It’s time for our second #WomensHistoryMonth guest post from @rosiesplaques! This time, Nicole tells us about the unstoppable woman behind this handmade blue plaque, which was put up outside The Assembly House in May 2019. Read on below! #WHM2021
“Dorothy Jewson was a fearless, trailblazing feminist, born in 1884 of an alderman in the coal and timber business and a mother from Norwich’s famous Jarrold family. She came from Thorpe Hamlet and was educated at Norwich Girls’ School when it was situated in the Assembly House.”
“Initially a teacher, she became active in politics. She joined the suffrage movement, pressed for alleviation of poverty, supported female workers’ rights and took an anti-war stance. In 1924 she was one of the first women elected to Parliament and gave a rousing maiden speech.”
“She was not afraid of courting controversy - despite being required to do so, she deliberately neglected to wear a hat at the opening of Parliament and later declared that she was not ‘in Parliament to discuss dress or millinery, but to do something’.” #WomensHistoryMonth
“Jewson was instrumental in providing open spaces in #Norwich for the enjoyment of all, such as Waterloo, Eaton, Heigham and #Wensum parks. She can be seen in photos with a trademark knitted scarf long before Doctor Who! She died in 1964.” #WomensHistoryMonth#WHM2021
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All week we've been highlighting women artists from our collection, and today we're focusing on one of our most fascinating artists: Lorina Bulwer, a 19thC resident of the Great Yarmouth workhouse 'lunatic' ward. THREAD 🧵 #WomensHistoryMonth
During Lorina’s time at the workhouse she created a series of embroidered letters, made by creating a patchwork of fabric which she stitched her text on to. We call them samplers because they are similar to the needlework samplers made to teach embroidery to young girls.
On these samplers Lorina mainly stitches words, all in capital letters with no punctuation. They read as a constant stream of thought, sometimes angry, sometimes funny. They provide us with an insight into her mind as well as the world of the workhouse.
On the surface this gloriously colourful painting, 'Flowers' (c.1840-50) by Emily Stannard, is a stunning still-life. But on closer inspection we find that it's even more than that - it's an act of artistic rebellion! #WomensHistoryMonth Thread 👇
In the 19th century many people believed that women were only capable of copying what they saw, rather than using their imagination to create something new.
At first glance this does look like a freshly picked bouquet of flowers arranged and expertly reproduced on canvas. However, Stannard couldn't have copied this arrangement straight from life.