We could all kind of feel 1/6 coming from a long way out. In both its syncretic, opportunistic rightist ideology and its shambolic, chaotic methods, it was presaged by Charlottesville, by the Proud Boys violence of 2017, and by Trump's 2016 campaign rallies.
Strangely, as the date approached, I became *less* worried about the kind of attack that eventually happened. I thought Trump didn't have the manpower at his command, and I thought by that point they knew they were beaten.
Oops.
Anyway, hopefully 1/6 and the social media bans have chastened the Right, and made them realize the futility of insurrectionist violence.
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3/The reason the government spends money on infrastructure is a positive externality. Roads, bridges, etc. are things that the private sector won't build enough of if left to its own devices.
2/Basically the idea is that Biden wants to have super-competitive export industries to raise productivity, and then have domestic-focused service industries provide mass employment.
3/The cutting-edge industries just don't generate a ton of employment anymore.
This is partly because of technology, and partly because Asia has become the workshop of the world, which requires the U.S. to become the world's research park.
1/As COVID recedes, the world is going to remember that it was in a state of unrest before the virus struck -- and that that unrest never really went away.
2/In 2019 we struggled to come up with a single unified explanation for why practically the whole world was breaking out in massive street demonstrations.
3/One theory was that the protests were a general revolt against economic inequality, and against government policies like taxes and and fee hikes that exacerbated it.
This is interesting, because I feel like weebism is in many ways an effort to recover teen love...not just because people missed out on it, but because America's version of teen love is not very romantic, fun, or fulfilling.
I need to write my General Theory of Weebism in a blog post.
The preview: Weebs imagine Japan is a place where dorky, awkward young people get to be romantic and sexy. And whether or not they're right about that, they end up using Japanese media to create a not-very-Japanese subculture in which they DO actually get to be romantic and sexy.