Today in pulp I'm looking back at a very popular (and collectable) form of art: micro leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of micro leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Most micro leyendas were published between 1960 and 1975, before losing ground to more conventional comic books and fotonovelas. There have been more recent reprints however.
The pen and ink artwork in micro leyendas is simple but effective, normally only one or two panels per page. Here's an excellent 1969 example from Rafael Ramirez.
Micro leyendas artwork is often uncredited, and when it is (for example this 1970 cover by Araujo) it's hard to find out much about the artist. That's a huge shame as the work - often acrylic on board - is amazing.
Cover compositions for micro leyendas vary from the traditional pulp montage to the surreal. High contrast colours dominate with plenty of space left for the title and price.
Part of the fun of micro leyendas art is trying to work out what the story was meant to be about. It's quite the creative writing exercise
More from the world of Spanish language pulp anothet time...
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It was a food revolution with a shelf life measured in years, changing how Britain cooked as well as what we ate. The staple diet of a generation, whose very name could conjure up the flavours of the faraway east.
Today in pulp I look back at Vesta ready meals...
Batchelors Foods had been in business since Victorian times and specialised in dried produce and soups. And by 1959, inspired by the American 'TV dinner', they decided to bring the idea of ready meals to the UK.
There was a problem however: in 1959 only 13% of UK households had a fridge, compared to 96% in the US. The American frozen TV dinner wouldn't work in Britain.
Many readers have asked me "why do so many pulp covers feature women in ripped red blouses standing in swamps while a man who looks a bit like David Bowie fights off an unusual animal attack?"
The answer is pulp artist Wil Hulsey...
Wilbur "Wil" Hulsey was the undisputed king of the animal attack pulp cover. You name it, he'd paint it attacking you in a pool of stagnant water.
Very little is known about Wil Hulsey, but he worked on a number of men's pulp magazines in the 1950s and early 1960s including Man's Life, True Men, Guilty, Trapped and Peril.
Time for a pulp countdown now, so here's my top 10 book titles that would make great prog rock album titles!
Everyone loves a 10 minute drum solo, right?
At #10: Murdock's Acid Test! Side one is mellow acid jazz, but side two is all stream of consciousness poetry and percussion...
At #9: Into Plutonian Depths! A concept album where Chinese war gongs, the Welsh harp and nine detuned Hammond organs evoke the legend of Persephone...