1. From a political angle, the culture wars are dispiriting because actual policy debates get sidetracked, but from a cultural angle they are equally dispiriting because actual culture gets reduced to crassly partisan terms. Consider again Seuss & ethnic caricature.
2. By reducing the Seuss issue to the nonsensical category of cancel culture, an opportunity was lost to bring up something important, the pervasive impact of blackface & ethnic caricature on popular culture. Only a few informed scholars like @philnel discussed this.
3. It's not widely understood that blackface & ethnic caricature weren't just popular in early 20th century, they were the very visual language through which America saw itself as a hybrid society.
4. Blackface & ethnic caricature introduced a gestural expressiveness that changed American comedy. It's main legacy is cartooning. Mickey Mouse, Bugs Bunny etc are heirs. These 1930 comic strips highlight how much Mickey owed to Al Jolson & minstrelry 
5. This very early Mickey Mouse cartoon from 1930 was written by Walt Disney himself and drawn by Mickey's co-creator Ub Iwerks. It really makes clear the visual debt Mickey Mouse has to minstrel imagery. Not how Mickey is nearly a mirror image of the ooga-booga native.
6. Seuss grew up on such images and used them wholesale in his early work. But even as he started to move away from them (as a result of his own political shift during World War II), he repurposed these images into imaginary beings, as @philnel persuasively argues.
7. In the 19th and early 20th century in the United States (and indeed up till the present in the United Kingdom) it was common to portray the Irish as simians.
8. The Irish Simian lives on in two very popular characters: the American everyman Homer Simpson & the Grinch (which Michelle Abate traces back to images like this 19th drawing of Bridget McBruiser).
9. I was dissatisfied with both sides of the Seuss wars. Unlike lunkheads like Ted Cruz, I wouldn't ever show the racist ooga-booga images to kids. But I don't want the books to go out of print either; cultural history is too important. The books should stay in print for adults.
10. My sure-to-please-nobody solution is that Seuss should be in the public domain so the early books with racist/ethnic stereotypes can stay in print and be part of a discussion of the pervasiveness of racist iconography. More here: thenation.com/article/cultur…
11. This is a good selection of drawings that really show the debt the funny animal tradition owes to blackface. Again: not an argument for "cancelling" (whatever the fuck that means) but rather for historical awareness.
https://twitter.com/ben_towle/status/1379855208721874946
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