One thread on sir-ing and anna-ing people.

There is this strange and amusing phenomenon I have noticed in the Tamil film industry networks. And in fact, this is true for the Tamil political circles as well.
Whenever you meet someone who is even slightly younger to you (or sometimes even older than you), they always begin addressing you profusely as 'anna' or 'sir'.
But because I have been uncomfortable with both these terms, I often tell them that they could just call me by my first name. They initially hesitate to do that. But after repeated nudging, they agree to address you by your first name.
But the strange thing is, in both these circles, when people start calling you by your first name, their behaviour towards you quickly disintegrates into disrespect and enters a zone of escalating bad manners.
And you are often surprised at the quick change in their tone and behavior. It is almost as if they can't be respectful towards someone without calling them 'anna' or 'sir'. The moment you discourage them to use these two terms, they assume it is an invitation to behave badly.
So after a point, I let people call me as 'anna' or 'sir', even though I totally cringe hearing them. But then, in almost all these cases, I realize that people more or less remain respectful. And there isn't much change in their behavior towards you.
Which is strange, but you at least don't have to deal with their rudeness anymore.

If you think about it, the Government or the corporate sector is well defined in its hierarchy.
So people who work in these places know who they should suck up to and who they can take for granted. But this is not the same with the film industry or political circles. In both these places, except for those at the very top, the fortunes of the rest fluctuates greatly.
And people are never sure who to respect and how much to respect. So I suppose they more or less hide behind these sir, ma'am, anna and akka terms.

Unfortunately, in a hierarchical caste society, this seems to be the only way people know to socialize with each other.
They can either put you on a pedestal. Or put you down. There hardly seems to be a middle ground.
So whether you like it or not, you are forced to play by its rules. These days, I accept the 'anna's and 'sir's after putting up some faint initial resistance. Because it works better that way.

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More from @rajamanirajesh

20 May
A thread on Savarna standup comics and their supposed 'jokes'.

The debate around the casteist 'jokes' or tweets of Savarna standup comics has deliberately been reduced to arguing if one should 'forgive' them for something they did long ago or not.
I just want to say a few things in this regard.

The English standup comic scene in India is an elite space that is entirely monopolized by the Brahmin-Savarnas. That includes both the comics and the audience.
Which is why when Neville Shah made those casteist 'jokes', he wasn't rebuked by the audience. Instead, they lovingly lapped it up. So it is not true that Neville Shah cracked those 'jokes' because his mom died or something.
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A thread on 'Geeli Pucchi'!

One thing that struck me about Neeraj Ghaywan's short 'Geeli Pucchi' from the Netflix anthology 'Ajeeb Daastaan' is that it is probably one of those rare films that problematizes the role of the Brahmin woman in the caste structure.
The last decade might have seen several films that engage with the subject of caste from an anti-caste perspective. But most of these films locate their central conflict between an OBC and SC caste.
And whenever some Brahmin-Savarna filmmaker is involved, a Brahmin savior character is also thrown into the mix.
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One thing I realized during my three weeks long covid quarantine is that Hollywood popular cinema can make for a great watch during this period. When the quarantine started, I was being a little too ambitious and started with Krzysztof Kieslowski's 'Deklog'.
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So I quickly abandoned all sorts of serious films that demanded a lot of emotional or mental investment and went with simple Hollywood classics.
And I must say they made my quarantine quite enjoyable.

I started with Steven Spielberg's 'Catch Me If You Can' (2002). The film had the right amount of thrills and also felt like a fuzzy Christmas movie at the same time.
Read 14 tweets
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In August 2012, Outlook magazine came up with an issue that supposedly did some survey and found that Dr. Ambedkar is the greatest Indian after Gandhi. If I remember it right, that particular issue was put together by S Anand.
The cover story was written by Vinod Mehta and some of the other stories were written by Uttam Sengupta, Sudheendra Kulkarni and S Anand himself. There were also pieces by Gail Omvedt and Anand Teltumde.

The issue was a super hit among Dalits and other Bahujans.
Though there was some discomfort in leaving Gandhi out of the race, everyone still went berserk praising the issue and probably bought the magazine in large numbers too.
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A short note on 'Karnan'

I think there were exactly two or at best three points in 'Karnan' that put me off. But when I looked beyond some of those cinematic compromises, I think I loved 'Karnan'.
What an arousing and moving film on the human spirit and the extent it is willing to go to fight for its dignity.

'Karnan' is a story of a community's resistance.
That would fiercely guard its dignity and is willing to confront even the mighty power of caste structure and state machinery. It is unfortunate that some people intend to interpret the story of a community's resistance into a superhero's battle.
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