The genesis of the kapila figure has a complex history to it & is associated with 3 distinct elements: 1) His early (probably very 1st mention in the shruti) is in the shaiva upaniShat shvetAshvatara -1 of the late upaniShat-s associated with the yajurveda manasataramgini.wordpress.com/2008/03/16/sam…
This memory continues down to the much later shaiva texts as noted in the article linked above. 2) By the time of the rAmAyaNa we hear of a ferocious v1 dwelling in pAtAla who incinerated the 60000 sons of sagara. This kapila in the pA~ncharAtrika mantra tradition is identified
with the fierce backward or 4th face of viShNu-chaturAtman, the 3 other faces being the regular viShNu or saumya face, nR^isiMha & varAha. That face can be seen in this Kashmirian image:
By the time of the mahAbharata this kapila who burnt the sAgara-s is
identified with viShNu & explicitly stated as his incarnation. Iconographic terms the 4th face takes the place of the nandin in equivalent tetracephalic shaiva imagery. It is attested in early pA~ncharAtrika mantra, the viShNumAya. 3) Then we have kapila the founder of sAMkhya
Several vaiShNava traditions tend to identify #2 and #3 and shaiva traditions identify #1 and #3 being not too interested in #2. Can we decouple history from mythology here? For that we have to consider the early history of yoga-sAMkhya. It seems to have begun as an ancient
tradition that right from early on had both seshvara and nirIshvara flavors. It is possible that the figure seen in #1 & #3 was 1 of the early teachers or even the founder. What we do not know for sure was whether he was nirIshvara himself. We suspect that he was not insistent on
the Ishvara-tattva. However, his philosophy was continued by those with early shaiva or vaiShNava inclinations who gave it an seshvara color & projected that onto kapila. The philosophy was also continued by a spectrum of traditions that ranged from "pAta~njala" to "philosophical
sAMkya" where the Ishvara was either just a tattva to accommodate the primal cause or entirely done away with as superfluous. In this tradition too the old kapila was remembered as an early or foundational teacher. Now we posit that the fierce kapila emerged as a distinct entity
as part of the mysterious sagara cycle. We believe there is hidden meaning in the language of myth surrounding the following motifs: 1) 60000 cousins of garuDa; 2) ashvamedha of sagara; 3) the digging of the earth; 4) their destruction by kapila; 4) the ga~NgA cycle that no one
to date has still cracked. The "mythic" kapila who dwells in pAtAla arose as part of that -- was there hidden sAMkhya teaching in that -- we don't know. However, in vaiShNava tradition, with its foundational saMkhya affiliation, identification of the 2 was a natural progression
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Just putting some thoughts out there based on responses. First two raise the hope that this might be the passing phase. Even some Americans have voiced a similar position: "when reality hits they will return". I wish that were true
but the way I'm seeing it right now it feels different. This is not a rebellion into vacuum but the embracing of a new religion with a community of its own, access to the power structure under piNDaka's benign rule, a sense of victory over vijayanAma-vyApArin etc. So I don't see
them returning unlike the "rebels" of my older generation. There they had rebelled into a vacuum and the realities of life & the need to rear their own kids brought them back in line -- in short they never felt part of a cult. Here navyonmAda offer a cult with power opportunities
The once vigorous lankan flavor of the Hindu tradition had several rituals with deshIya liturgies which were marginalized or exterminated relatively recently by the resurgent sthaviravAdin-s of the shAkyamata. Some examples included the extensive sekra-geDi-shAntiya, an aindra
ritual. One major center of his ritual was Padeniya in lankA where a temple housed his image. Now believed to have been absorbed into the saugata vihAra where the idol is still apparently there. He is said to have sent viShNu to aid the vijayan colonization of lankA from India&
along with viShNu and rudra invented the brAhmI script for the lankans to write and wrote out the word svasti as an illustration. Another such text was the pattinI-yAga which laid out the ritual for the goddess patnI. Then the amara-shAntiya to various deva-s & the planetary
@omarali50 I think I agree with the broad thrust of Dr. Khan's presentation but disagree with 2 specifics: 1) indra was not a BMAC deity acquired by IA (long story but that claim can be falsified in more than one way). 2)The veda-s (my own side sometimes sees it that way) are not a monolith
@omarali50 from a historical perspective. In my reconstruction the later parts were composed after the Arya-s had conquered & settled in northern India. At that time they definitely encountered peoples who were more melanized than them :e.g. nishAda & kirAta & probably the original shUdra
@omarali50 who were perhaps an antagonistic fraction of the Harappan/Harappan periphery people (in the old context not what the term meant later as a hold all 4th varNa). However, contrary to occidental indologists whom he's evidently following, I have strong reasons to argue that the
@parithranaya As far as the marAThA english conflict R. Cooper's work still remains useful. I think the marAThA attention to military modernization has been vastly ignored e.g. the English sources themselves record indigenous production by mahAdjI shinde of ordnance at Agra. His forces were
@parithranaya equipped with these weapons in battle & much latter Duke of Wellington remarks about their successors: "ordnance so good and so well-equipped that it answers for our service" Thus he systematically took up marAThA artillery into English formations. Moreover, marAThA's sought
@parithranaya foreign experts not to just buy weaponry but to obtain advice on making their own. For example, shinde consulted extensively with Scottish engineer Sangster while establish 1 of the largest arms production centers in the country at Agra. His khArkhAna had 5 divisions producing
It can be linked to the word IshAna, which in the earliest surviving layer of H tradition (RV) is used for gods in general& specifically to several gods: indra, mitra, varuNa, agni, rudra, puShaN, marut-s in plural. Subsequently, it became increasing specific to rudra in the
following vedic saMhitA-s. The unaugmented variant Isha is again common in the RV & generally means lord: applied to different gods like indra, agni, prajApati & one could argue also to rudra in a sUkta of bharadvAja. The augmented form Ishvara occurs first in the AV where it is
used in the plural for the deities dyaus, pR^ithivI, antarikSha and mR^ityu. Its usage in more or less the "standard" philosophical sense is in the late AV version of purushasUkta:
puruSha evedaM sarvaM yad bhUtaM yach cha bhAvyam |
utAmR^itatvasyeshvaro yad anyenAbhavat saha
Some verses in vasantatilaka from the raNasthala (Rishtal) inscription of king rAjyavardhana prakAshadharman from 515-516 CE. This inscription marks the opening of the conflict of the Huns and the aulikara-s - a lineage of somayAjin v2 who rose to the defense of the land against
the Hun invaders. Some notable points include 1) the use of the term vipATha elephant-kill ballistas. These were likely the yantra-shara-s that were launched from yantra which tradition believes was invented by rAma bhArgava, likely a cross bow; 2) The capture of Hun women
mentioned here bring to mind their mention in Skt poetry around that time: manasataramgini.wordpress.com/2014/12/29/not… 3) The temple of rudra where prakAshadharman presented the Hun women was likely the site where his son yashodharman's victory pillars stood.