Precure is by design an iterative franchise, even more so with the passage of time, so leaving a strong initial impression often comes down to the level of confidence in the execution - and Tropical Rouge #01 oozes it. Stupidly bold, colorful and fun
Helps to have the right people for the right job. Between the theme and Yutaka Tsuchida being appointed as series director, everyone guessed it would be a very goofy season of Precure, and so far it's living up to expectations. He's a violently funny director
Constructing visual gags where half the fun is watching the characters adopt weird ass postures that are never brought to attention is very much a Tsuchida thing to do
I've always loved the funny continuity in his boards. Turns out that mother and daughter are equally feral so they wreck her suitcase upon meeting, meaning they gotta carry it awkwardly in the next scene. His commitment to these bits makes even the follow-up to the gags amusing
And his comedic timing is second to none
Tsuchida might be literally too funny, he can't even hold back in relatively high stakes situations. Important scene that tells you a lot about the kind of person the protagonist is, but also, the precise cuts make it as funny as they can possibly be. Fuck your villain discourse
He's historically been an excellent match with Ken Ueno, the most characterful animation director in the franchise. Always ready to adlib poses that are inherently funny but also are very telling about the character's demeanor. The intro he personally key animated excels at that
She's a literal animal and Ueno sells that immediately
Working with Nakatani's efficient animation designs and given extra time, Ueno was extremely thorough with his supervision of the first ep. The variable lineweight that even casual fans can identify him by makes an appearance in nearly every single sequence. Cool every time
Excellent faces too. Love how you can tell which come directly from Tsuchida's playbook, which are pure Ueno, Nakatani's contributions, and a mix of the above
Cool action that's also very mindful of the type of character she is. The same athleticism and recklessness you see right up until this point, amplified even further. Turns out that an energetic Precure production with clearly defined vision is great, who'd have thought
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Most episodes of Wonder Egg Priority have been fantastic showings by complete novice directors, so what is it about the show that lets it channel fresh creative energy so well? And at the same time, what are the logistical&thematic issues it faces?
Read🥚➡️blog.sakugabooru.com/2021/02/27/won…
To celebrate Kizumonogatari's 5th anniversary we'll also be publishing weekly interviews with its staff: first, a conversation with lead animators & directors about its creation and what it's like to work under an eccentric genius like Tatsuya Oishi
Read➡️blog.sakugabooru.com/2021/02/27/kiz…
Next time you see someone asking why Kizu took so long to get finished, just tell them that Oishi spent all those years decking Madoka's director. It's only a slight lie
(They all greatly enjoyed working with him for the record)
Excellent episode of Where's Nadeshiko, a Waldo spinoff where you spot her in the countryside instead
An episode storyboarded by Shingo Kaneko and directed by Kagetsu (Masahiro) Aizawa, with a pink-haired girl as the protagonist. Which is to say, it's legally also part of Utena
Satisfying developments & Kaneko continues to offer Yurucamp at its funniest. They barely draw attention to it but I loved the visual gag with the constant cuts back to a girl ominously spying on Nadeshiko... until the gig's up and she's just peeking over her laptop
Tetsuya Takeuchi's iconic hallway scene in Paradox Spiral isn't just cool action, it's also a neat sample of what it's like to let an ace animator to roam freely for the first time. The refusal to abbreviate movement & continuous shots are simply a pure animator enjoying himself
Takeuchi's good friends with director Hirao, and after expressing frustration over not getting the kind of action work he finds fulfilling, Hirao offered him this opportunity to do as he pleased - making this Takeuchi's first proper storyboard, all thanks to his drinking bud
As a result, you've got a sequence unlike anything else in the movie. More fixed cameras as the dynamism comes purely from the characters' actions (lots of z axis movement!) and where Takeuchi's characteristic lively over-articulation shines best
You ever crave donuts so bad you prey upon your magical mascot to eat their hair buns across an entire episode. Like actually eat, digest, it's gone now
Cool background animation is absolutely the right way to start your girls climbing show if you want to make it look as exciting as possible
Respect Iwa Kakeru for attempting to tackle a nightmarish subject matter (constant movement that demands solidity of the bodies!) but still wanting to animate it traditionally. The team's got a curious mix of action, FX, and horny anime experts which I guess sums up those needs