Today in pulp I look back at the work of Victorian illustrator Sidney Sime.
Come this way...
Sidney Sime was born in Manchester in 1865. After working as a miner for five years he studied illustration at the Liverpool School of Art. His work was first exhibited in 1889.
Sime rose to fame through fantastical illustratons, working initially for Pick-Me-Up and The Idler magazine. In 1899 he used money from an inheritance to purchase and edit The Idler, before selling it on in 1901.
In 1904 he began work for Lord Dunsany, illustrating his first book The Gods of Pegana. Dunsany then became Sime's patron, and the artist worked for him on his books throughout his life.
There's a sly humour in Sime's work for Lord Dunsany: the gothic terror is always undercut with a dash of satire or a witty visual joke. Sime's experience as a caricaturist is evident in many of these drawings.
Sidney Sime has often been compared to Aubrey Beardsley. Both artist emphasized the grotesque, the decadent and the erotic in their work.
Poe, Heine, De Quincey and Meredith were great influences on Sidney Sime's aesthetic. He would read them late into the night at his Crown Cottage studio in Worplesdon.
In later life Sime became obsessed with the Book of Revelation and went on to paint his own visions of the Apocalypse. He also became a recluse, drawing and painting only when he felt like it.
Sidney Sime passed away on 22nd May 1941. His grave in St Mary's Churchyard, Worplesdon, near his studio. A gallery dedicated to his work has been established nearby: sidneysimegallery.org.uk
Sidney Sime is somewhat overlooked nowadays. That's a huge shame as his imagination and skill mark him out as an excellent and evocative illustrator of the macabre. Do look out for his work, it's very rewarding.
More stories another time...
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As Ceefax is trending today let's take a quick look back at the 1970s analogue internet on your telly!
Just waiting for the right page...
Teletext is a way of sending text and very blocky graphics alongside a traditional TV signal, to be decoded and displayed by a suitably equipped telly.
Rumbelows can sort you out with a Ferguson or ITT set if you need one...
And on 23 September 1974 the first teletext service started in the UK: Ceefax on BBC, and Oracle on ITV!*
(*assuming your parents let you watch ITV. Not all did.)
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Lockdowns are mentally tiring, so you may not be in the mood to finish all those classic novels you started to read. Fortunately I have an alternative for you: Classics Illustrated!
Let's take a look at a few...
Homer eroticism: The Odyssey. Classics Illustrated, 1951.
Wrestling with issues of state: The Life of Abraham Lincoln. Classics Illustrated, 1958.
Today in pulp I'm looking back at a very popular (and collectable) form of art: micro leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of micro leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.