1/ In the fourth chapter of "Ou Suis-Je?" (2021), Bruno Latour takes us back to the central organising trope of the entire book: this strange celebration of the “insect-being” of Kafka’s metamorphized character Gregor Samsa. Image
2/ Contrary to what we might assume, Latour will not let us suppose that Gregor is reduced, de-animated or demonised by his transformation; on the contrary, he is the most free person, because he embodies a “terrestrial” existence.
3/ Locked in his room, Gregor finds he no longer exists in "res extensa" - regulated & co-ordinated space, external to his being. Rather, Gregor understands that he must compose the environment in which he then subsists: “il construit cet espace de proche en proche” (p.39).
4/ Gregor’s insect-like, creeping & crawling movements within the room may appear unhuman, but like a spider he is actually spinning a web of habitation, creating “un miniscule tunnel nous permettant de ramper en toute sécurité quelques millimètres plus loin” (p.39).
5/ It is the same with us. As Modern people, we assume we can move freely anywhere we wish. But we do so only by means of a constructed apparatus that trails behind us, and upon which we are dependent.
6/ This is what it means to be one of “les terrestres”, to live in the Critical Zone, to be children of Gaia. We find out that we are restricted to “une couche miniscule” (p.41) & that we cannot step one inch outside this zone by means of some magic, artificial transporter.
7/ Quote: “Les terrestres peuvent se déplacer, mais seulement aussi loin que la nappe, le biofilm, le courant, le flux, la marée montante des vivants nommés Terre ou Gaia a réussi a créer pour les suivants des conditions d’habitabilité quelque peu durables” (p.40)
8/ To live in the Critical Zone is to be cognisant of a form of morality. This is what in the Inquiry Latour calls “care” or “attention” to the other. “C’est apprendre a durer un peu plus longtemps, sans mettre en peril l’habitabilité des formes de vie qui vont venir a la suite”.
9/ We could call this "neighbourliness": in this chapter, Latour refers to it as “proximité critique” (p.41) or “consistence des relations” (p.42). He explores it in a recent paper called « Adam où es-tu ? » Prêcher à l’époque de l’Anthropocène, with A.S Breitwiller & F. Louzeau
10/ Fortunately, we live in a propitious moment to explore life in the Critical Zone & the form of (religious) morality that must necessarily accompany it. Lockdown has confined us to our rooms. We have had to learn the same “insect-being” as Gregor …
11/ … lockdown has reminded us that our lives depend on a multitude of agents, some of whom we had forgotten or who had become nearly invisible to us: supermarket workers, rubbish collectors, stressed homeschooling mothers, etc. We have learnt to appreciate our neighbours again.
12/ Once again, Latour entreats us to use a world-historical moment to learn lessons for philosophy. This is the form of all his books (the fall of Berlin Wall; Gilets Jaunes protests, Paris Climate Agreement, COVID, etc). Lockdown teaches us to make the world *habitable* again.

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More from @AimeTim

2 Apr
1/ The tenth chapter of @BrunoLatourAIME’s Où suis-je? pivots from how the pandemic has challenged the ideological structures of modernity (the Economy, the object, Nature), to the way it has caused us to rethink the intimate & apparently subjective site of the human body itself. Image
2/ Latour rejects simple dichotomies of objective materiality to which is added “mon corps vécu de l’intérieur, celui de ma subjectivité” (p.120).
3/ Crucially, & poignantly, Latour explains that he has been reminded of this by his own, very sad experience of cancer over the last two years, that I know he has faced with dignity and good faith.
Read 18 tweets
16 Mar
1/ I am continuing my chapter-by-chapter summary of @BrunoLatourAIME’s new book, où suis-je. Here, we come to the ninth chapter. For previous chapter threads, do scroll down on my feed. Image
2/ Latour begins by recounting his participation in a piece of performance art designed by architect & urban planner Soheil Hajmirbaba that visualises attachments & dependences in a group by means of a compass diagram drawn on the floor that is traversed. s-o-c.fr/index.php/abou…
3/ This highlights the artificiality & brutality of any art that interrupts movement in order to fix it on a wall. For Latour, this is quintessentially represented by the “white cube” gallery aesthetic characterised by its square shape, white walls & elevated light source. Image
Read 11 tweets
7 Mar
1/ Continuing my threads on Où suis-je? (see previous threads) – chapter 6 provides an example of @BrunoLatourAIME’s constructive interpretation of Christianity as a religion that can inculcate forms of attentiveness & responsibility with respect to our Gaian interconnectedness. Image
2/ Lockdown has been interesting for “les âmes religieuses”: after all, these people normally have their eyes fixed on the hereafter, & yet lockdown has forced them to appreciate the significance of the “ici-bas”, for a while at least! (p.66).
3/ The religious “above” was never intended to indicate a topography or spatiality; rather, “l’envol vers un au-delà de paix, de recompense et de salut” (p.67) was intended to inspire forms of sympathy, co-belligerence & peace for those who live down here, the poor & downtrodden.
Read 15 tweets
1 Mar
1/ And so I continue my reading of @BrunoLatourAIME’s new book, "où suis-je?". The fifth chapter, entitled ‘Troubles d’engendrement en cascade’, asks what have been the diagnostic effects of lockdown. What have we learnt from this dreadful experience?
2/ No doubt we all agree that lockdown has prompted a sort of generalised concern, “une angoisse partagée par tous”, with respect to the terms of our shared existence with others & how this needs to stay the same or change in the future.
3/ In the political realm, it has exacerbated the tenor of certain existential questions: how to prevent the collapse of the modes of life we had come to rely on? (hence the discourse of “extinction” in XR & other movements, as charted by Danowski & Viveiros de Castro) ... Image
Read 13 tweets
7 Jan
1. adam_tooze is a thinker & writer of the highest quality. His intellectual historical insight, combined with laser-like focus on the key events that define the sweep of meaning in history, is exactly what is needed - a sort of negentropic hopefulness.
2. This article “After Escape: The New Climate Power Politics”, is well worth reading ... & re-reading. Contrary to the sense of terminal fragmentation that some political theologians assume is our destiny, he offers a vision of consolidation & consensus. e-flux.com/journal/114/36…
3. Politics is beginning to move in subtly consensual directions, he claims, even on the climate. Not by baptising a metaphysical paymaster that can prematurely unify disparate actors by force, but because human agents are realising this is a form of life that makes sense.
Read 15 tweets

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