India bleeds of creativity! From dance.music,movies,to Art ,our country is rich in cultural heritage and home to numerous forms of art. On #WorldArtDay presenting 64 art forms of India
The mastery of as many of the 64 traditional arts. believed that Krishna possesses these #arts
1. Geet vidya: art of singing. 2. Vadya vidya: art of playing on musical instruments. 3. Nritya vidya: art of dancing. 4. Natya vidya: art of theatricals. 5. Alekhya vidya: art of painting. 6. Viseshakacchedya vidya: art of painting the face and body with color
7. Tandulakusumabalivikara: art of preparing offerings from rice and flowers. 8. Pushpastarana: art of making a covering of flowers for a bed. 9. Dasanavasanangaraga: art of applying preparations for cleansing the teeth, cloths and painting the body.
10. Manibhumikakarma: art of making the groundwork of jewels. 11. Aayyaracana: art of covering the bed. 12. Udakavadya: art of playing on music in water. 13. Udakaghata: art of splashing with water. 14. Citrayoga: art of practically applying an admixture of colors.
15. Malyagrathanavikalpa: art of designing a preparation of wreaths. 16. Sekharapidayojana: art of practically setting the coronet on the head. 17. Nepathyayoga: art of practically dressing in the tiring room. 18. Karnapatrabhanga: art of decorating the tragus of the ear.
19. Sugandhayukti: art of practical application of aromatics. 20. Bhushanayojana: art of applying or setting ornaments. 21. Aindrajala: art of juggling. 22. Kaucumara: a kind of art. 23. Hastalaghava: art of sleight of hand.
24. Citrasakapupabhakshyavikarakriya: art of preparing varieties of delicious food. 25. Panakarasaragasavayojana: art of practically preparing palatable drinks and tinging draughts with red color. 26. Sucivayakarma: art of needleworks and weaving.
27. Sutrakrida: art of playing with thread. 28. Vinadamurakavadya: art of playing on lute and small drum. 29. Prahelika: art of making and solving riddles. 30. Durvacakayoga: art of practicing language difficult to be answered by others.
31. Pustakavacana: art of reciting books. 32. Natikakhyayikadarsana: art of enacting short plays and anecdotes. 33. Kavyasamasyapurana: art of solving enigmatic verses. 34. Pattikavetrabanavikalpa: art of designing preparation of shield, cane and arrows.
35. Tarkukarma: art of spinning by spindle. 36. Takshana: art of carpentry. 37. Vastuvidya: art of engineering. 38. Raupyaratnapariksha: art of testing silver and jewels. 39. Dhatuvada: art of metallurgy. 40. Maniraga jnana: art of tinging jewels. #Worldartday
41. Akara jnana: art of mineralogy. 42. Vrikshayurvedayoga: art of practicing medicine or medical treatment, by herbs. 43. Meshakukkutalavakayuddhavidhi: art of knowing the mode of fighting of lambs, cocks and birds. #Worldartday #Worldartday2021
44. Sukasarikapralapana: art of maintaining or knowing conversation between male and
female cockatoos. 45. Utsadana: art of healing or cleaning a person with perfumes. 46. Kesamarjanakausala: art of combing hair. 47. Aksharamushtikakathana: art of talking with fingers.
48. Dharanamatrika: art of the use of amulets. 49. Desabhashajnana: art of knowing provincial dialects. 50. Nirmitijnana: art of knowing prediction by heavenly voice. 51. Yantramatrika: art of mechanics #Worldartday #Worldartday2021
52. Mlecchitakutarkavikalpa: art of fabricating barbarous or foreign sophistry. 53. Samvacya: art of conversation. 54. Manasi kavyakriya: art of composing verse 55. Kriyavikalpa: art of designing a literary work or a medical remedy. #Worldartday #Worldartday2021
56. Chalitakayoga: art of practicing as a builder of shrines called after him. 57. Abhidhanakoshacchandojnana: art of the use of lexicography and meters. 58. Vastragopana: art of concealment of cloths. 58. Vastragopana: art of concealment of clothes. #Worldartday
59. Dyutavisesha: art of knowing specific gambling. 60. Akarshakrida: art of playing with dice or magnet. 61. Balakakridanaka: art of using children’s toys. 62. Vainayiki vidya: art of enforcing discipline. 63. Vaijayiki vidya: art of gaining victory.
Ramayana: The Legend of Prince Rama 1993
-Anime film co-produced by Japan & India ,directed by Koichi Sasaki,Ram Mohan,Yugo Sako (also producer of the film).
Although it was banned in India during the #BabriMasjid riots. later dubbed in Hindi and aired on DD National.
THREAD 1/6
Here are the controversy
The Indian Express misinterpreted Yugo Sako's "The Ramayana Relics" documentary and published that he was making a new Ramayana. Soon thereafter, a protest letter based on the misunderstanding from the Vishva Hindu Parishad was received by the.....
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Japanese Embassy in Delhi, which said that no foreigners could arbitrarily cinematize Ramayana because it was the great national heritage of India.
After the misconceptions were cleared, Yugo Sako proposed the idea of an animated Ramayana to the VHP and the government.
SAPT RISHI /7 Sages
According to the Shatapatha Brahmana, these 7 r the 'authors' of the Vedic hymns. Their names r, Gautama, Bharadvaja,Vishvamitra,Jamadagni, Vashishtha, Kashyapa, and Atri. Here inscribed in the 'takri'script as the 'sons of Brahma,' r these very names.
THREAD
They sit surrounding a small pile of smoldering ash, much in the tradition of Shaivite saints. 1. At the center in the top row sits Jamadagni, with his head thrown back, and his hair reaching his thighs. With the right hand he holds a long rosary.
2. Next to him in the clockwise direction is Gautama, clad only in a loin-cloth, with prodigiously long nails, and similarly long hair under his armpits. He holds his hands above his head, in a tight, clasping posture.
#TamilNadu ear ornaments are generally of 22-karat gold. Goldsmiths there have developed an elaborate ear-ornament tradition, which often necessitates piercing the ear at several locations and distending the hole mode in the earlobe
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to accom modate them. The attention to detail evident in these ornaments, some of which are very small, illustrates the local goldsmith's outstanding skill
These drawings have been culled from thirty of the many volumes of Village Survey Monographs,published in connection
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with the Census of India, 1961, Madras (Tamil Nadu),60, part 45, 1963, in which, among other subjects, the traditional jewelry worn by women and men in each of the villages studied is discussed and illustrated. Ear ornaments have been arranged in horizontal rows by concepts.
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Amrita-Samudra Manthana-THREAD
Dhanvantari, the heavenly physician, emerged with a pot containing the amṛta, the heavenly nectar of immortality. Fierce fighting ensued between the devas and the asuras for its possession. Asuras took Amrit from Dhanvantari and ran away... 1/7
chased by Devas.
The devas appealed to Vishnu, who took the form of Mohini, a beautiful and enchanting damsel. She enchanted the asuras into submitting to her terms. She made the devas and the asuras to sit in two separate rows, distributing it among the devas, who drank it.
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An asura named Svarbhanu disguised himself as a deva and drank some nectar. Due to their luminous nature, the deities of the sun and the moon, Surya and Chandra, noticed this disguise. They informed Mohini who, cut off his head with her discus, the Sudarshana Chakra.
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This lithograph 'Birth of Shakuntala' was the first print to be produced in the Ravi Varma Fine Art Lithographic Press on 12th July 1894. The painting alongside that belongs to a collector now, is of the exemplar used to create this lithograph. 1/4
Do note the print line below the lithograph - it states 'Competition Edition'.
Though it is not from the 'first' lot created in the press, this print is definitely more than 100 years old.
Do keep in mind that there is never an 'original' lithograph. It is a print, and they
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were produced in lots of 100 or more from each exemplar created.
The second and third lithographs created in the Ravi Varma Fine Art Lithographic Press were those of Goddess Lakshmi and Saraswati.
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THREAD on Rukmini Varma's Painting
In a time when India was still a land of splendid Maharajahs and fabulous courts, Rukmini Varma was born in 1940 into one of its most ancient royal houses, with an unbroken dynastic lineage of over 1200 years.
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🎨The Rape of Rambha,1980s
Titled Her Highness Bharani Tirunal Rukmini Bayi Tampuran, Fourth Princess of Travancore, Her great great grandfather, Raja Ravi Varma, is considered the Father of Modern Art in India.
🎨 Woman with fan
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Her grandmother, the last Maharani of Travancore, was a patron of many artists, while her father trained under court painters in the 1940s. Rukmini never studied art formally but developed her own style of realist painting through the 1960s
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🎨Nala Damayanthi Early 1980s