In 1887, the artist George F. Watts proposed a tribute of a different sort for Queen Victoria’s Golden Jubilee. He believed art could act as a force for social change & suggested a monument celebrating "heroism in every-day life."
(2/12) Watts referred to Alice Ayres, a nursemaid who died in a fire after she saved the lives of her employer’s children by throwing a mattress out the window and dropping them to safety. She was then overcome by the fumes and stumbled out of the window to her death.
(3/12) Watts proposed that a marble wall inscribed with the names of everyday heroes be built in Hyde Park. Sadly, his suggestion could not garner enough support, leading him to quip that if he had proposed a race course instead, he would have had plenty of sympathizers.
(4/12) Then, in 1898, Henry Gamble—a longtime friend of Watts—acquired the land which would later be called Postman’s Park. Watts suggested that the memorial be built there. Although there was resistance, construction began a year later after the necessary funds were secured.
(5/12) On 30 July 1900, the 50 foot long wall with space for 120 ceramic plaques was unveiled to the public. Watts, who was then 83 years old, was too ill to attend the ceremony. He died 4 years later.
(6/12) Over the course of several decades, plaques were added to the wall, many of the names chosen from Watts’s collection of newspaper clippings he had accumulated over the years about "everyday heroes."
(7/12) In 1931, the 52nd plaque commemorating the life of Herbert Maconoghu—who died aged 13 while trying to rescue two drowning classmates—was placed. This would be the last name added to the wall in the 20th century.
(8/12) After Watts’s wife and lifetime advocate of the memorial died in 1938, the wall fell from fashion and it seemed that no names would ever be added to it again. Then in 2007, a man named Leigh Pitt died while rescuing a 9-year-old boy from drowning in a canal in Thamesmead.
(10/12) Today, Postman’s Park attracts only a handful of visitors who are drawn, perhaps, to the strangeness of the Victorian deaths chronicled on Watts’s wall. After all, not many people are trampled under the hooves of runaway horses, or die in theatre fires these days.
(11/12) In this way, the plaques are as much a historical testament to an era long gone as they are to the lives of the people whose names adorn them.
(12/12) There is still interest in commemorating #EverydayHeroes. Folajimi Olubunmi-Adewole, who died saving a woman in the Thames last Saturday, was recently nominated for a bravery award. I think he would be a worthy addition to Postman's Park, too.
In the first half of the 20th century, polio was the leading cause of death in children and young adults. In extreme cases, the virus can cause spinal and respiratory paralysis, making it impossible to breathe. 1/7
An outbreak in Brooklyn in 1916 led to the widespread closure of cinemas, parks and swimming pools. The names and addresses of the infected were published daily in newspapers. Warning notices were nailed to their doors, and entire families were forced into quarantine. 2/7
By the 1920s, the situation had reached critical mass. One day Philip Drinker – an industrial hygienist– visited a hospital to consult on a problem with the air conditioning. The sight of dying children with paralysed diaphragms, however, affected him deeply. 3/7
I've missed out on a lot of events this year due to #breastcancer, which means I've missed opportunities to engage with readers about my new book, #TheFacemaker. So, let me take a moment to tell you more about this book, which took me five years to research and write.👇 /1
From the moment the first machine gun rang out over the Western Front, one thing was clear: Europe’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed.
Never before had the world faced such slaughter. /2
Stretcher-bearers could rarely step onto a battlefield without becoming a target. Their mortality rates were extraordinarily high. When Private W. Lugg picked up an injured man, it took him ten hours to travel 400 meters. Wheeled carts were mostly useless on blasted terrain. /3
From the moment the first machine gun rang out over the Western Front, one thing was clear: Europe’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed.
The war claimed millions of lives and left millions more wounded. In the midst of this brutality, however, there were also those who strove to alleviate suffering. Not all soldiers had access to surgery, nor did everyone wish to undergo months (or years) of painful operations.
Artists sculpted masks for disfigured soldiers. This prosthesis was created by the American sculptor Anna Coleman Ladd. During the war, she created masks of the soldiers’ faces from clay or plasticine in order to create a prosthetic piece made of thin galvanized copper.
During the Civil War, attempts were made to reconstruct the faces of soldiers injured in battle. Pictured here is Private Roland Ward, who underwent several operations without anesthetic to repair his face in the 1860s.
(3/8) The most skillful surgeon to emerge during this period was Gurdon Buck, who helped repair the face of Private Carleton Burgan (below) after a gangrenous infection destroyed his upper mouth, palate, right cheek & eye.
(1/15) My forthcoming book THE FACEMAKER is about the pioneering surgeon Harold Gillies who rebuilt soldiers' faces during World War I. But Gillies is only one part of this story. Today's THREAD is in honour of the nurses who played an integral part in the war effort.👇
(2/15) Never before had the world faced such slaughter. During WWI, medical staff applied 1.5 million splints, administered 1,088 million doses of drugs, fitted over 20,000 artificial eyes & used 7,250 tons of cotton wool while applying 108 million bandages to injured combatants.
(3/15) More than 6,000 medical staff would die and over 17,000 would be wounded in the British Army alone. No matter how hard doctors and nurses worked, they were consistently overwhelmed by the sheer number of wounded men.
From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed.
The war claimed millions of lives and left millions more wounded. In the midst of this brutality, however, there were also those who strove to alleviate suffering. Not all soldiers had access to surgery, nor did everyone wish to undergo months (or years) of painful operations.
Artists sculpted masks for disfigured soldiers. This prosthesis was created by the American sculptor Anna Coleman Ladd. During the war, she created masks of the soldiers’ faces from clay or plasticine in order to create a prosthetic piece made of thin galvanized copper.