'Hufelandstrasse, 1055 Berlin' is Harf Zimmermann’s 1986–87 series of portraits of the people and places of Hufelandstrasse, a bustling neighborhood street in the heart of Berlin.
For over a year, Zimmermann photographed almost daily on the street with his large-format camera, asking shop-owners and residents if he could take their picture. Hufelandstrasse was then home to a varied cross-section of citizens of the German Democratic Republic
Everyone seemed to feel connected to the place and responsible for it, to be acting in tacit consensus and always working to save the diversity of their island from the sea of gray for as long as possible - Harf Zimmermann
Inspired by Bruce Davidson’s East 100th Street, his radical depiction of life on a block in East Harlem, Zimmermann set about documenting Hufelandstrasse where he also lived at the time.
As well as families, he concentrated on stores and workshops―from bakeries and cobblers, to a pet shop and even an atelier for repairing women’s stockings ― an uncanny concentration of private business which had otherwise been fazed out by the communist state.
"During the decline of the German Democratic Republic I felt like a final witness who was able to capture everything for the last time, before it would disappear forever. I spent the days on the street with my plate camera, and nights in my kitchen darkroom" - Harf Zimmermann
All images from the book 'Hufelandstrasse, 1055 Berlin' by Harf Zimmermann
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No need to rush online as it's now out of print, well, unless you've got a spare £320

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More from @YourWullie

12 Jan
Kate Simon was born in New York in 1953. She developed an interest in photography at an early age after her father gave her a Polaroid camera. In 1972, Kate moved to London and started work for various magazines and as a tour photographer.
Here are some of those images
The Clash, London, 1976
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“Bernie Rhodes asked me to take some photographs of these good friends who were The Clash. I went over to where they were rehearsing, and I'd no idea it was for the cover. They were natural subjects, so I really couldn’t miss.”
Debbie Harry on the roof of W 58th St, New York, 1977
Read 19 tweets
29 Dec 20
Some of my photos from various indy get togethers have been used by @AUOBALBA in a 15 month calendar. If interested it can be bought via the link below.
📸🏴󠁧󠁢󠁳󠁣󠁴󠁿❤
auob.org/shop/calendar-…
An @AUOBALBA march in
Glasgow, May 2019. ImageImageImageImage
I've had a few folks ask how this is gonna work, hope this clears it up.
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The archive I'm building is not a project for sharing on social media, i will post a few of the portraits on here to maintain visibility but only with agreement of those in the photograph. Image
Read 7 tweets
5 Nov 20
In 1981, aged 25, Paul Graham started his first serious project. The concept was to travel up and down the A1, the 410-mile road that stretches the length of the UK from London to Edinburgh, and capture the people and places he came across.
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Here's some of those images
Cafe Assistants, Compass Cafe Colsterworth, Lincolnshire, November 1982.
Photo Paul Graham
Little Chef, St. Neots,
Cambridgeshire, May 1982.
Photo Paul Graham
Read 18 tweets
31 Oct 20
Here's a few of Margaret Fay Shaw images of a traditional Hebridean Halloween, South Uist, Scotland in 1932.
Margaret was fascinated with local folklore customs and in 1932 she decided to take images, still and film, of the local children as they dressed up to celebrate Halloween or Oidhche nan Cleas (‘Night of Tricks’).
Sheepskins – including the scraped-out skull and ears – were commonly used to hide the identity of a guiser. The gìsears would carry lit peats to guide them from house to house, where they gave a song or told a fealla-dha (joke) in return for a treat, usually a scone or a bannock
Read 6 tweets
11 Sep 20
Scottish photographer @simonmurphy7 has been photographing the residents of Glasgow's Govanhill, highlighting and celebrating the diversity the area he once called home.
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I will post a few of those images in this thread, if you like what you see, please give Simon a follow. 📸
When I ask, most people say yes to having their portrait taken. My interest in them is perhaps based simply on me liking the jumper or shoes that they are wearing, but it comes from within, it’s genuine, and people read you very quickly - @simonmurphy7
Merik, a Performance Artist
If you are not open and honest, then they will not respond to you - @simonmurphy7
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Alex - Govanhill, Glasgow.
Read 12 tweets
10 Jul 20
The Art of Album Covers.
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A Buck Rogers XZ-38 Disintegrator Pistol, manufactured in 1935 by Daisy.
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Used by Foo Fighters on their self titled debut studio album, released on July 4th, 1995
The Art of Album Covers
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Photographer Robert Freeman was showing the Beatles potential images for the Rubber Soul album. He was projecting a portrait against cardboard when the cardoard fell back distorting the image.

McCartney said, “we felt that image fitted perfectly.”
The Art of Album Covers
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A page from the March 1978 issue of National Geographic.
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Part of which was used by Pavement on the 1994 release, Crooked Rain, Crooked Rain
Read 18 tweets

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