so i think there are a few different reasons why the fantasy racism subplot in #ShadowAndBone doesn't work, but it mostly boils down to: it FEELS like racism written for the white gaze (1/)
there are a few ways of engaging with race in SFF worlds. three very prominent modes in recent stories have been: A) normalisation, or what we sometimes call "color-conscious" casting, B) SPECIFICALLY anti-racist/colonialist themes (2/)
and C) the awkward middle sibling that wants to be both. this is where #ShadowAndBone sits.
these aren't hard and fast delineations—ofc stories that specifically challenge racism are also going to normalise the presence of non-white people in the narrative (3/)
but it's the middle one that is usually written by... well-meaning white people. it's when the narrative acknowledges that racism exists, but only at the level of fictional national borders and physical externalities. to my knowledge, the shu han aren't really... (3/)
that prominent in the books? so we already don't know much about the region/people save for the fact that they're... vaguely coded as east asian. beyond her appearance, alina doesn't REALLY have any cultural markers that contextualize her Otherness (4/)
which is why, in a fantasy world of magic and Darklings and mostly-white fictitious nations inspired by diff Western European countries, the "rice-eater" insult & East Asian coding feel out of place. anachronistic. (5/)
it's racism reduced to its most visible manifestations: name calling, caricacture—the ones that are most easily understood by people who don't necessarily face the mental/emotional consequences of racism in their day-to-day (6/)
without an in-depth understanding of WHERE these microaggressions come from other than just "they look different from white people". it's also just Whitness VS East Asianness in this show, too, which is... certainly a choice given the current political climate in the US (7/)
(i might have more to add later but it's brunch time for me!)

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More from @shuurens

5 Jan 20
ok but i just want a story where a princess is arranged to marry another royal in a neighbouring country for political reasons. and yes. ok. sure. our princess is responsible and has a strong, strong sense of duty. but when she gets there the royal isn't a prince—it's a princess?
clearly there was a mistake. surely they meant this girl's elder brother? who's basically prince charming anyway? i mean, this new princess. she... she isn't the *fairest* lady this side of the sea, she's a little chubby, a little too loud and overbearing for her liking.
but the circumstances have deemed it so. it's fine, she'll deal. they spend time together to get to know each other. perhaps a chance to get to know the prince better as well before she's promised to another forever. it helps that the two royal siblings are so close to each other
Read 14 tweets
7 Mar 19
my friend came out as bisexual to me today.

we used to know each other from church, though i stopped going bc i haven't really sorted through a lot of issues i have with my faith. i'm still... so stunned. the sheer amount of courage that it took to come out to me— (1/9)
a girl he just knew from church, someone who just occasionally shows up for the college fellowship meetings—must've been so unbelievably immense. i've known i was queer for two years, and i haven't dared tell any of my friends from church at all. (2/9)
i was waiting for someone when i bumped into him, but we ended up talking for a long while. about church, faith, being queer, and the intersection between all these. i remember him asking me in a whisper, "do you think we'll go to hell?"

friends, my heart broke. (3/9)
Read 9 tweets

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