1. This thread makes a compelling case that (alas) the Steinbeck werewolf novel should probably not be published. At the very least it shows how nettlesome and difficult the managing of literary estates is.
2. You would think that once a writer is dead, their literary career is over. That's a mistake. Death can bring with it lots of questions of what should be preserved, what published, what edited, what left to the privacy of the archive.
3. Even seemingly obvious rules ("the author's last wish should govern estate") falls apart in practice. The world is a richer place because the last wishes of Virgil, Emily Dickinson and Kafka (to destroy major works) was disobeyed.
4. An author isn't always the best judge of what is valuable in their work and posterity can find value in discards. The stone the builder rejected has become the cornerstone etc.
5. A good rule of thumb might be to err on the side of preservation but be selective about publication. All of which is newly relevant as Philip Roth states says there is strong likelihood they will destroy many of his papers. A podcast discussion here: jeetheer.substack.com/p/should-we-bu…

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More from @HeerJeet

21 May
1. The last 25 years of Philip Roth's are depressing to contemplate. After a bitter divorce, Roth became unmoored: touchy, self-justifying, quick to break with old friends, prone to doomed relationships, eager to find a biographical vindication. His estate continues the folly.
2. There's a weird ouroboros quality to accounts of Roth's last years because they were spent trying to control -- to shape or to resist -- the biographies we're reading. Plus a novel (Exit Ghost) about his alter-ego's fear of a biographer. Snakes eating their tails.
3. Roth wanted a biographer who would refute the account given to him by his ex-wife Claire Bloom. In the process he used one biographer as a sock puppet & broke with him (Ross Miller), stonewalled another (Ira Nadel) & finally settled on Blake Bailey (now accused of rape).
Read 7 tweets
19 May
1. No Drama Obama on the UFOs: "We can't explain how they move, their trajectory. They did not have an easily explainable pattern. And so I think that people still take seriously, trying to investigate and figure out what that is."
Reasonable! But should we be freaking out?
2. As people rightly insist the "u" in UFO just means "unidentified." Doesn't necessarily, or even at any serious degree probably, mean space aliens. Just means there is weird shit flying around all over the world which we can't explain. Which is interesting/worrying.
3. Depending on you rigorously you want to define UFOs, they've been a thing since 1940s, or 1890s, or really the beginning of recorded history. Humans often see things they can't explain! And in vast majority of cases that's just optical illusion and/or delusion.
Read 4 tweets
18 May
1. Fittingly, Philip Roth is posthumously entangled in several overlapping scandals about free speech. Equally fittingly, they are an outgrowth of Roth's characteristic attempt to have extreme control the narrative of his life & the inevitably blowback this produced.
2. I don't think it's sufficiently appreciated how Roth made to engineer a biography that he hoped would vindicate him against the portrait given by his ex-wife Claire Bloom in her memoir.
3. The broad story is Roth wanted a sock puppet official biographer who would voice his side of the story. The first sock puppet (Ross Miller) passive-aggressively resisted & so Roth settled on Blake Bailey. Whose bio overshadowed by sexual assault accusation. Hubris & nemesis.
Read 7 tweets
15 May
1. Trump is committed to lying to delegitimize 2020 election; most elected GOP de facto agrees; lies about election are ideological fuel to efforts to roll back voting access. It's in that context, Dems have a right to ask Never Trump Republicans to do much more.
2. Liz Cheney's anti-Trump words are welcome but if the broader threat to democracy is real (and it is) then she should pressed on that. Also worth challenging the silence of George W. Bush.
3. Bush has gotten a remarkably free ride. All he has to do is subtweet about Trump and his approval numbers among Democrats dramatically improve and he gets mainstream media praise for his mediocre paintings.
Read 4 tweets
15 May
1. In terms of democratic regression in the United States, the example that most people think of is of course the rise of Jim Crow in late 19th century as part of counter-revolution against Reconstruction era. But there was an earlier example also pertinent for now.
2. The early 19th century, peaking with Andrew Jackson's reign, used to be portrayed as an era of the democratic revolution & mass enfranchisement (the Schlesinger/Wilentz view). But that's true for white men. Other groups lost voting rights previously held.
3. In the early Republic some women had the vote (widows who headed household), as well as some freed Black men and Native men. Most (not all) saw their voting rights curtailed with the rise of white male democracy.
Read 5 tweets
14 May
1. Speaking of authoritarianism, yesterday's NY Times report of Trumpists (led by Betsy DeVos' brother Erik Prince) organizing a spy network to entrap FBI agents and national security advisor H.R. McMaster should be seen as part of the same governing pattern as Jan. 6 riot
2. It was the usual Trumpian clownshow (i.e. Project Veritas was involved) and more Get Smart or Austen Powers than James Bond. For that reason the usual suspects (you know who they are) will say it was no big deal. But it shows how American authoritarianism would work
3. Lewis Namier described 18th-century British politics as "aristocracy tempered by rioting." In the same spirit, Trumpism is authoritarianism tempered by clowning. But future demagogues might have a different authoritarian/clownshow ratio.
Read 4 tweets

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