Handmaid’s Tale season 4 has gone off the rails from a story telling perspective. I am all for suspending disbelief when I am watching sci-fi but not when I am watching something that should still apply the laws of common sense.
Or at least common Gilead sense. There is so much going on that simply would not occur in Gilead or in any society that behaves the way Gilead does. June’s own actions also defy belief considering what she has been through over the last few years.
It’s always been the case that June should have been on the wall in season 1 and that is true but the fact that she is not on the wall early in season 4 along with Lawrence is beyond belief.
The way ep 5 ended appears to have been emotional for some viewers but I found it laughable. Especially considering the distance from Chicago to the closest point in Canada. The idea that Gilead would let that happen is again beyond belief.
What I fear most though is that the story appears to be heading for regression. Maybe I’m wrong and things will continue to move forward but the producers seem to have found their torture porn lane and are going to ride it all the way. #handmaidstale
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Spent the last little while revisiting the music of St. Vincent after only giving it a cursory glance in past. With early reports of the style of her new album being quite compelling I wanted to prepare myself for that release.
Her first two albums, Marry Me and Actor clearly show some promise and a desire to do whatever she wants. The wide range of styles and influences in these albums was clearly a sign of things to come. #StVincent
Third album, Strange Mercy expands on her talent for experimentation. Actor and Marry Me showed some punky jazz, folk rock and a little Brit pop but those didn’t quite come together. Strange Mercy goes much bigger than that and works. It’s soundtracking a moment in her life.
It was the release of #TheUnravelling that has led me to dive headlong into @drivebytruckers. I’ve listened to them plenty before but have never taken the time necessary to really absorb them.
My first introduction to them was through hearing @JasonIsbell perform some of the contributions he made to the band but it was 2016’s American Band that I started to learn of the long term driving force behind then. That being the creativity, talent and conscience of
@pattersonhood and Mike Cooley. There is a coarseness to their voices that through the compassion and conscience of their songwriting becomes soothing, comforting and remarkably convincing. It’s especially powerful in the bands more recent albums but it has always been there.