax the Lesser is about to drag her away in front of her father Priam (standing on the left) and rape her. Roman fresco from the atrium of the Casa del Menandro, Pompeii.
Cassandra was a Trojan priestess of Apollo. According to the legend, Apollo fell in love with her, and sought to win her by giving Cassandra the gift of prophecy...
Some sources say that she promised Apollo her favors, some say that she promised nothing. Regardless, after receiving the gift, she refused the god, which as you can imagine pissed him off...A lot...
#FolkloreThursday "Dožinjalica" is a cock which is slaughtered at the end of the harvest. Among the Serbs from Croatia it was believed that "grain will yield plentifully next year only where dožinjalica is eaten"...
On Tobolić, at the end of the harvest, the harvesters would tie the housewife with ropes. They would then light up a fire in the field where the last sheaf of grain was cut, and would "pretend to burn her in the fire"...
They would let her go only after "she promised them a dožinjalica". Similar customs were also recorded among Serbs from from Northern Dalmatia...
Thread (longish): During the excavations of the the Temple Repositories at Knossos, among many early 2nd millennium BC faience (glazed ceramic) objects, Arthur Evans unearthed ceramic crocuses and models of female garments decorated with crocuses...
I found this image in the "Bronze Age Flower Power: The Minoan Use and Social Significance of Saffron and Crocus Flowers" (researchgate.net/publication/32…). Really cool article...
In it the author, Rachel Dewan, states that: "...If Evans’ interpretation of the faience models as votive offerings is correct, than here again is evidence for significant links between women, textiles, crocuses, and the divine"...
Thread: Romanian bear dancers...At the end of the year, boys and men in eastern Romania put on heavy bear costumes, often made of real fur, and dance through the streets of towns and villages...
They dance to the rhythm of drums. In the end a ritual scene is performed in which the bear collapses because a demon is inside him. The "Gypsy" comes with a knife and bleeds the bear, lets the demon out and the bear gets resurrected
In some versions of the tradition, the bear, the Gypsy and the drummers also go from house to house in the village, singing and dancing to ward off evil and bring good luck...