Off the back of U Roy I've been digging out a lot of toasters today, and Big Youth really was the king of bizarre streams of consciousness. Jim Squeachy is a particularly strange song
Not sure if this was the 1st vocal version of Winston Riley's Stalag rhythm but surely the first significant one (he versioned it twice). Here's the original horns cut
Around 1 min into Jim Squeachy, Big Youth inexplicably cries out JOHN COLTRANE DIED IN VAIN OF A LOVE SUPREME! And then adds "John Coltrane blow so white he could blow black people's mind every time".
Apparently he didn't know Coltrane was black when he recorded this!
Whatever was going through his head, Big Youth's "superstar" line caught the attention of Wayne "Smash" Hunter who appropriated it in '91 for his Jazzy Grooves project. I dearly love this record
One last thought. John Coltrane's A Love Supreme was really his invocation of God. Remember the final montage in Mo Better Blues? According to Spike Lee it featured the 1st ever depiction of a black woman giving birth in a film, to A love Supreme
So think of that when Big Youth says "God aint waiting at the family planning clinics waiting to deliver births" 😉
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Currently trapped with a baby on my lap, so who wants to join me in a look at what makes up Loaded by Primal Scream? You? Well, ok then...
It's no big myth that Loaded was originally intended as a remix. In 1989 Weatherall reviewed their eponymous 2nd LP. The band read it and offered him £500 to remix the album track I'm Losing More Than I'll Ever Have
Weatherall's original remix was faithful to the original. In this interview for RBMA he claimed he "basically slung a kick drum under their original because I was a little bit scared". Guitarist Andrew Innes heard it and told him "just fucking destroy it!"
30 years today since Unfinished Sympathy came out, and it's only really just occurred to me that the greatest dance single of all time has a pun for it's title. Anyway, who fancies joining me to look at what makes up this track..? Of course you do
The topline was a song written by Shara Nelson before the Blue Lines recording sessions. They developed it with her for the LP. Massive Attack met her in the 80s through Adrian Sherwood who'd recorded various tracks with Shara, like this one
Side note: Shara also worked Jah Wobble on his electro-funk-dub LP Neon Moon with Ollie Marland. Here's opening track Love Mystery
Enjoying @laurent_fintoni's musical highlights of the past decade but as someone who kinda made their name with a remix LP in 2010, I feel like I need to give the art of the remix LP a bit of a nod here, so here's a few which influenced me way before the 00s...
@laurent_fintoni 1982. League Unlimited Orchestra - Love & Dancing. Synth-pop classics, twisted, decomposed and dubbed by Martin Rushent and gang whilst the Human League were off being pop stars