I’m watching the Richard Donner cut of SUPERMAN II for the first time and, with allowances for the fact that they had to use test footage to fill in some moments (and there are still some gaps), it allows a fascinating glimpse at the MUCH better film it could’ve been.
The pacing is brisker, the tone feels more in line with the first film, and more importantly, the character decisions make more sense. Lois is allowed to be smarter and more capable. Clark doesn’t actively nearly kill her for the sake of hiding his identity.
And when the truth does come out, it’s due to Lois’ tenacity and smarts, not him just so happening to accidentally trip into an open fireplace at a narratively convenient moment.
I’ve never been a huge fan of the Clark-gives-up-his-powers sequence, and it still isn’t perfect here, but it gets a fuller explanation and resolution as well.
The only major fault with this cut is the rewind ending which seems to copy the end of the first film. It doesn’t in its original conception. Donner had planned on using the climax of the first film on the second. But I actually don’t think it works as well here for many reasons.
When rewatching the film again, this is the version I’ll likely return to. Tho maybe I’ll skip to the Lester version for the last 5 minutes.
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I’ve seen Dottie described as a red herring and that’s true. Particularly Emma Caulfield being cast as her makes it seems as if she’ll be more crucial than she is, to draw attention away from Agnes. But there’s something I haven’t seen discussed.
Which is that it’s not her only narrative purpose. Another thing she does is confirm that Wanda isn’t yet aware that she’s created this reality. She would have no need to appeal to the ‘queen bee’ in town if she had.
She could’ve just made herself the queen otherwise. What this shows is that the seeds of Wanda’s fantasy falling apart were always there from the start. Her subconscious didn’t create a perfect dream reality for her and Vision.