Congrats to all the Tribeca alum nominated for #GoldenGlobes this morning! Make sure you check them out ahead of the ceremony, which airs live on February 28!
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Yet another all-male Best Director lineup? Do better, @TheAcademy.
@TheAcademy Just some noteworthy films made by women directors from 2019:
ADVOCATE
AMERICAN FACTORY
ANIARA
ATLANTICS
A BEAUTIFUL DAY IN THE NEIGHBORHOOD
BIRDS OF PASSAGE
THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN
BOOKSMART
THE CHAMBERMAID
CLEMENCY
THE EDGE OF DEMOCRACY
THE FAREWELL
@TheAcademy FOR SAMA
THE GREAT HACK
HARRIET
HIGH LIFE
HOMECOMING
HONEY BOY
HONEYLAND
HUSTLERS
KNOCK DOWN THE HOUSE
LITTLE WOMEN
LITTLE WOODS
THE NIGHTINGALE
ONE CHILD NATION
PORTRAIT OF A LADY ON FIRE
QUEEN & SLIM
RAFIKI
THE SOUVENIR
THE THIRD WIFE
TOO LATE TO DIE YOUNG
TOUCH ME NOT
Each day of #BlackHistoryMonth and #WomensHistoryMonth, we're highlighting films by black women directors. Some of these titles are classics; many more are under-seen masterpieces. What they share is a daring artistry that makes them deserving of your time and attention. Join us:
ALMA’S RAINBOW (Ayoka Chenzira, 1994): A fractious matriarchy of fiercely independent Brooklynites — including a buttoned-up beautician, her bohemian sister, and her starry-eyed daughter — takes precedence in this comedy where each interaction crackles and every character shines.
BELLE (@AmmaAsante, 2013): Asante sheds light on a peculiar historical case, puncturing the British aristocracy’s cold and sumptuous veneer with the hard-edged nuances of racial and gender inequity. As the heroine, Gugu Mbatha-Raw illumines a defiant spirit with prismatic purity.