I grew up in the US state of Maryland, which (for folks who don't know) features a good chunk of the Chesapeake Bay. It's a big part of Maryland identity.
It's weird to be reading about all the islands sinking into it due to climate change.
Not in the future. Right now.
(No, it's not ELUSIVELY due to climate change, but climate change isn't helping.)
Holland Island, for example. it used to look like this.
And then it started sinking, and was abandoned.
Some residents actually disassembled their houses and took them with them to the mainland, but at least one household didn't.
It's been a tourist attraction for years. or WAS, anyway. It finally fell into the sea, semi-recently.
And there are a whole lotta other islands like this right now. Inhabited islands full of oyster and crab fishers, who're like "Yeah, we've lost 50% of the island's land mass in the last 100 years. I'm the last generation. This village won't exist in 2050."
All my pals (and listeners to the @dirtyoldladies podcast) know I have a super-duper hate-on for time travel in fiction.
When asked why, I usually say something like "OK, so I sprint out of the time machine, run to my childhood home, and kill my 5-year-old self. SOLVE FOR THAT."
Friend: "...But you didn't."
Me: "No, I did. I did it. Explain that."
F: "You wouldn't be here if you did!"
Me: "No, I'm doing it. I'm dedicating my life to it. I will not stop until I do."
And so and and so on, ad nauseam.
Little did I realize:
- There was actually a movie where that's basically the plot
- It's exactly as full-of-holes as I'd expect, and
- YMS did a WAY better job explaining all the crap I hate about time travel in film than I ever could.
Th Egyptians who built the pyramids were proud to be part of the project. They gave their work gangs charismatic nicknames (like "Drunkards of Menkaure") and wrote secret graffiti on the blocks they put in place. They brought their families with them during building season.
And this isn't theoretical. It's factual. People died on-site during construction, and there are graveyards for the workers and their families within sight of the Great Pyramids. Tomb robbers ignored them, and so a lot have been found intact.
TIL the game "Sekiro: Shadows Die Twice" faithfully reproduces an element of classical Japanese mythology, as there are fights with ghosts that will, given the chance, one-shot you by ripping your soul out through your butthole.
Seriously. Shirikodama. Google it.
Anyway, just something I learned after watching a Sekiro LP as I worked today, and thought "I bet this has a ton of mythological references I'm totally missing."
I'll never forget when we were first calling, trying to figure out why the USPS left clearly-labeled packages in our office building's mail room where they lay for FIVE DAYS at a time, and they were like "Yes, a lot of people in your building complain. May I suggest..."
"...everyone in the building band together and hire someone to pick up your packages daily, and deilver them to the psot office for you?"
Oh, YOU MEAN FIND SOMEONE TO DO YOUR JOB FOR YOU? *YOUR* JOB??? Wow, what a GREAT IDEA. For YOU.
The still-forming plan in my brain is like, a few dozen copies of the new titles, significant de-emphasis on the slower-moving backlist. Less than 300 books total, unless we up-size to one of those takes-up-the-whole-block booths.
But like... do I WANT to? Go all in for the hanging banner, secret green room, lighting and flatscreen, etc.? Maybe? I dunno. Once I do THAT, I'm kinda committing.
I'm shifting out of Comic Con Mode and straight into Trade Show Mode. Doing SDCC and ECCC and soforth the same way I do ALA Annual. Going in EXPECTING to lose money, because it's not a payday, it's marketing.
Thing is, is that worth it? I'm not Disney or LEGO.
Just sent off an application for the first comic convention whose rescheduled show dates didn't feel foolishly, DANGEROUSLY optimistic.
Machine's spinning up again. And I'm conflicted.
I think a year off from shows has changed my relationship with them. The brain-melting growth of @ironcircuscomix's sales (I'm not unique, everyone publishing GNs has been in this situation I'd bet) has real re-calibrated my is-this-worth-the-time-o-meter.
My time and focus is finite, and to be completely frank, the effort of putting together a con appearance doesn't result in the same sort of payoff as the same time and focus put towards other marketing and promo efforts. Like, those are just facts.