Off the back of U Roy I've been digging out a lot of toasters today, and Big Youth really was the king of bizarre streams of consciousness. Jim Squeachy is a particularly strange song Image
Not sure if this was the 1st vocal version of Winston Riley's Stalag rhythm but surely the first significant one (he versioned it twice). Here's the original horns cut
Around 1 min into Jim Squeachy, Big Youth inexplicably cries out JOHN COLTRANE DIED IN VAIN OF A LOVE SUPREME! And then adds "John Coltrane blow so white he could blow black people's mind every time".

Apparently he didn't know Coltrane was black when he recorded this! Image
Whatever was going through his head, Big Youth's "superstar" line caught the attention of Wayne "Smash" Hunter who appropriated it in '91 for his Jazzy Grooves project. I dearly love this record Image
One last thought. John Coltrane's A Love Supreme was really his invocation of God. Remember the final montage in Mo Better Blues? According to Spike Lee it featured the 1st ever depiction of a black woman giving birth in a film, to A love Supreme
So think of that when Big Youth says "God aint waiting at the family planning clinics waiting to deliver births" 😉 Image

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with wrongtom

wrongtom Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @TheWrongtom

22 Mar
Ok, seeing as no one asked, let's check out the evolution of doo-wop standard I Only Have Eyes For You.

It began in 1934 as a lush orchestral number written by jazzers Eddy Duchin & Jane Froman for a classic Busby Berkley dance scene in Dames
It was a hit that same year when NYC band leader Ben Selvin recruited Howard Philips for a faithful big band rendition Image
It quickly became a jazz standard, and was still going strong when Coleman Hawkins recorded this swing version a decade later in 1944 Image
Read 11 tweets
17 Feb
Currently trapped with a baby on my lap, so who wants to join me in a look at what makes up Loaded by Primal Scream? You? Well, ok then...

It's no big myth that Loaded was originally intended as a remix. In 1989 Weatherall reviewed their eponymous 2nd LP. The band read it and offered him £500 to remix the album track I'm Losing More Than I'll Ever Have
Weatherall's original remix was faithful to the original. In this interview for RBMA he claimed he "basically slung a kick drum under their original because I was a little bit scared". Guitarist Andrew Innes heard it and told him "just fucking destroy it!"
Read 24 tweets
15 Feb
Dipping my toe into the world of @letterboxd lists because I'm missing house parties. Here's a few of my favourites in film... letterboxd.com/wrongtom/list/…
Here's some clips...

Kid n Play vs Sydney and Sharane in House Party
"I am in Paris"
Read 7 tweets
11 Feb
30 years today since Unfinished Sympathy came out, and it's only really just occurred to me that the greatest dance single of all time has a pun for it's title. Anyway, who fancies joining me to look at what makes up this track..? Of course you do Image
The topline was a song written by Shara Nelson before the Blue Lines recording sessions. They developed it with her for the LP. Massive Attack met her in the 80s through Adrian Sherwood who'd recorded various tracks with Shara, like this one Image
Side note: Shara also worked Jah Wobble on his electro-funk-dub LP Neon Moon with Ollie Marland. Here's opening track Love Mystery Image
Read 17 tweets
9 Oct 19
Enjoying @laurent_fintoni's musical highlights of the past decade but as someone who kinda made their name with a remix LP in 2010, I feel like I need to give the art of the remix LP a bit of a nod here, so here's a few which influenced me way before the 00s...
@laurent_fintoni 1982. League Unlimited Orchestra - Love & Dancing. Synth-pop classics, twisted, decomposed and dubbed by Martin Rushent and gang whilst the Human League were off being pop stars
@laurent_fintoni 1987. Madonna - You Can Dance. The versions of Into The Groove and Where's The Party are particularly special I love this LP so much I even gushed about it over at @TheVinylFactory thevinylfactory.com/features/madon…
Read 10 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Too expensive? Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal Become our Patreon

Thank you for your support!

Follow Us on Twitter!