This Shiva temple is situated around 82 km from Warangal (Telengana), and is located near Kulpak ji, a famous Jain temple. This Shiva temple is also known as Veyi Lingala gudi, meaning the temple of the thousand lingas (a beautiful Sahasralinga- image given). @LostTemple7
Adorned with beautiful carvings & sculptures the temple was originally built by the Chalukyas. Inscriptions found here place the temple at around 1070-1126 CE, as evidenced from the different narrations found in them detailing how the Chalukyan kings patronised the temple.
From the inscriptions it is clear that the Chalukyan kings patronised this temple by donating land, gold, cows, etc. The temple as it stands now however shows a great deal of Kakatiyan workmanship too, possibly owing to the later additions/modifications/renovations made by them.
There is a sort of museum inside the pillared galleries and the courtyard where many murtis are placed. It includes murtis of Ganesha, Rama, nagas, shiva, devi saraswati, etc
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The Kailash temple at Ellora, previously known as Manikeshwar, stands as a sculptural & architectural marvel of early medieval India & is the most remarkable of all cave temples in India. 1/4 @LostTemple7
2/4 Kailash temple is generally attributed to the Rashtrakutas, particularly to Krishnaraja I (757-772 CE) based on some inscriptions.
3/4 However, according to the two leading authorities on the Kailash temple, Herman Goetz and M.K. Dhavalikar, the temple as a whole lacks the homogenous art of just one ruler and is almost impossible to have been fully done within the 15-year rule of Krishnaraja I.
She also offered considerable charity to the Imperial Library (now the National Library of India) and the Hindu College (now Presidency University).
The most magnificent contribution of Rashmoni was the construction of the famous Dakshineswar Temple dedicated to Goddess Kali.
Rashmoni persuaded these families and helped them to build up fisheries in the surrounding water bodies that later turned into large rich bheris (fish ponds). They gradually gave up their plundering and transformed themselves into a community of fishermen.
Chandraketugarh, a 4th c. BCE urban site in West Bengal that had thriving trade connections with other ancient civilisations of the world. The site is rich in archaeological remains. (*contd. in thread) @LostTemple7
(All info from IIT Kharagpur research paper)
Photos: google
The ruins have yielded innumerable archaeological antiquities ranging from coins, beads, terracotta, stone sculptures, gold coins, & bone, ivory and wooden artifacts. The quality and artistic skill of the excavated artifacts indicate that it was once a highly developed city.
A polygonal brick temple facing north, known as Khana Mihirer Dhipi was recovered from this site. Since this area in all probability was then connected to the Bidyadhari River, it can be termed as a port city. This site was known as ‘Gangaridai’ to the ancient Greeks & Romans.
The painting represents the court of Rani Rudramma of the Kakatiya dynasty meeting Marco Polo, who was representing the Mongol king Kublai Khan (13th c. CE).
Painter is Prabhat Mohan Bandyopadhya (1904-1987).
Marco Polo is shown accompanied by Chinese and Mongol representatives, and they are carrying gifts of silk and Chinese pottery.
Here the Rani and her throne has been painted based on the image of Indrani in Ellora.
The two huge gold makaras are based on the two makaras seen on top of Yamuna in Ellora. The queen’s crown shows the Nataraja carved in emerald, which depicts her as a Shaivite.
Hindu-Zoroastrian temple at Baku, in Azerbaijan.
The fire temple where the fire burns constantly, and Gayatri mantra is played as background music.
An inscription from the Baku Atashgah reads: I salute Lord Ganesha (श्री गणेशाय नमः). @LostTemple7
(Check thread for more)
The second inscription venerates the holy fire (जवालाजी, Jwala Ji) and dates to Samvat 1802 (संवत १८०२, or 1745-46 CE). The sole Persian inscription on the temple (though ungrammatical), also refers to the fire and dates it to 1158 Hijri, which is also 1745 CE.
There is also An inscribed invocation to Lord Shiva in Sanskrit at the Ateshgah.
An inscribed invocation to the Adi Granth in Punjabi at the Ateshgah also shows sikhs would visit the place, likely as part of the traders caravans.
2. Closeup shows Vishnu’s crown, necklace details, sri vatsa, sankha (conch) and padma (lotus) in his two hands. 3. Close up of the left hand carrying the stylised lotus, shows carving details that include depicting realistic finger nails. Shiva is seen behind the lotus.
4. At the base of his feet is an inscription detailing Hindu samvad year (1204, month of Magh, Friday) when the image was completed, and the donors’ names.