This is La Femme Damnée, by Nicolas Francois Octave Tassaert (1859). Two years earlier Charles Baudelaire published Les Fleurs du mal, & 6 of his poems were banned, including “Femmes damnées”.
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Femmes Damnées (or the damned women) tells of lesbian lovers Delphine and Hippolyta. You can read it all here, but here is the final verse fleursdumal.org/poem/180
Baudelaire and his publisher prosecuted for offending public decency. The court ruled that the erotic poems would “necessarily lead to the excitement of the senses by a crude realism offensive to public decency”. The ruling was only overturned in 1949.
Femmes Damnées may have outraged public decency but it won acclaim amongst artists and poets, who also started exploring themes of lesbianism, often under the title La Femmes Damnées.
Tassaert’s work is a great example of this, as is Damned Women, by Auguste Rodin, c. 1885
Gustave Courbet’s The Sleepers, (1866) is acknowledged to have been heavily influenced by Baudelaire’s La Femme Damnées.
Others include, Georges de Feure’s Femmes Damnées (1887)
Carlos Schwabe’s Damned Women (Delphine and Hippolyta), 1900.
And Alméry Lobel-Riche, illustration for Les fleurs du mal, ‘Damned Women’, 1923
For those asking, no. Sadly, I do not know how one goes about being damned like this.
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This is ‘Christ and the Adulteress’. It depicts a scene from the Gospel of John. The painting was one of Hermann Göring’s most prized possessions. Once the war was over, Allied forces set about discovering who had sold this Dutch masterpiece to a Nazi.
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Göring had acquired Christ with the Adulteress, by Dutch master Johannes Vermeer (1632-75), from Alois Miedl, a Nazi art dealer & right shit who made a lot of money stealing art from Jewish ppl & selling it on.
Göring gave Miedl 137 looted paintings for Christ with the Adulteress and showcased it at his residence in Carinhall. In 1945, Göring’s vast art collection was discovered by allied soldiers led by Captain Harry Anderson (pictured).
Joseph Pujol (1857-1945), better known as Le Pétomane, was a professional farter from France, who headlined at the Moulin Rouge. His stage name combined the French verb péter, "to fart" with “mane”, meaning "maniac", “fartomaniac”.
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Apparently, Le Pétomane was not passing intestinal gas, but had such fantastic control of his abdominal and rectal muscles, he could effectively suck air into to his rectum and expel it at will.
He discovered this talent as a small child. According to his biographers Jean Nohain and F. Caradec, the young Pétomane went swimming in the sea when he suddenly felt a very cold sensation in his bowels.
This is John Singer Sargent’s “Madame X” (1884). Although it doesn’t look remotely controversial today, when it was exhibited at 1884 Paris Salon, the public were so shocked & disgusted that Sargent moved out of the country, and his model’s reputation never recovered.
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The sitter was the socialite Virginie Amélie Avegno Gautreau, wife of the French banker Pierre Gautreau.
Gautreau was an American expatriate, known in Paris as a ‘professional beauty’, meaning she used her looks to advance her social status - which she did exceptionally well
Her husband was much older than she was and very wealthy. Paris was awash with rumours about her multiple infidelities, but the social elite clamoured to be around her, nonetheless.
“The Hangover”, by Hangover
Henri de Toulouse-Lautrec (1889)
Edit. “The Hangover”, by Henri de Toulouse-Lautrec. (As you may have guessed, I am slightly hungover.) I think we need a drinking / hungover art thread to help me out. Here are some of my favs, hit me up with yours below!
Antonio Casanova y Estorach, Monk Testing Wine (1886)
This is a watercolour painting of a condition known as ‘Chimney Sweep's Cancer’, also called soot wart, on a 32yo man. Soot warts are a squamous cell carcinoma of the skin of the scrotum & it was the first reported form of occupational cancer.
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Sweep’s cancer was a common condition in 18th century Europe, but it was particularly prevalent in Britain where the flues were much narrower. Adults couldn’t fit inside, so very young boys aged between 4 and 7 years were apprenticed to sweeps to do the work.
It was extraordinarily dangerous. These ‘climbing boys’ could get jammed in the flue, suffocate or burn to death if their master lit a fire beneath them to speed things up. Its likely this is where the expression to 'light a fire' under someone comes from
Erotic pottery made by the Moche, the society that dominated Peru’s northern coast for 800 years until about A.D. 800. The invading Spanish were deeply shocked at the Moche’s sexual attitudes & set about stomping them out.
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In 1590, Jesuit Jose de Acosta, a famous colonial-era churchmen, wrote that “virginity, which is viewed with esteem and honor by all men, is deprecated by those barbarians as something vile.”
“Except for the virgins consecrated to the Sun or the Inca, all other women are considered of less value when they are virgin, and thus whenever possible they give themselves to the first man they find”