Crypto will be the "port of entry" for all internet media.

My thoughts on NFTs, finally in one place (on @viamirror) 👇

variant.mirror.xyz/T8kdtZRIgy_srX…
This post strings together a bunch of disparate tweetstorms and thoughts I've had over the years.

Quick summary:
A simple way to think about NFTs are as files that live on the blockchain.

This means that like Bitcoin, they can't be copy-pasted, edited, deleted, or otherwise manipulated.
The result?

It is now possible to own digital media asset in the same way that you can own a digital financial asset, like Bitcoin.
So if you squint, you can see that NFTs have the potential to invert the ownership model of internet platforms.

Why?
Today, billions of images, videos, songs, and more media will be shared on social media.

When those files are posted, a copy of the media is taken from the creator’s device and pasted to the server of the platform distributing it—Facebook, Twitter, YouTube, TikTok and the like.
This may seem like a lightweight interaction, but when uploading, creators don’t simply copy a file—they also copy-paste ownership of the file to the platform itself.
Thats because somewhere in the Terms of Service, it says that when a file is uploaded, its ownership is shared with the platform, to monetize as they see fit.
Meanwhile, crypto is unlocking a new model, where creators can own and capture the value of their work directly.

This a key tenet of The Ownership Economy—a broader thesis on what crypto tokens and smart contracts unlock:

I believe we are well on our way to NFTs becoming the "port of entry" for every piece of media on the internet because every stakeholder involved—creators, their audiences, and developers—can all make more money in a marketplace built around true digital ownership.
To unpack this, I addressed a number of common Qs on NFTs:
What is the value in owning digital art?

Where are we in the adoption cycle?
A lot of these ideas are things I've been thinking about since co-founding Mediachain in 2014.

Roughly six years later, in a world where the early majority (10%+ of Americans) own digital currency, the infrastructure and markets for NFTs is finally ready.

I'm excited :)
Oh and this space is growing fast...

Teams are hiring engineering, creator/dev evangelist, community, product and design roles.

If yr interested, get in touch here: forms.gle/cY4vgKZj7yn9pT…

Will do my best to connect the dots!

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More from @jessewldn

13 Jan
We all have A LOT of work to do to help ppl understand crypto.

Simplest explanation I’ve found works:

“Imagine if users like you owned the platforms and products they use everyday online...crypto tokens = user ownership.”

- BTC : banks
- ETH : compute
- XYZ : more apps 🔜
@ChrisLyons we gotta do a follow up on the ownership economy
@delane thank you for
starting this up!
Read 4 tweets
23 Dec 20
NFTs are awesome.

Today I sent a unique, programmatically generated artwork to people who supported me in getting @variantfund off the ground this yr.

A token of appreciation.

artblocks.io/project/5
I worked w @jeffgdavis and @artblocks_io to create the limited series "Variant Plan F01Y20."

A randomized hash string determines a unique layout and color placement which makes each NFT the recipient's own.
I'm personally drawn to on-chain generative art because it feels like a native expression of this new medium, smart contracts.

The community @artblocks_io is all about this, and Jeff really nailed it with something bespoke for @VariantFund
Read 6 tweets
18 Dec 20
@spencernoon has stewarded (and backed) an incredible community of builders by championing data driven insights, and creating venues for builders to do the same through @OurNetwork__
He's done all of this as a solo investor in FL—long before it was cool/the new Silicon Valley—a testament to crypto's decentralized, internet-first culture.
Read 5 tweets
7 Dec 20
NFTs are very early in the irruption-installation phase of Perez' hype cycle.

I'm optimistic they are going to work with mainstream audiences, but what is the wedge?

If I had to guess, it'll play out as follows 👇
1/ Irruption becomes frenzy alongside the backdrop of a crypto bull market. Digital artworks sell for $MMs, grabbing headlines, creator and collector attention.
2/ Developers rush in, building new marketplaces and experiences around issuing, collecting and trading NFTs.

This is clearly happening right now. New marketplaces and subniches are popping up daily. My fav as of late is @artblocks_io for generative art.
Read 8 tweets
7 Dec 20
A few thoughts on @mirror_protocol:

1/ Being able to "invest in whats in the fridge"—brands whose products and services are used or recognized globally—is now globally accessible, as it should be.

Buy $mAMZN, $mTSLA, $mGOOGL from anywhere.
All synthetic assets created on Mirror are "reflected" on Ethereum, tradable via Uniswap:

eth.mirror.finance
So DeFi is happening elsewhere, but assets flow to Ethereum for DEX & composability.

This is early signal that Ethereum's role as the settlement layer in the "layer cake" is solidifying.

Read 6 tweets
3 Dec 20
📢 RFC/POLL: Uniswap Grants Program v0.1

A proposal for funding @UniswapProtocol ecosystem development with grants from the UNI treasury.

Authored by @VariantFund (me) + @nkennethk (EF grants coordinator)

Please comment and/or poll yr feedback!

gov.uniswap.org/t/rfc-uniswap-…
tl;dr

The mission of the UGP is to provide valuable resources to help grow the Uniswap ecosystem.

The plan is to start small by, for example, sponsoring hackathons—but with an eye to growing impact over time (with renewals approved by gov)

Eventually, fund core dev work!
A grants program is a by definition a subjective process — it can't be easily automated.

So we propose a small committee of 6 members—1 lead and 5 reviewers—to deliver an efficient, predictable process to applicants.

Efficiency is a driving principle of this MVP!
Read 6 tweets

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