I wrote a lot of pieces in 2020! As we close out the year, I want to share a short list of my favorites. (thread)
In March, while we all watched in horror as the Trump administration botched the initial response to the pandemic, I wrote for @Independent about the bizarre and unjust access many healthy celebrities gained to COVID tests, which were quite scarce. independent.co.uk/voices/coronav…
In April, when it was apparent Joe Biden was on his way to winning the nomination, I wrote for @washingtonpost on why progressives should have optimism about a Biden White House. washingtonpost.com/outlook/2020/0…
Well, folks, I'm officially the latest online personality to start a Substack, and the question that might be on your mind is: “Does the universe really need this?”
I seriously doubt it, but let me explain why I’m doing it. (thread)
I’ve always wanted to write for a living. Like actual personal writing and commentary, basically what I do on Twitter every day for free. Up until now, I’ve been paid to do communications work—of which I’m proud—but that’s not even close to being the same thing.
In the past, despite a number of offers, I’ve always declined to monetize my Twitter account because there’s a chance of risking a loss of trust with folks who follow your work. I really admire the people who have made that work, but I didn’t wanna risk it.
I watched an advance screener of "Promising Young Woman" today, starring Carey Mulligan as Cassie Thomas, a med school dropout who exacts revenge against rapists and sexual assailants, and it's one hell of a film. Here are many thoughts on it. (thread)
Right off the bat, I should say that the film graphically references, describes, and depicts rapes and sexual assaults and also suicide. In case the trailer hadn't been direct enough about that, consider this a trigger warning. It is DEEPLY uncomfortable to watch in some parts.
The film opens up with three younger guys at a happy hour engaged in, uh, "locker room talk". Well, two of the three. The third is the apparent moral center of the scene, played perfectly by Adam Brody. He's the Nice Guy. He chides the other two.
Today is the 10th anniversary of the repeal of "Don't Ask, Don't Tell", the policy that barred openly lesbian, gay, and bisexual people from serving in the military. My service in the Army coincided with the last six years of DADT. We are now living in DADT 2.0 for trans people.
Before Trump's trans ban went into effect, the U.S. military was the largest employer of transgender people in the world. For three years, trans people served openly, a period described by the generals and admirals overseeing our military as free of complications.
Republicans now use the same fear-mongering over trans people that they did with lesbian, gay, and bisexual people in the military back then:
1. Threats to military readiness and unit cohesion. 2. Medically unfit. 3. Moral panic.
Call it unfortunate timing all you want, but the fact that this cheating scandal at West Point--the worst in more than four decades--comes during the Trump administration is hard to ignore. This is a "Commander in Chief" who sets a horrible example. Leadership matters.
Let me quickly contextualize this for folks who may not be aware. West Point's Honor Code isn't a performative thing in the way that mission statements, values statements, etc. are so often performative at organizations. The Academy takes this very, very seriously. (1/3)
To give you one example: any time a cadet submits a paper for class, they're required to put a carefully formatted cover sheet on top with their signature attesting that the paper is consistent with the Honor Code. Every. Single. Paper. (2/3)
Like, yeah, The Bee Gees have been unfairly maligned for a LONG time and there's bound to be overcorrection because they're lovely, but holy shit, there's just no comparison to what The Beatles did. I can't even be charitable on this one.
The Beatles could be credited with transforming the direction of popular music not just once but TWICE and in less than six years. That's mind-boggling.