In the same vein as @BizzareComics DC 10 Title challenge, if I had to pare down the Marvel publishing line to only 10 series per month, here are the iconics-
1) SPIDER-MAN - with back-up stories of Spidey-related characters
2) THE AVENGERS - big cast and big threats
3) FANTASTIC FOUR - with cosmic-related back-up stories
4) X-MEN - includes a Wolverine back-up and one other back-up story each issue
5) CHAMPIONS - Teenage heroes, with other teen hero back-up stories
6) JOURNEY INTO MYSTERY - Thor, with magic/supernatural back-up stories
7) TALES TO ASTONISH - Captain America + Iron Man
8) MARVEL KNIGHTS - Black Widow, Daredevil and other espionage /street-level heroes
10) MARVEL COMICS PRESENTS - Anthology-style series focused on characters getting movie/TV coverage but who don't have their own solo book
Same deal as the DC line-up. Excruciatingly hard to lose some of my favorites, but if you only have 10 titles, you have to lean into the icons and build from there.
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In simplest terms, in order for you to get work doing art for other people, you need a portfolio that grabs attention and gives potential clients a clear path for contacting you.
It's that easy and that difficult.
A portfolio is _not_ just a social media feed or a blog.
It's _not_ a gallery/archive of everything you've ever done.
Focus and clarity are key. Don't make it hard for people to figure out what you do or how they can hire you to do it for them.
An online portfolio is ideally something you control that’s not platform dependent (Twitter, Instagram, Tumblr, etc.)
Social media for showing off work is fine, but they're _not_ a portfolio.
Platforms and tastes change.
Don’t be dependent on one source for your outreach.
Remember six months ago when I mentioned that comic piracy numbers were easily 20x legitimate buyers and it was a real problem?
Sometime yesterday a bunch of other comic pros looked closer, saw the numbers and the cold chill of it really hit.
Yup.
In the early days of online piracy, media that went viral in those channels could benefit from the visibility boost.
Nowadays most of it is rapid consumption that never leads to support. Digital content is quick and disposable. On to the next show, game, comic. Rinse and repeat.
The piracy sites will ask for donations to "support" their efforts, they'll repackage content that's already available for free through legitimate means. It's a relentless stockpile of content they're leveraging to make money because they can.