Today in pulp: what makes a good pulp book title?

Hmm... Image
As we all know a good title is essential if you're trying to make a potential reader pick up your book. But in the world of pulp the title has to do a little more than this. Image
First it has to confirm the genre. Pulp is very much a genre-based business and readers need to know what kind of story they're getting into. ImageImage
Secondly it has to tell the reader whether this is a character led novel or a plot led one. ImageImage
Finally it needs to signal the author's tone of voice and attitude. Is the book serious or lighthearted for instance? ImageImage
Having read several thousand pulp novels over the years (don't thank me, it's what I do) I've also noted several key words that frequently appear in the titles. Each is a sure sign that you are holding a pulp novel, rather than something long and unreadable by Jonathan Franzen. Image
Firstly does the title involve a sword? If it does then it's probably pulp. ImageImage
Is any form of storm occurring? Again, this is a sure sign you are looking at a pulp novel rather than a weather forecast. ImageImage
Is anyone or anything borne at all? Borne is a peculiar word that only appears in pulp literature or the occasional Seamus Heaney poem. Yes, those two things are different. ImageImage
Common motifs from pulp plots also appear in their titles. For example the midnight hour... ImageImage
...things being in webs... ImageImage
...and brides of various descriptions. ImageImage
Pulp titles also lean heavily on atmosphere and description. The world of pulp often involves shadows for instance. ImageImage
And any mention of Satan is a sure giveaway that you have wandered into a pulp world. ImageImageImageImage
Pulp colours are very basic. Things are either black... ImageImage
...or they're golden. ImageImage
Place names are populat in pulp titles: the more exotic the better. ImageImageImageImage
Or if it's domestic pulp you can always just set it in the gutter. ImageImage
There are of course no prizes for guessing what the most popular word is for a pulp book title... ImageImageImageImage
...but bonus pulp points if you get sex and witchcraft onto the same cover. ImageImage
The most important point is this: don't be boring! People read pulp for thrills, excitement and weird kicks, so make sure your title lets them know that's your bag.

More writing tips another time... Image

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More from @PulpLibrarian

21 May
Today in pulp: a cautionary tale of trying to shoehorn fiction into a standard formula. It never really works.

This is the story of Laser Books… Image
Roger Elwood started out editing wrestling magazines in the early 1970s, until he became bored and turned his attention to sci-fi. He became a prodigious producer of anthologies, editing over 40 in 1973-74. ImageImageImage
And in 1974 Elwood began discussions with Canadian publisher Harlequin, about a new line of science fiction books. Harlequin had toyed with sci-fi in the 1950s but was best known for publishing formulaic romance fiction ImageImage
Read 12 tweets
20 May
Time once again for my occasional series "Women with great hair fleeing gothic houses." And today we visit Germany.

This may involve compound nouns... Image
Germany is of course the land of the spooky schloß, but there are many other domiciles that Frauen mit Tollen Haaren can flee from... Image
They can flee a handsome Hanoverian crescent... Image
Read 14 tweets
18 May
Time for a pulp countdown now, and today it's my top 10 forgotten home microcomputers!

Let me just plug this tape recorder in and tune the TV set...
At #10: the 1982 Sharp X1! Possibly the most '80s looking 1980s computer ever created, it sold very well in Brazil. MSX really was the future once...
At #9: the 1982 Oric! rashed games more times than it loaded them and felt like typing on bubble wrap. Blakes 7 fans bought it because it sounded a bit like Orac...
Read 12 tweets
18 May
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!

Press any key to continue...
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light.
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.

It was an interesting approach...
Read 8 tweets
17 May
Many readers have asked me over the years what my definition of pulp is.

I've thought about it a lot, and the one I keep coming back to... well it may surprise you.

Let me try and set it out...
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
Read 29 tweets
16 May
Today in pulp I'm looking at some of the many illustrators who worked for Ladybird Books.

The following thread may bring back memories...
Ladybird Books began in 1914, but they really hit their stride from the 1940s onwards. Their distinctive hardback design with a bright, bold cover illustration made them hugely appealing to young readers.

Let's look at some of the people who helped make those iconic covers.
Angusine Jeanne (A.J.) Macgregor illustrated many of the early Ladybird titles. She was born in Birmingham in 1879, where she later studied art before becoming a children's book illustrator. She began working for Ladybird in 1940.
Read 21 tweets

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