So this is very exciting. I just managed to get in to see what appears to have been the closed off Royal chapel of the Pallava kings, the Adi Varaha cave temple.
It's still in use, so not ASI, and usually locked; it took a bit of fixing in advance with the Pundit who had the key. Moreover its frustratingly badly lit. But it's still breathtaking- arguably the most interesting of all the Mamallapuram caves.
It contains taller than life size portrait sculptures of Mahendra and Mamalla Pallava, and the in many ways the closest we will ever get to the physicality of early India.
Here is a piece I wrote a couple of years back on Mahendra Pallava who is one of the most fascinating figures in early Indian history:
For more on early portraiture, I recommend Padma Kaimal's brilliant essay, The Problem of Portraiture in South India, circa 870-970 (Artibus Asiae, Vol. 59, No. 1/2 (1999), pp. 59-133)
The Adi Varaha cave also contains a spectacular Gajalakshmi
And a superb Durga standing on the decapitated buffalo head of Mahishasura
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One last set of Pallava masterpieces from the exquisite Kailashanatha Temple of Rajasimha Pallava dating from 685 CE
The sculptures of the north wall-
L- The Goddess Tripura-bhairavi
Middle- Tripurantaka or Tripurari Shiva, depicted with four arms wielding a bow and arrow
R- Durga on her lion (I think...)
Detail of the Goddess Tripura-bhairavi
North wall, Kailashanatha Temple
Kanchipuram
The world's earliest dated inscription of the circular symbol "O", to represent zero, though the Bakhshali manuscript, whose date is disputed, could be earlier. The Brahmi numerals, 2, 3, 4, 7 & 9 are already instantly recognisable.
(1/3)
The Chaturbhuj [The Four-armed God ie Vishnu] Temple just below Gwalior Fort, was excavated out of a rock face in c875 AD, by Alla, the son of Vaillabhatta, and the grandson of Nagarabhatta of the Gurjara-Pratihara dynasty, in present-day Madhya Pradesh.
The inscription states, among other things, that the community planted a garden of 187 hastas by 270 hastas (1 hasta = 1.5 feet) and that the garden yielded 50 garlands for the temple every day. The last digits of 270 and 50 are "O" shaped.
Some favourite masterpieces of early Buddhist art. Over the last week I have been researching the diffusion of early Buddhism. Here are some favourites I dug out from my travels.
1.The King of Varanasi hunting- illustration from Shyama Jataka.
Cave Ten, Ajanta 1stC BC
Detail of Standing Buddha in Abhaya mudra
Gupta, 5thC
Jamalpur Tila
Now in the Mathura Museum
The Fasting Buddha
Gandhara, 3rdC
Now in the Lahore Museum
The Diwani- the document that handed over the three richest provinces in India to the East India Company, 1765. Later, the British dignified the document by calling it the Treaty of Allahabad, though Clive had dictated the terms & a terrified Shah Alam simply waved them through.
As Ghulam Hussain Khan put it ‘A business of such magnitude & which at any other time would have required the sending of wise ambassadors & able negotiators, was done and finished in less time than would usually have been taken up for the sale of a jack-ass, or a beast of burden’
Before long the EIC was straddling the globe. Almost single-handedly it reversed the balance of trade, which from Roman times on had led to a continual drain of Western bullion eastwards.
My next book, The Golden Road, will be focusing on the diffusion of Indic culture in the early centuries AD, and this short video gives an idea of the richness of the archaeological material from the period. livehistoryindia.com/tales-and-trai…
Here is an idea of some of the material I'll be covering, from a piece I wrote for the New York Review @nybooks in 2015
The Great & Beautiful Lost Kingdoms: Hindu-Buddhist civilisations of Southeast Asia, Fifth to Eighth century CE
There will also be a lot about the diffusion of Indic art forms and how the iconography of Ajanta diffused through Gandhara, Afghanistan and Central Asia